He turned, he retreated, and soon even his light was not in evidence as he departed by that narrow passageway.

I felt the rush of air from my lungs, as I had just had another escape so near it was disorienting. Disaster that close, so close you can hear the whisper of the ax, is an unsettling thing.

And perhaps that is why my next reaction, unbidden, unexpected, was rage. It was as if I had my guts clenched in a giant fist, and when whoever held it tight let me go, what rushed in was anger, the urge to hurt, to smash, to kill that which had been killed. Someone in science should make a study of what secret fluids race to a man’s brain in extreme moments. Whatever they were, they did not leave me calm and collected, capable of wit or irony. Instead they turned me—perhaps this would surprise a reader if ever, by chance, this volume should come to light—insane. Insaner, this theoretical reader might say, but I reply, No, no, I was perfectly sane through it all, except this one moment. Forgive me, unknown unfortunate, it was not you upon whom I was spending my wrath, but it—the universe, the empire, the system, the nearness of my own destruction, the whimsies of fate and chance, in short, all those permanent entities that no man may affect—upon which I felt the need to rain destruction. Alas, your freshly murdered body was the only vessel available.

I destroyed that which had been heretofore sacrosanct. I took the dear lady’s face from her. It took but a minute, a sharp knife being an instrument of great utility when properly applied. I had been until then a cutter, but now I sank another grade deeper into human depravity and became a stabber. I stabbed her face, feeling the blade puncture and slide off the hard mass of skull below, then slide through the flesh, ripping and tearing and removing immense pie-shaped units of skin with each drive. I could not stop myself and was almost sobbing in hysteria. I cut her eyes, even, driving the blade through the lidded orbs, feeling what lay beneath go all slippery and slidey, like grapes in a bed of mechanic’s grease.

And I chopped, another new thing. I chopped strong against her nose, cutting through the cartilage that gives that organ shape, and before I could stop myself, I slightly rotated the blade, yanked hard, and the whole damned thing came off. I went for her ear, sawing like a laborer, and was not rewarded with so smooth a response as from the helpful nose. The ear fought me hard, and I never got it off cleanly, leaving it hanging on a gristly ribbon of cartilage.

I brought my focus down and, in childish tantrum, began to stab at various massifs left in her innards, a kind of mechanical up-down of arm, fist, and knife point, and I could feel the thing bucking into various and sundry structures left aboard. Then my rage exited the excavation proper and moved to skin unopened and unflayed on abdomen and pubis; I stabbed, I stabbed, I stabbed, again feeling point overcome the tensile elasticity of the skin and give way to the subcutaneous tissue beneath, and I further felt that human aspic split and sunder to my enraged energies. Suddenly, I was spent.

I looked at what I had wrought. The face was ruined, a seething mass of dappled black in the lightlessness of the square. It required color to express its truest, purest horror, but it would be the coppers who got the benefit of that display, not me. I would not let myself view the body. I was not squeamish. How could a squeamish man author such an atrocity? I suppose I was still in shock and suddenly, as well, became aware of the passage of time, and knew I had other appointments to keep. I rose, secured the blade in my belt, peeled off my sodden gloves and pocketed them, made sure the apron—so important—was still in my frock coat pocket and Judy’s sweetbreads in the other, rose, and pivoted without a sound.

I crossed the square, clinging to shadow. I didn’t want to leave the same way I had entered, by the opening to Mitre Street, because that copper might have circled on his beat and been headed down Mitre Street even now, and I’d hate to run into him as I exited the square. I turned in to the blackness where I’d seen him, finding it a narrow brick lane between two buildings, and rushed down it. I heard the harsh, overpropelled pitch of the police whistle and realized that constable or another had just discovered the body. Another close-run thing! I continued unabated until the passage delivered me to a dark street leading on the right to Aldgate, on the left to more darkness. This had to be Duke, from which I had seen my thrush emerging a few minutes ago. I took the darker option and came shortly thereupon—insane!—another Duke Street. I was therefore at the corner of Duke and Duke, and despite the bloody business of the evening, I could not suppress a grin at the absurdity of such a thing and the centuries of confusion it must have engendered. Soon I was beyond Houndsditch and moving at a comfortable pace toward the next duty of the evening. As for what was going on in that little chunk of London I had left behind, I neither knew nor cared.

CHAPTER SIXTEEN

Jeb’s Memoir

It was all different. For one thing, the Peelers weren’t the embittered lackeys in a class war between constables and detectives, and for another, there was no looming figure of mad authority like Sir Charles Warren to impress fear and confusion and other idiocies of his ill-trained, overused crew.

All this is ascribable to the higher level of proficiency of the City of London Police over their much more intellectually impoverished brethren of the Met’s H Division. They ran a far cleaner crime scene: no crazed wandering this way or that in rogue hope of encountering something even they would recognize as a “clue,” such as a note saying, “I am the murderer and I reside at 15 Cutthroat Terrace, W3.” Whichever executive was calling the directives gave each man a zone that was his and his alone, and the man crawled it, touching, feeling, looking. They brought in, first thing, a large supply of bull’s-eye lamps, as all the constables carried, and dim as they were, lighting and placing them about brightened the scene considerably. The Met’s rozzers never would had thought of such a thing. Most astonishing of all was how they treated we Johnnies of the press.

“I’m Jeb, the Star,” I’d said to the first constable I’d encountered as I arrived on-site and slipped through the crowd gathered at the Mitre Street entrance to the square.

“Yes, sir,” said the constable. “Now, if the gentleman will follow me, I’ll lead him to the gallery where we’re asking reporters to collect until we’ve throughly examined the scene. It shan’t be a long wait, and Inspector Collard will speak with you directly as soon as his duties allow him. Our police surgeon, Dr. Brown—”

“Full name?”

“Yes, sir, Dr. Frederick Gordon Brown, will arrive shortly and supervise the removal of the body to the mortuary.”

“May we see it?”

“Inspector Collard will make that decision, sir, but our policy has been to cooperate with you lads in order to get the best information out to the public.”

“If you know my reputation, Constable, you’ll know I don’t make mistakes.”

“Yes, sir, as you say, sir.”

I followed him to a roped-off area in the center, where I learned that I was the first of the real reporters on-site—the others were penny-a-liners—and took a few seconds to look about. The square was quite small, particularly in scale to the larger industrial buildings enclosing it, mainly vast, mute warehouses of sheer brick, two owned by Kearley and Tongue, one by Horner and Sons. Beyond, over the hulk of Horner’s building, I saw an even larger behemoth that I knew to be the back wall of the Great Synagogue where the Jews gathered each Saturday for their worship. I thought that made it less likely, rather than more, that a Jew was involved, for a Jew would be careful to absolve his own heritage group by distance if nothing else.