It was an attic room with a severely pitched roof which offered only a few spots where a person of anything approaching average height could stand up.

Dirk stood hunched in the doorway and surveyed its contents, nervous of what he might find amongst them. There was a general grunginess about the place. The curtains were closed and little light made it past them into the room, which was otherwise illuminated only by the flickering glow of an animated rabbit. An unmade bed with dank, screwed-up sheets was pushed under a particularly low angle of the ceiling. Part of the walls and the more nearly vertical surfaces of the ceiling were covered with pictures crudely cut out of magazines.

There didn't seem to be any common theme or purpose behind the cuttings. As well as a couple of pictures of flashy German cars and the odd bra advertisement, there were also a badly torn picture of a fruit flan, part of an advertisement for life insurance and other random fragments which suggested they had been selected and arranged with a dull, bovine indifference to any meaning that any of them might have or effect they might achieve.

The hosepipe curled across the floor and led around the side of an elderly armchair pulled up in front of the television set.

The rabbit rampaged. The glow of his rampagings played on the frayed edges of the armchair. Bugs was wrestling with the controls of an aeroplane which was plunging to the ground. Suddenly he saw a button marked «Autopilot» and pressed it. A cupboard opened and a robot pilot clambered out, took one look at the situation and baled out. The plane hurtled on towards the ground but, luckily, ran out of fuel just before reaching it and so the rabbit was saved.

Dirk could also see the top of a head.

The hair of this head was dark, matted and greasy. Dirk watched it for a long, uneasy moment before advancing slowly into the room to see what, if anything, it was attached to. His relief at discovering, as he rounded the armchair, that the head was, after all, attached to a living body was a little marred by the sight of the living body to which it was attached.

Slumped in the armchair was a boy.

He was probably about thirteen or fourteen, and although he didn't look ill in any specific physical way, he was definitely not a well person. His hair sagged on his head, his head sagged on his shoulders, and he lay in the armchair in a sort of limp, crumpled way, as if he'd been hurled there from a passing train. He was dressed merely in a cheap leather jacket and sleeping-bag.

Dirk stared at him.

Who was he? What was a boy doing here watching television in a house where someone had just been decapitated? Did he know what had happened? Did Gilks know about him? Had Gilks even bothered to come up here? It was, after all, several flights of stairs for a busy policeman with a tricky suicide on his hands.

After Dirk had been standing there for twenty seconds or so, the boy's eyes climbed up towards him, failed utterly to acknowledge him in any way at all, and then dropped again and locked back on to the rabbit.

Dirk was unused to making quite such a minuscule impact on anybody. He checked to be sure that he did have his huge leather coat and his absurd red hat on and that he was properly and dramatically silhouetted by the light of the doorway.

He felt momentarily deflated and said, «Er…» by way of self introduction, but it didn't get the boy's attention. He didn't like this. The kid was deliberately and maliciously watching television at him. He frowned. There was a kind of steamy tension building in the room it seemed to Dirk, a kind of difficult, hissing quality to the whole air of the place which he did not know how to respond to. It rose in intensity and then suddenly ended with an abrupt click which made Dirk start.

The boy unwound himself like a slow, fat snake, leaned sideways over the far side of the armchair and made some elaborate unseen preparations which clearly involved, as Dirk now realised, an electric kettle. When he resumed his earlier splayed posture it was with the addition of a plastic pot clutched in his right hand, from which he forked rubbery strands of steaming gunk into his mouth.

The rabbit brought his affairs to a conclusion and gave way to a jeering comedian who wished the viewers to buy a certain brand of lager on the basis of nothing better than his own hardly disinterested say-so.

Dirk felt that it was time to make a slightly greater impression on the proceedings than he had so far managed to do. He stepped forward directly into the boy's line of sight.

«Kid,» Dirk said in a tone that he hoped would sound firm but gentle and not in any way at all patronising or affected or gauche, «I need to know who» —

He was distracted at that moment by the sight which met him from the new position in which he was standing. On the other side of the armchair there was a large, half full catering-size box of Pot Noodles, a large, half full catering-size box of Mars Bars, a half demolished pyramid of cans of soft drink, and the end of the hosepipe. The hosepipe ended in a plastic tap nozzle, and was obviously used for refilling the kettle.

Dirk had simply been going to ask the boy who he was, but seen from this angle the family resemblance was unmistakable. He was clearly the son of the lately decapitated Geoffrey Anstey. Perhaps this behaviour was just his way of dealing with shock. Or perhaps he really didn't know what had happened. Or perhaps he…

Dirk hardly liked to think.

In fact he was finding it hard to think clearly while the television beside him was, on behalf of a toothpaste manufacturing company, trying to worry him deeply about some of the things which might be going on in his mouth.

«OK,» he said, «I don't like to disturb you at what I know must be a difficult and distressing time for you, but I need to know first of all if you actually realise that this is a difficult and distressing time for you.»

Nothing.

All right, thought Dirk, time for a little judicious toughness. He leant back against the wall, stuck his hands in his pockets in an OK-if-that's-the-way-you-want-to-play-it manner, stared moodily at the floor for a few seconds, then swung his head up and let the boy have a hard look right between the eyes.

«I have to tell you, kid,» he said tersely, «your father's dead.»

This might have worked if it hadn't been for a very popular and long-running commercial which started at that moment. It seemed to Dirk to be a particularly astounding example of the genre.

The opening sequence showed the angel Lucifer being hurled from heaven into the pit of hell where he then lay on a burning lake until a passing demon arrived and gave him a can of a fizzy soft drink called sHades. Lucifer took it and tried it. He greedily guzzled the whole contents of the can and then turned to camera, slipped on some Porsche design sunglasses, said, «Now we're really cookin'!» and lay back basking in the glow of the burning coals being heaped around him.