His conflict was cut short by an arresting fanfare of notes on a trumpet followed at once by a blaring blue jazz riff from the orchestra pit. He was aware of a simultaneous dimming of the electric house lights. The blonde girl across the way opened her mouth in anticipation and wriggled forward in her seat with the eagerness of a six-year-old at a pantomime. George sighed and came to a decision. In the seconds before the light faded, he did what he could. Oblivious of the hush descending on the crowd, he rose to his feet and slipped on his white gloves. He sought out and held the eye of his opposite number.

Imperious, imperial and impressive, over the width of the auditorium, Sir George Jardine delivered a command.

Chapter Two

Abandon target! Withdraw at once!

The soldier’s silent hand language flashed, eerily blue in the dimming house lights, across to the opposite box. Unmistakable to a man who had been a fellow officer. On the Frontier, grappling often in hand-to-hand combat with lethally savage tribesmen, officers had learned from their enemy that in close proximity you communicated in silence as they did or you got your head shot off. Would Somerton remember and respond? Or would the man summon up what vestiges of self-respect he still had, to affect ignorance or rejection of the old code? George calculated that he could not depend on touching any finer feeling, on awakening any sense of regimental pride across the void. No – ugly threat was the only weapon left in his armoury. To emphasize his point, he added a universally recognized gesture. He drew the forefinger of his left hand slowly across his throat. Do as I say or else . . .

At that, Somerton threw back his head and laughed. Shaking with amusement and hardly able to keep his hands steady, in the moment before the last light went out, he returned the signal: Message received and understood.

Bloody French audiences! George remembered they always took their time settling. But the musicians seemed to be well aware of this and mastering the situation. The trumpet solo had silenced most and there now followed, as the last mutterings faded, the last shuffling subsided, a clarinet performance which stunned George with its fluency. Not his style of music at all. Jazz. But he could see the point of it and had been made to listen to the quantities of recordings that had filtered through to Simla and Delhi along with the ubiquitous gramophone. It was one of his party tricks to discuss in an avuncular way the latest crazes with his young entourage. And this was an experience he would want to share with them on his return. What he was hearing, all his musical senses were telling him, was exceptional. He rummaged in his pocket and took out his cigar-lighter. A discreet flick of the flame over his programme gave him the name: Sidney Bechet. English? French? Could be either. Even American perhaps? He’d file the name away. The chap was an artist. Could take his place in the wind section of the Royal Philharmonic any day. Given the right material to play.

He was so absorbed by the music, leaning forward over the edge in an attempt to get a clearer view of the almost invisible soloist, he didn’t hear her enter. The presence of a stranger in his box was betrayed by a rush of remembered scent carried towards him on a sudden air current as the door opened quietly and closed again. The effect on George was instant. Memories had ambushed him before he could even turn his head.

The scent of an Indian garden at twilight . . . L’Heure Bleue he’d been informed when he’d dispatched some gauche young subaltern to make discreet enquiries. The aide had returned oozing information, parroting on about vanilla, iris and spices. George had been gratified and amused that the young man had been received with such voluble courtesy by the wearer. Amused but not surprised; she had always been able to charm . . . enslave wouldn’t be too strong a word . . . his impressionable young men.

The name said it all. The Twilight Hour. He didn’t need to listen to accounts of top-notes and bases. It spoke, for him, in a voice soft as velvet, of the swift, magical dark blue moment between sunset and starlight. But, intriguingly, it brought with it an undertow of something sinister . . . bitter almonds . . . the scent of death. George shivered. The scent of a woman long dead. A woman he had mourned for five years. Silently in his heart, never in his speech.

And here, in this gaudy box, in frenetic Paris, the scent seemed as out of place as he was himself. He whirled angrily to confront whoever had invaded his privacy and – idiotically – with a thought to challenge the invader for daring to wear a perfume which for him would forever be the essence of one woman: Alice.

‘Alice?’

George’s voice was an indistinct croak expressing his disbelief, his raised hand not a greeting but an exorcism, an instinctive gesture of self-protection, as he peered through the gloom, focusing on the dark-clad figure standing by the door. An elegant gloved hand released the hood of the opera cloak allowing it to slide down on to her shoulders. He could just make out, with the aid of the remaining dim light from the orchestra pit, the sleek shape of a blonde head but the face was indistinguishable. Her finger went to her lips and he heard a whispered: ‘Chut!

’ In a second, the woman had slid into the chair at his side and had grasped his hand in greeting. She leaned and whispered into his ear: ‘George! How wonderful to see you again! And how touching to find you still recognize me – and in the dark too! Alice? Am I then still Alice for you?’

‘Always were. Always will be. Alice,’ he mumbled, struggling for a measure of control. He hunted for and caught her hands in his, pressing them together, moving his grasp to encircle both her slim wrists in one of his great hands, his gnarled fingers closing in an iron and inescapable grip.

‘And, Alice Conyers, you’re under arrest.’

Chapter Three

She laughed and winced but made no attempt to struggle. ‘Let’s enjoy the performance first, shall we? And . . . who knows? . . . perhaps I’ll surrender to you later, George?’

Her purring voice had always, for him, spoken with a teasing double entendre in every sentence. He had dismissed it as a delusion, the product of his own susceptibility, a fantasy sprung from overheated and hopeless senile lust. No one else had ever remarked on it. But the voice he was hearing again, the style, the breathed assumed intimacy – all this was telling him that it was indeed Alice he held in his grasp.

‘I do hope you’re prepared, George? This can be rather stimulating! The show, I mean! Elderly gents carted off, blue in the face and frothing at the mouth, every evening, I hear. Got your pills to hand, have you? Last will and testament in order? Perhaps you should tell me whom to ring just in case . . .’ She broke off at the first twitch of the pearl-grey curtains. The lightly insolent tone was unmistakable and he remembered how he’d missed it. George swallowed painfully, unable to reply.

With a thousand questions to ask the woman at his side, a thousand things to tell her, he was reduced to silence by the swish of the curtains as they swung back revealing a brilliantly lit scene. George stared at the kaleidoscope of vivid colours filling the stage, a controlled explosion of fabrics and patterns. The set conjured up the interior of a sumptuous Parisian department store – or was it meant to be a boutique on the rue de la Paix? Silks, velvets, chiffons and furs hung draped about the stage, arranged with an artist’s eye for effect. After the minutes of darkness, the assault on the sense of sight was calculatedly overwhelming. Another surprise followed swiftly. Set here and there against the background colours, a number of dressmakers’ dummies – mannequins, they called them over here – gleamed pale, their pure, sculpted nakedness accentuated by the profusion of clothes behind them. At a teasing spiral of sound from the orchestra the figures came to life and began to parade about the stage.