‘Again!’ he exclaimed quietly.

A new waltz started up. They twirled about in a haze of colour from the outfits and light from the candles, infinitely reflected by the mirrors and the gold panelling. The charm of the moment was enhanced by Luise’s musky perfume. Margont imperceptibly tightened his grip on the young Austrian’s waist. Time and thought seemed suspended and they were oblivious to the people round them. It was as if they were united in a capsule of emotion, which rolled endlessly in the light.

The orchestra broke off. Margont was looking forward to the next dance, but alas such persistence was unacceptable and Madame Mitterburg had her eye on her daughter. She dispatched the first fellow who came to hand to dislodge Margont. The man halted in front of Luise to request her pleasure, his shoulder nudging

Margont’s, indicating he was prepared to use force to eject the over-tenacious Frenchman. He was a lank, almost skeletal Austrian, the son of a good family who were friends of the Mitter-burgs. He had served in the Viennese militia and had been careful to stay put when the French drew near to Vienna. Had he advanced, he would have been obliged to engage them in combat. Had he fallen back, he would have been obliged to join the Austrian army. So he had stayed where he was, allowing himself to be captured, whereupon Napoleon, wishing to propitiate the Viennese, had amnestied and freed all the militiamen on condition that they returned to their families.

Margont moved away.

He heard Luise say in astonishment to her new partner: ‘Dear me, the Austrian army seems to have forgotten you in their retreat! Of course, when you depart in a hurry, you only take the essentials with you.’

Margont melted into the crowd, which was conversing in several languages. He spotted Luise and then lost her again, thanks to the

movement of the dancing couples. The magic was broken, the music had become just music, and to add insult to injury the exertion had reawakened the pain in his side. That in turn brought back incoherent memories of the carnage at Essling. Instead of the harmonious melody of violins he now heard firing muskets and explosions, and instead of red dresses he saw blood.

Madame Mitterburg came to introduce herself. Her grey hair, lined face, the prominent veins in her hands and her husky voice all emphasised the great age difference between her and her daughter. Margont envied her for knowing so much about Luise.

‘Luise has told me a great deal about you,’ she stated.

Too much, in fact, she thought worriedly. She listened politely as Margont explained in German which regiment he served in.

But he hastened to assure her, ‘I’m only a soldier because we are at war. As soon as it’s all over ...’

He stumbled over the end of the sentence. What did ‘all’ signify? He no longer knew. Would the war be over one day? They had fought practically without a break since the Revolution, and even the brief periods of peace had tasted of gunpowder. It felt to him as if they had embarked on another hundred years’ war.

‘I mean, when there is finally peace, I will start a newspaper.’

The old lady listened politely, blinking from time to time. Because she said nothing it was difficult to tell what she was thinking. The word ‘newspaper’ always intoxicated Margont so he launched into a long explanation of his idea.

‘Words are an antidote to the boredom of everyday life and help change the world. Newspapers and books stimulate the mind. It doesn’t matter whether you agree with what you read or not, whether you laugh or cry, get angry or applaud. The only thing that matters is that we read something - anything at all! - that makes us react. And our reaction, our feelings, opinions and new ideas in turn make other things to discuss. They then feed the debate, they add to and propagate the range of the “chemical reaction”.’

He was talking too fast, his German was deserting him and, realising this, he hurried to draw his speech to a close, convinced that his interlocutor was no longer listening.

‘In short, I hope that my newspaper with its controversies and ideas will give the public something to read that will contribute to all the strands of thought that enliven and transform people’s lives.’

Madame Mitterburg blinked again but said nothing. There was the sort of silence that makes you rapidly run through in your head the gamut of small talk that could restart the conversation, something unremarkable. The silence stretched out. Madame Mitterburg was still looking at Margont. He wondered if she was simply trying to fathom what it was about him that so appealed to her daughter. ‘You must have a drink,’ she declared finally. ‘You’ve done so much dancing ...’

She turned towards the buffet and asked for a drink. So much dancing? That was a bit of an exaggeration - he had danced two waltzes with Luise. He began to understand how far removed Austrian high society felt itself to be from the universe he operated in. In their world everything was regulated by a multitude of rules, codes, precepts and obligations. The slightest transgression set in train a flood of reactions designed to correct the misdemeanour. Madame Mitterburg was merely keeping Margont away from her daughter with this now rather ridiculous chat.

In the meantime, an Austrian nobleman had replaced the gangly creature, and others followed afterwards. So Luise danced but she did not derive any pleasure from it. Her waltzing was now just the conscientious application of the steps she had learnt in many hours of practice.

Margont thought of Relmyer. His criticisms of the investigation into Franz’s death had ruffled society feathers. He had been told to keep quiet, but gagging him had only suppressed his words, not his feelings. This world defended its image and its privileges and considered scandal its worst enemy, the potential source of its destruction.

The waiter arrived with a crystal glass on a silver tray, and Margont had an impulse to send the whole lot flying.

Astonishingly, Madame Mitterburg seized the glass and said to him, ‘Luise has had a great deal of grief in her life. Think about

that.’

She put the glass in his hand, which she grasped tightly in both of hers. The crystal was freezing, her fingers burning.

‘If you ever make her suffer, I swear that I will pay someone to kill you like a dog.’

With that, she left, abandoning Margont to his lemon punch.

Saber, who loved to gossip, joined him. With his head held high, accentuating his proud bearing, his glittering gaze and supercilious air, he looked like a brilliant general who had had to borrow a uniform from his batman, his own having been stained in heroic battle.

‘Poor old Quentin, your beautiful Austrian has ditched you. Dance with someone else to make her jealous. It’s even more effective if you dance with her best friend. The waltz sums it up: if you want to seduce an Austrian, you have to make them turn round in circles.’

Saber’s words of wisdom ... Saber wanted Margont to introduce him to Relmyer but was too proud to ask. Margont decided to make him wait.

Jean-Quenin Brémond whirled past with a brunette in a white satin and silver lame dress. She was gazing at him adoringly. Saber was rooted to the spot.

‘Jean-Quenin’s done well! All the girls love “Herr Doktor”! I’m happy for him/

He had sai d th is last in the tone of‘I hope he drops dead!’ Even in matters of love, Saber went to war. His rivals were his enemies. He did not seduce, he executed manoeuvres. The heart of a beautiful girl was a bastion he set himself to assault, then abandon, broken under his heel. It was not the women who attracted him the most, nor the most seductive, that he paid court to, but the most unattainable. That way, he was able to boast about his ‘victories’. And he was undeniably charming; alas, his Adonis-like beauty was like a spider’s web.