But unlike Marty, Scott Casey was not smiling.

In fact, he was pretty damn pissed off.

His publicist had promised that he was going to be on the cover of that very issue of People, not Jason Andrews. Again.

The story—or so his publicist had said—was supposed to focus on Scott’s move from Sydney, Australia, to Los Angeles. How he had made the decision, given his recent film success, to live full time in the States.

Scott doubted there were few people in America who didn’t already know his story (not that he minded it being told over and over again in GQ, Vanity Fair, Esquire, and Movieline). The interviews all focused on the same basic facts: he had shot to fame little more than thirteen months ago after costarring in the epic fantasy-adventure, A Viking’s Quest. Women had gone absolutely mad for the character he played in the film. In fact, during the five months the movie ran worldwide in theaters, his name was Googled more than any other search term.

It was nothing that Scott, nor any of the people working with him during the production of A Viking’s Quest, had foreseen. In fact, Scott had had to fight just to audition for the role. His look was too “pretty boy” to play a Viking, the director had originally said. But his agent cajoled, pleaded, pulled strings, and got Scott the audition, which eventually led to a screen test. After much deliberation, the director and producers decided that Scott’s picture-perfect handsome face was an interesting contrast to the lead actor’s rugged, unkempt look. And to match his lean appearance, they gave Scott’s character a kick-ass bow and arrow to fight with instead of a clunky sword.

It worked. Boy, did it ever work. On screen, he was fierce and feral—yet somehow graceful at the same time. And when the camera zoomed in and held longingly on his soulful hazel eyes—his blond hair ruffling in the wind—no woman in the audience could help but be breathlessly glued to every frame.

A star was born.

After the release of the film, Scott was immediately labeled Hollywood’s “It Guy” and offered a wealth of the best parts in town. Seizing the day, he went after a role he had dreamed of playing since his high school Contemporary Lit class: the lead in the film adaptation of the novel Outback Nights.

Although it was one of the most sought-after parts in Hollywood, Scott believed himself to be a shoo-in. Notwithstanding the fact that he had launched onto the industry’s A-list virtually overnight, he had the added benefit of actually being Australian. So he went to lunch with the producers and even sacrificed an entire Saturday night of clubbing with his friends to have dinner with the film’s director at his ranch in Santa Barbara. Two days later, his agent called with the big news.

They had offered him the fucking supporting role.

The part of the sidekick, the friend who dies violently on page eighty-eight of the script, whose death spurs the protagonist—the lead actor—to face his adversaries and demons, save the town, and get the girl in the climatic third act.

A lead role that had been offered to Jason Andrews.

The studio had apparently gotten a copy of the script to him last minute, and Jason was interested. It was an unbelievable coup, the producers said, certain that Scott would understand. They simply couldn’t pass on a chance to land Jason Andrews. No one did.

Amidst a string of Aussie-flavored profanities, Scott told his agent in no uncertain terms that he was done playing supporting parts (unless of the indie, Oscar-garnering type, of course). And he certainly was no sidekick to Jason Andrews. Then he angrily took off to Cabo San Lucas to fume in a twenty-five-hundred-dollar-a-night bungalow.

It was on the second day of his trip, as he was halfway through his fourth Corona of the afternoon and getting a poolside blowjob from Chandra, a reality television “actress” who happened to be staying at the same resort, when his agent called again.

The studio’s negotiations with Jason Andrews had come to a halt over a salary dispute. They wanted Scott for the lead role.

Scott accepted, but not until after the producers, the director, his agent, and the studio had all sufficiently pacified his ego. He resented being second choice for a role that should have been his from the start. And so he resolved that he would prove something to the producers, the director, his agent, the studio, and anyone else who doubted him.

Jason Andrews was nothing special.

The time had come for the king’s reign to end.

It was a vow that Scott repeated that very Friday evening, as he flipped through the pages of People magazine. He sat poolside again, but this time by his own swimming pool in the new house he had purchased with the money he had earned from A Viking’s Quest. After finishing the 500 laps his personal trainer ordered, Scott had turned to the weekly gossip magazines his assistant dropped off every Friday morning.

Feeling a cool evening breeze cutting across the Hollywood Hills, Scott pulled on the Von Dutch T-shirt he’d left on the lounge chair. His pool overlooked an amazing view of downtown Los Angeles that should have captured his attention. But the picture of Jason Andrews sitting on the chair next to him sullied the sight on that particular evening.

Scott ripped the picture of Jason out of the magazine and crumpled it into a ball. Then he pitched it into the garbage can sitting on the edge of the deck.

This cover story would be the last thing he lost to Jason Andrews, Scott vowed. Next time, it would be Jason who wanted something. Something important.

And he would be there to make sure Jason didn’t get it.

“HOW WILL THE alleged harassers do in court?”

Taylor confidently met Sam’s gaze from across the gray marble conference table. They were now only two days from the start of trial, and he had called her earlier that morning wanting to meet for a last-minute “strategy talk.” This was partner-speak for making sure Taylor knew what the hell she was doing.

“They are prepped and ready,” she replied without hesitation. “They’ll do great.”

Derek sat to Taylor’s right, taking notes on his laptop as Sam continued his questions. He had been firing them at Taylor all morning.

“And your cross-examination of the named plaintiffs?”

“By the time I’m done, the jury will want to sue them for wasting their time on this ridiculous lawsuit.” Sam, Taylor, and Derek all got a good chuckle out of this. A little lawyer humor.

Taylor subtly checked her watch and saw that it was almost noon. She hoped they were nearing the end of their meeting, since she and Derek had over twenty exhibits to compile and she still had an opening statement to write. It was time to move things along to the standard pretrial partner wrap-up: a brief lecture on the subject of managing client expectations, followed by closing remarks of the pep-talk variety.

As if reading Taylor’s mind, Sam ceased his interrogation and eased back in his chair.

“Well, it looks as though you and Derek have all the bases covered,” he told her. “One last thing we should briefly discuss is making sure our client fully understands the risks—”

Just then, Sam was cut off as the door to the conference room slammed opened, rattling the walls as if a tornado had just hit the building.

And a very angry-looking Jason Andrews stormed into the room.

Linda followed closely on his heels, looking highly apologetic. “I’m so sorry, Taylor—I tried to stop him,” she said, out of breath.

Wholly oblivious to (or simply uninterested in) anyone else in the room, Jason stopped before Taylor and pointed furiously at her.

“Why haven’t you returned my calls?”