‘Foster?’

‘Yeah.’

‘What you calling for?’ The voice was wary.

‘Got a situation here. Sorry, man. There’s a hothead, from one of the Salinas crews, with a piece on me. He’s out of the …’ Foster lifted an eyebrow.

‘Barrio Majados.’

‘You hear that?’

Howard’s voice: ‘Yo, I know ’em, I work with ’em. What’s this about? Who is he?’

‘Serrano.’

‘Joaquin? I know Serrano. He disappeared. There was heat on him.’

‘He’s surfaced. He doesn’t know who I am. Just tell him we work together. Or he’s going to park a slug in my head.’

‘Fuck you doing, Serrano? Leave my boy Foster alone. You got that?’

‘He with you?’

‘The fuck I say?’

The gun didn’t lower. ‘Okay, only … any chance he undercover?’

‘Well, he is, then he’s the only undercover took out a Oakland cop.’

‘No shit.’

Howard said, ‘Asshole show up at my place unexpected. Foster, pop pop, took him down.’

‘Steve, no!’ Dance whispered, dismay in her voice.

Howard called, ‘The fuck’s that?’

‘Another cop, works with Foster.’

‘That’s just fucking great.’ The banger in Oakland sighed. ‘You two take care of her. I got shit to do here.’

The call ended.

‘Serrano,’ Dance began, ‘what I was saying before. You need to be smart. You—’

The Latino snapped, ‘Shut up, Kathryn.’

With a cold smile, she said to Foster, ‘The story you told me before. You don’t have a son, do you? That was a lie.’

He turned to her, offering a nonchalant shrug. ‘I didn’t know what was going down. Needed you on my side.’

Dance sneered, ‘You can’t be running a network on your own. You’re not that smart.’

Foster was indignant. ‘Fuck you. I don’t need anybody else.’

‘How many people’ve died because of what you’ve done?’

‘Oh, come on,’ the man said gruffly. Then: ‘Serrano, let’s get this done. Do her, I’ll get the asshole outside in here. We take him out. I’ll tell the response team I got out the back and hid in the hills. I’ll say it was somebody else here, not you. One of the crews from Tijuana.’

‘Okay with me,’ was the matter-of-fact response.

Then Foster was squinting. ‘Wait.’

‘What?’

‘You … you said, “Kathryn”. You called her “Kathryn”.’

A shrug. ‘I don’t know. So?’

‘I never used her first name here. And I was at the interview last week between you and her. She never said it either.’

I’m Agent Dance …

A grimace. The Latino accent was gone as the young man said, ‘Yep, I screwed up on that. Sorry.’ He was speaking to Kathryn Dance.

‘No worries, José,’ she said, smiling. ‘We got everything we needed. You did great.’

Foster stared from one to the other. ‘Oh, Jesus Christ.’

‘Serrano’ who was actually a Bakersfield detective named José Felipe-Santoval, aimed his weapon center-mass on Foster’s chest, while Dance, relieved of her weapon but not her cuffs, ratcheted the bracelets on.

Adding to Foster’s shock, the agent who’d been pretending to be the deceased Pedro Escalanza hopped to and dusted off his jeans, drawing his own weapon. He’d been lying face down, head hidden from the trio in the hotel room.

‘Hey, TJ.’

‘Boss. Good takedown. How’s the blood?’ He glanced at his legs, spattered red. ‘I tried a new formula. Hershey’s syrup and food coloring.’

‘Big improvement,’ she said, nodding at the tiles.

Foster gasped, ‘A sting. The whole thing.’

Dance pulled out her cell phone. Hit speed-dial five as she glanced down and noticed her Aldo pumps had a scuff. Have to fix that. They were her favorite shoes for field work.

She heard, from the phone, Charles Overby’s voice: ‘Kathryn? And the verdict is?’

‘Foster’s our boy. It’s all on tape. He’s the only one.’

‘Ah.’

‘We’ll be back in a half-hour. You want to be there, at the interrogation?’

‘Wouldn’t miss it for the world.’

CHAPTER 90

Disgust overflowed in Foster’s face as he looked from Al Stemple to Dance to Overby. They were in the same CBI interrogation rooms where Dance had held the phony interview of the phony Serrano last week.

TJ was elsewhere; the faux blood was good, yes, but it stained far more than he’d thought it would. He was presently scrubbing hands and ankles in one of the nearby men’s rooms.

Foster snapped, ‘Jesus, you wanted Kathryn unarmed and demoted to Civ Div but still talking her way onto the interviews with the suspect to track down Serrano. So I wouldn’t feel threatened by her.’

Yep. Exactly.

Overby added, ‘So you’d be free to cut a deal with Serrano when he pulled a gun on you.’

Dance told him: ‘We made the case against the real Serrano ten days ago. Handed it over to the FBI, Amy Grabe in San Francisco. So you wouldn’t get wind of it. She busted him. He rolled over on Guzman. They’re both in isolation. The “Serrano” you saw was Bakersfield PD. José works undercover. He’s good, don’t you think?’

Not acting very professional. But she was in a mood.

‘We got him because he looks like the real Serrano.’

Anger joined Foster’s revulsion: ‘Jesus. We were all suspects. And you faked the “leads” to Serrano – with Carol, the bungalow in Seaside. With Gomez, the houseboat. At the motel just now. You ran the same set, the same play at every one of them. TJ played the dead snitch. All I saw was the legs and torso. Not his face.’

Overby filled in, ‘Except at the houseboat. That was Connie Ramirez, playing … What was her name again?’

Dance answered, ‘Tia Alonzo.’ She continued, ‘It was a test we put together. The real traitor’d save himself. Those on the task force who were innocent? Well, I’m afraid they had a few bad moments when José turned his gun on them. But it had to be done. We needed to find who’d sold us out.’

In the first set, Carol Allerton had suicidally lunged at the fake Serrano, knocking a table of ceramic keepsakes to the floor. Gomez had sighed, resigned himself to death and said a prayer.

And Foster had played the OG card, invoking the name of Lamont Howard to save himself.

‘If you’d passed the test, it would have meant Steve Lu was the one. Since you said you’d told Kathryn you were the only connection, he’s clean.’

‘You fucking set me up.’

Finally, quiet Al Stemple spoke: ‘I think “set up” means more wrongly implicating an innocent person, ’stead of trapping a guilty asshole. Am I being transparent enough, Steve?’ He gave a loud grunt, then sat back and crossed his arms, wide as tree trunks.

The Guzman Connection sting had been Dance’s idea and she’d fought hard for it. All the way up to Sacramento.

She’d decided to put together the operation after a horrific drive-by shooting in Seaside, a mother killed and a child wounded. The woman had been a witness to one of the Pipeline hubs. But no one could have known about her – except for a leak inside the operation itself.

‘I went through the files a hundred times and looked for any other instance of operations that could’ve been compromised. TJ and I spent weeks correlating the personnel. We narrowed it down to four people involved in all of them – and who knew that Maria Ioaconna was a witness. You, Carol, Steve Lu and Jimmy. We brought you here. And set up the operation.’

There’d been risks, of course. That the guilty party might wonder why Dance was apparently working on the Solitude Creek case but was officially barred from the Serrano pursuit.

(Overby had said, ‘Can’t you forget about Solitude Creek, stay home and, I don’t know, plant flowers? You can still show up at the Serrano sets.’

‘I’m working Solitude,’ she’d answered bluntly.)

Risks to her physically too – as O’Neil had pointed out so vehemently: it was possible that their traitor would call someone like Lamont Howard, who’d show up at one of the sets with his crew and waste everybody present.