I couldn’t go home to Oliver’s house. I was now a person who couldn’t walk, as well as one who could not see. My eyes had shut down again when the blind panic of adrenalin ceased. My blind panic, so it seems, gives me sight.
In hospital, I had received flowers from my agent.
This was both to say, ‘Well, you are in hospital again’ and to mark the broadcast of my most recent short story on Radio 4. The story was a nasty jab at the consultants and junior doctors in the previous ward I had been in, in that very hospital. Of course, it was all transmuted into fiction, but I’d been so sad about the old doctor lying there politely dying next to me, that I made up a story where, although he died, he won honour from the teeth of humiliation.
Two things: the consultant whom I had had in my sights in that story on that day cancelled the appointment that had been made to investigate my fit further, and, thing two, although the radio was on in the ward, and there was my name, and my story, nobody but the author listened, very quietly. Fiction makes a low noise, well below a hum, in the life of a hospital. Books and writing are of interest only to those to whom they are of interest. This is a depressing truth, in itself of interest to fewer and fewer.
I had to go somewhere when the hospital released me, and it had to be where I could live without stairs for a minimum of six weeks. Annabel and Quentin invited me to Hampshire, for as long as it took me to start to walk again. They had dried me out and now they were again taking me in.
In Hampshire, I humped upstairs with my metal frame from the car to the room I was hardly to leave for six weeks, watched as I lurched and wobbled with kind attention by my first husband, with the practised eye of a horseman-yachtsman. He’s used to big animals and metal spars. He was also the encouraging kind of father who allowed the children to tackle stairs but kept a gate there too, a sensible facilitator. I toddlered my way up the familiar wide stair on my bum, hauling the Zimmer after.
I went to what has become my bedroom, that has seen us through many Christmas-stocking openings and two comings of age, washed with real soap for the first time since hospital, and entered a bed I got out of hardly at all for over a month.
Three busy adults, my older children’s father and his wife, and my older son, made time to visit me in the slits of their crammed days and evenings. They brought me stories of the world beyond and set up a routine that gave me a triumph of time and enlightenment, you might call it, an understanding of how they spend their days.
Land defines its rhythms: one lot for farming, its own; quite another for people. They moot the lot, divide the tasks, split them, and do it as it comes, which is naturally. The life of books, or whatever life I thought I led, seems by contrast inward and unevidenced. But it’s what I have to offer.
The separate personalities engaged upon the enterprise of the place made riper sense to me daily. I heard mowing, and hooves, and raking of gravel, gunshots, roomfuls of men, roomfuls of women, roomsful of both. I asked Annabel what she was wearing so that I could imagine her. I could hear when Quentin had been hunting because he would be in stockinged feet, having taken his boots off in the hall. I smelt bath oil in the early morning, then tea and cleaning products, then nothing till dinner unless there was a shoot. I could tell the doors of the visitors’ cars apart.
It was a happy time in the knitting together of family routine and of bone. I made laps of the landing on my Zimmer. They did not let me get away with moping. I was never alone in the house. The kindness was such that I was shy. It doesn’t do as a way to be among your own. I haven’t ever managed not to be.
During these, I think, six weeks, my older son inspired me to stop taking all those drugs. The bag of drugs I had with me was greater in volume than my bag of clothes, and it was after all autumn, time of big woollens and greatcoats. Over the six weeks, I cut down incrementally, until all I was taking were mild sleeping pills of an accreditedly non-addictive type. I’d asked for these after getting so hooked on Zopiclone that I panicked if I didn’t know I had substantial stashes and was upping the dose yet achieving less, thicker, harder, sleep.
Oliver’s reasoning was twofold. None of the family could see that things were getting better under the regime of all those drugs. If anything, they were getting worse, though no one was so ungentle as to say it but me.
And if, as the doctors warned I might well do if I stopped taking all the drugs, I had another fit, I would be in a place where I might be caught if I fell.
Just before Christmas 2008, I was almost drug-free. I was so blind that I had to rely on others to write my letters, and hot flesh was growing like silt around an anchor over my metal-bolted leg, but I was starting to have some clarity of thought.
That thinking wasn’t perfect, being tainted by solitude and fear, but it was less wholly reactive and fogged. I would wake in the night imagining that I had at last found the formula for being a wife who wasn’t and then go back to what shames and pains me, I think because it reminds me of being a child, the staring into the dark with hot eyes and a wet face, with the sense that there is nowhere to go where you are not a nuisance. I carry it like typhoid.
The most useful formula that offered itself was from a book I have not properly, that is not unblindly, read. It is by Emily Wilson. Mocked with Death: Tragic Overliving from Sophocles to Milton. I’ve dipped into, and liked, it, throughout the last blind year, though I’m aware that such dipping is unsatisfactory. Minoo has been my deeper pilot fish with the book. I started to believe that I had presumptuously over-lived, and that it was in reading Shakespeare and Greek tragedy that I would find an answer, were there one. Not a surprise, but a map.
The sad jingle that Dora Carrington used as her farewell stuck in my head. She took it from Sir Henry Wotton, though it now turns out to have been written by George Herbert. She couldn’t continue after the death by cancer of her beloved companion Lytton Strachey and wrote down the words:
He first deceas’d; she for a little tried
To live without him, liked it not; and died.
I knew I wouldn’t do it but the words were there offering their clean comforting specific inside my clearing head as the drugs receded. I’m told, as people say before they adduce crackpot theories, that it will take two years to get all those drugs out of my system.
Is it not curious that the doctor who prescribed these drugs never got in touch with me again, when I had been told that any reduction in, let alone cessation of, dosage, could be perilous? What can he have thought was going on? I suppose it never came up in the life of one so busy. We wreck once more against the rock of comparative values placed on time.
The couplet remains inside my head but I think it is there more on account of its balance and structure than its message. Rhythm injects it deep into the head.
I couldn’t work out what my point was. I saw myself as a tied-down giant, and Fram and Claudia as normal-sized beings who had worked out how to live, dancing free, in their triumph of enlightenment.
Why did I mind so much about the world, since I entered it almost never? Certainly, when people see a middle-aged woman whom they don’t know, they try to place her within the customary grids, and marriage is one of these.
I must make myself whole by work. After all, I am old enough. I am at an age when I might not long at all ago have expected to be dead, or at least widowed.
Those things of which I am unpleasantly jealous reflect ill upon me and are to do with her having been born into a context, rather than into my little family where the hotter personality evanesced and the cooler one thought personal conversation all but contemptible. Or so I surmise. I just don’t know. As must by now be clear, I’ve collected myself from here and there which may be the best I can do. In the middle are words and a capacity for recognition.