She lit a fire, went upstairs to run the bath and took a tub of homemade pesto from the freezer, setting it to defrost in the microwave. There was a pile of post beside the cooker and she flicked through it with one ear on the television news. Amid the bills and postcards were two copies of the Chalke Bissett magazine and three stiff-backed ‘At Home’ invitations to drinks parties in the county that she immediately co-opted as kindling for the fire. By eight o’clock, Amelia had changed into a dressing-gown, checked her emails, poured a second gin and tonic and found a packet of spaghetti in the larder.

That was when the telephone rang.

17

The envelope had borne a Parisian postmark and was addressed to Mrs Joan Guttmann, c/o The Century Club, 7 West 43rd St, New York, New York.

It had been forwarded by the club to Guttmann’s apartment on the Upper West Side and brought up to the fourteenth floor by Vito, the doorman on whom Joan relied for everything from weather reports to grocery deliveries.

The letter had been written in English.

Agence Père Blancs

Rue la Quintinie, 147

Paris 75015

France

Dear Mrs Guttmann

It is with the deepest regret that I must inform you of the deaths of Mr Philippe Malot and Mrs Jeannine Malot, who have passed away while on vacation in Egypt.

The next of kin has recently made contact with our agency, as a result of a clause inserted in the Last Will & Testament of his late father. In accordance with the terms of our arrangement, the agency has therefore taken the decision to contact you.

Should you wish to take this matter further, I suggest that you either write to me at our Paris address or telephone me at a time convenient to you. Allow me to say that, according to the terms of French law, you are under no obligation to do so.

Yours, cordially

Pierre Barenton (Secretary)

Joan Guttmann had dialled the number.

18

The Stone Age answering machine picked up. Amelia heard her own voice, faded and scratched through repeated playbacks. The caller did not hang up, but remained on the line, and Amelia was startled to recognize the voice of Joan Guttmann, now surely in her early eighties, leaving a croaky smoker’s message:

Amelia, honey. It’s your old friend from New York. I have some news. You wanna give me a call sometime? I’d love to hear your voice.

Her first thought was to pick up the receiver, but she knew that a call from Joan Guttmann meant Moscow Rules: no names on an open line; no talking about the past. That was why she hadn’t identified herself. In case anybody was listening in. In case anybody ever found out about Tunis.

Amelia was out of her dressing-gown and into a pair of jeans and a sweater within two minutes. She grabbed a Barbour from the utility room, put on some Wellington boots, locked the house and went back to the car. She turned it around in the lane, drove into the village and parked a hundred metres from the pub on the Salisbury road. There was a telephone box on the corner, mercifully un-vandalized and still accepting coins. Amelia turned on her mobile and found Joan’s number buried in the contacts. Then the long, drawn-out ring of an American telephone, the click of somebody picking up.

‘Joan?’

The two women had not spoken for almost ten years. Their last encounter had been both brief and distressing: the funeral service of Joan’s husband, David Guttmann, who had suffered a heart attack while working at his office in Manhattan. Amelia had made the journey across the Atlantic, expressed her condolences all too briefly at a service on Madison Avenue, then returned to the UK on a red-eye from Newark three hours later. Since then, there had been no contact between them, save for the occasional email or hastily scribbled Christmas card.

‘Amelia, how are you? You’re so clever to call back so soon.’

‘It sounded important.’

It hadn’t sounded important, of course. The message had been as deliberately mundane as any Amelia had ever heard. But ‘news’ from Joan Guttmann meant only one thing. Something had happened to François.

‘It is important, honey, it really is. Are you OK to talk?’

‘As long as you are.’

Joan cleared her throat, buying time. It was difficult to tell whether she was apprehensive about what she had to say, or merely searching for the right words. ‘Did you happen to see the French newspapers at all this week?’

Amelia didn’t know how best to answer. She kept abreast of events in France, but no particular developments had been flagged up in the previous few days. She began to respond but was interrupted.

‘Something really quite terrible has happened. It’s Philippe and Jeannine. They were on vacation in Egypt. They were mugged, attacked on a beach. They’ve been murdered.’ Amelia leaned against the freezing glass of the phone booth, a hammer blow. ‘The thing is, your boy has been in touch. He must have somehow traced me through the system at Père Blancs. I’ve had a contact at Langley look into it, run some background. He checks out. It’s François. I guess he’s reaching out or something. He’s lost his parents and he’s hurting. I couldn’t keep it from you, honey. I’m so sorry. I really need to know what it is that you want me to do.’

19

Looking down from his balcony, Kell saw that Amelia Levene was not alone.

Ten feet in front of her, emerging from the Valencia hotel pool, came a fit-looking man in his early thirties wearing navy-blue shorts and a pair of yellow-tinted swimming goggles. He had a lean, exercised physique and moved through the shallows with a slow, self-conscious swagger, a man used to being stared at by women. He pulled the goggles down around his neck and Kell saw that his face precisely matched the image in the photograph of François Malot. The same firm jawline, the easy good looks, the lightly stubbled chin. Amelia, sensing him, looked up from her book and reached across to pull a towel from a neighbouring lounger. She then stood up and passed the towel to Malot, at arm’s length, to prevent herself getting wet. Malot appeared to thank her and wiped his face clear of water. He dried his back and chest, wrapped the towel around his waist in the style of a sarong and sat on the edge of the lounger, looking in the direction of the pool. Amelia appeared to be staring at him, as if trying to think of something to say, but then returned to her novel.

Kell went quickly into the room and retrieved his camera, firing off several shots with the telephoto lens tight on the scene. He had the opportunity to observe Amelia and Malot for some time and tried to reject the possibility that they were working together; surely Amelia would never allow her guard to drop to the extent of going swimming with a male colleague? Their body language was relaxed and familiar, but not overtly intimate: they did not project the heat of lovers. Amelia was attentive and oddly deferential towards him in a way that was unfamiliar to Kell, pouring Malot a glass of water from the bottle on the table, even offering him a cigarette as he walked to the edge of the water.

He began talking into a mobile phone. The dying light of the sun threw the musculature on Malot’s back into sharp relief and he was smoking the cigarette with studied cool, head tilted to one side, lips set in an ironic smile. From time to time, he would allow the hand holding the cigarette to fall to one side and run his thumb across the dark hairs of his stomach, smoke drifting against the skin. Amelia, meanwhile, had come to the end of a chapter in her paperback. She closed the book and placed it on the low plastic table beside her, nestling it between the packet of cigarettes and the litre bottle of water. Kell caught the title in the telephoto lens: Solar, by Ian McEwan. She then signed the bill, pulled on a hotel dressing-gown, securing it with a cord around her waist. Kell found all of this compelling to watch; her beauty had long been a source of fascination to him. Amelia put on a pair of white hotel slippers and walked towards Malot, indicating that she was going to head indoors. The Frenchman broke off from his conversation, kissed her affectionately on the cheek and pressed his wristwatch, as if making an arrangement to meet for dinner. Amelia then turned and walked in the direction of the hotel, entering through a side door less than thirty metres from Kell’s balcony. It was obvious that they were staying in separate hotels; another layer of obfuscation added by the veteran spy in order to cover her tracks. Less than a minute later, Malot strolled back to the lounger, brought his telephone conversation to an end, and stubbed out the cigarette in an ashtray. He removed the towel, allowed it to drop to the ground, and put on a pristine white T-shirt which he had produced from a bag. At one point, Kell thought that he caught Malot flirting with an attractive woman on the opposite side of the pool. The woman seemed to be smiling at him, but was then distracted by her young daughter and averted her gaze.