About the author
Born in Brazil of Italian origin, Chris Carter studied psychology and criminal behaviour at the University of Michigan. As a member of the Michigan State District Attorney’s Criminal Psychology team, he interviewed and studied many criminals, including serial and multiple homicide offenders with life imprisonment convictions.
Having departed for Los Angeles in the early 1990s, Chris spent ten years as a guitarist for numerous rock bands before leaving the music business to write full-time. He now lives in London. The Executioner is his second novel.
Visit www.chriscarterbooks.com
Also by Chris Carter
The Crucifix Killer
First published in Great Britain by Simon & Schuster UK Ltd, 2010
A CBS COMPANY
Copyright © Chris Carter, 2010
This book is copyright under the Berne Convention.
No reproduction without permission.
® and © 1997 Simon & Schuster Inc. All rights reserved.
The right of Chris Carter to be identified as author of this work
has been asserted in accordance with sections 77 and 78
of the Copyright, Designs and Patents Act, 1988.
Simon & Schuster UK Ltd
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A CIP catalogue record for this book
is available from the British Library
Hardback ISBN 978-1-84737-623-7
Trade Paperback ISBN 978-1-84737-539-1
eBook ISBN: 978-0-85720-013-6
This book is a work of fiction. Names, characters, places and incidents are either a product of the author’s imagination or are used fictitiously. Any resemblance to actual people living or dead, events or locales is entirely coincidental.
Typeset by M Rules
Printed in the UK by CPI Mackays, Chatham ME5 8TD
For Samantha Johnson . . . always.
Acknowledgements
Though authored by a single individual, I have found that a novel is never the achievement of one alone.
Many people have contributed in different and generous ways to this work and, though a simple acknowledgement page cannot fully express my gratitude, I’d like them to know that this novel would never have been possible without them.
I owe a special debt to Samantha Johnson for her love, undying patience, understanding and for being there every step of the way. To the most extraordinary agents any author could hope for, Darley Anderson and Camilla Bolton. They are indeed my literary Guardian Angels. Staying on the subject of angels, my most sincere thanks also goes to all at the Darley Anderson Literary Agency – the extremely hard-working Darley’s Angels. Thanks, too, to the superb team of creative and talented professionals at Simon & Schuster UK for all their relentless work. To my fantastic editor, Kate Lyall Grant, and my incredible publishers, Ian Chapman and Suzanne Baboneau, my eternal gratitude.
I would also like to say thank you to all the readers and everyone who has so fantastically supported me since the release of my first novel.
One
‘Ironic how the only certainty in life is death, don’t you think?’ The man’s voice was calm. His posture relaxed.
‘Please . . . you don’t have to do this.’ In contrast, the man on the floor was petrified and exhausted. His voice strangled by tears and blood. He was naked and shivering. His arms were stretched above his head, chained by his wrists to the raw brick wall.
The dark basement room had been transformed into a medieval-looking dungeon, all four walls fitted with heavy metal shackles. A sickening smell of urine lingered in the air and an incessant buzzing sound came from a large wooden box in the corner, placed there by the attacker. The room was sound- and escape-proof. Once locked inside, there was no way of getting out unless someone let you out.
‘It doesn’t matter how you’ve lived your life,’ the other man continued, disregarding the bleeding man. ‘It doesn’t matter how rich you are, what you’ve accomplished, who you know or what hopes you have. In the end the same thing will happen to all of us – we’ll all die.’
‘Please, God, no.’
‘What matters is how we die.’
The man on the floor coughed, spitting out a thin red mist of blood.
‘Some people die naturally, painlessly, as they reach the end of a natural cycle.’ The man laughed a bizarre, gurgling laugh. ‘Some people suffer for years with incurable diseases, fighting every minute to add just a few more seconds to their lives.’
‘I . . . I’m not rich. I don’t have much, but whatever I have you can take.’
‘Shhhh.’ The man brought a finger to his lips before whispering, ‘I don’t need your money.’
Another cough. Another mist of blood.
An evil smile parted the assailant’s lips. ‘Some people die very slowly,’ he continued. His voice was cold. ‘The pain of death can drag on for hours . . . days . . . weeks . . . If you know what you’re doing, there’s no limit, did you know that?’ He paused.
Until then, the chained man hadn’t noticed the nail gun in his attacker’s hand.
‘And I really do know what I’m doing. Allow me to demonstrate.’ He stepped on the bone protruding from the victim’s fractured ankle, bent over and quickly fired three nails into the man’s right knee. Intense pain shot up the victim’s leg and sucked the air out of his lungs, blurring his vision for several seconds. The nails were only three inches long. Not long enough to puncture through to the other side, but sharp enough to shatter bone, cartilage and ligaments.
The chained man took quick, shallow breaths. He tried to speak through the pain. ‘Plea . . . please. I have a daughter. She’s ill. She suffers from a rare condition and I’m everything she’s got.’
The strange gurgling laugh filled the room again. ‘You think I care? Let me show you how much I care.’ He grabbed the head of one of the nails lodged into the man’s knee and, as if using a screwdriver to pop open a can of paint, slowly forced it to one side as far as it would go. The crunching noise was like stepping on broken glass.