He hurried on, flapping his way quickly through the rest of the paper. As usual, there was nothing interesting. A lot of stuff about the search for Janice Smith, the missing airline girl from Heathrow, and how she could possibly have disappeared just like that. They printed the latest picture of her, which was on a swing with pigtails, aged six. Her father, a Mr Jim Pearce, was quoted as saying it was quite a good likeness, but she had grown up a lot now and was usually in better focus. Impatiently, Dirk tucked the paper under his arm and strode onwards, his thoughts on a much more interesting topic.

Three hundred pounds a day. Plus expenses.

He wondered how long he could reasonably expect to sustain in Mr Anstey his strange delusions that he was about to be murdered by a seven foot tall, shaggy-haired creature with huge green eyes and horns, who habitually waved things at him: a contract written in some incomprehensible language and signed with a splash of blood, and also a kind of scythe. The other notable feature of this creature was that no one other than his client had been able to see it, which Mr Anstey dismissed as a trick of the light.

Three days? Four? Dirk didn't think he'd be able to manage a whole week with a straight face, but he was already looking at something like a grand for his trouble. And he would stick a new fridge down on the list of tangential but non-negotiable expenses. That would be a good one. Getting the old fridge thrown out was definitely part of the interconnectedness of all things.

He began to whistle at the thought of simply getting someone to come round and cart the thing away, turned into Lupton Road and was surprised at all the police cars there. And the ambulance. He didn't like them being there. It didn't feel right. It didn't sit comfortably in his mind alongside his visions of a new fridge.

Dirk knew Lupton Road. It was a wide tree-lined affair, with large late-Victorian terraces which stood tall and sturdily and resented police cars. Resented them if they turned up in numbers, that is, and if their lights were flashing. The inhabitants of Lupton Road liked to see a nice, well-turned-out single police car patrolling up and down the street in a cheerful and robust manner — it kept property values cheerful and robust too. But the moment the lights started flashing in that knuckle-whitening blue, they cast their pallor not only on the neatly pointed bricks that they flashed across, but also on the very values those bricks represented.

Anxious faces peered from behind the glass of neighbouring windows, and were irradiated by the blue strobes.

There were three of them, three police cars left askew across the road in a way that transcended mere parking. It sent out a massive signal to the world saying that the law was here now taking charge of things, and that anyone who just had normal, good and cheerful business to conduct in Lupton Road could just fuck off.

Dirk hurried up the road, sweat pricking at him beneath his heavy leather coat. A police constable loomed up ahead of him with his arms spread out, playing at being a stop barrier, but Dirk swept him aside in a torrent of words to which the constable was unable to come up with a good response off the top of his head. Dirk sped on to the house.

At the door another policeman stopped him, and Dirk was about to wave an expired Marks and Spencer charge card at him with a deft little flick of the wrist that he had practised for hours in front of a mirror on those long evenings when nothing much else was on, when the officer suddenly said, «Hey, is your name Gently?»

Dirk blinked at him warily. He made a slight grunting noise that could be either «yes» or «no» depending on the circumstances.

«Because the Chief has been looking for you.»

«Has he?» said Dirk.

«I recognised you from his description,» said the officer looking him up and down with a slight smirk.

«In fact,» continued the officer, «he's been using your name in a manner that some might find highly offensive. He even sent Big Bob the Finder off in a car to find you. I can tell that he didn't find you from the fact that you're looking reasonably well. Lot of people get found by Big Bob the Finder, they come in a bit wobbly. Just about able to help us with our enquiries but that's about all. You'd better go in. Rather you than me,» he added quietly.

Dirk glanced at the house. The stripped-pine shutters were closed across all the windows. Though in all other respects the house seemed well cared for, groomed into a state of clean, well-pointed aftluence, the closed shutters seemed to convey an air of sudden devastation.

Oddly, there seemed to be music coming from the basement, or rather, just a single disjointed phrase of thumping music being repeated over and over again. It sounded as if the stylus had got stuck in the groove of a record, and Dirk wondered why no one had turned it off, or at least nudged the stylus along so that the record could continue. The song seemed very vaguely familiar and Dirk guessed that he had probably heard it on the radio recently, though he couldn't place it. The fragment of lyric seemed to be something like:

«Don't pick it up, pick it up, pick i-

Don't pick it up, pick it up, pick i-

Don't pick it up, pick it up, pick i» — and so on.

«You'll be wanting to go down to the basement,» said the officer impassively, as if that was the last thing that anyone in their right mind would be wanting to do.

Dirk nodded to him curtly and hurried up the steps to the front door, which was standing slightly ajar. He shook his head and clenched his shoulders to try and stop his brain fluttering.

He went in.

The hallway spoke of prosperity imposed on a taste that had originally been formed by student living. The floors were stripped boards heavily polyurethaned, the walls white with Greek rugs hung on them, but expensive Greek rugs. Dirk would be prepared to bet (though probably not to pay up) that a thorough search of the house would reveal, amongst who knew what other dark secrets, five hundred British Telecom shares and a set of Dylan albums that was complete up to Blood on the Tracks.

Another policeman was standing in the hall. He looked terribly young, and he was leaning very slightly back against the wall, staring at the floor and holding his helmet against his stomach. His face was pale and shiny. He looked at Dirk blankly, and nodded faintly in the direction of the stairs leading down.

Up the stairs came the repeated sound:

«Don't pick it up, pick it up, pick i-

Don't pick it up, pick it up, pick i» -

Dirk was trembling with a rage that was barging around inside him looking for something to hit or throttle. He wished that he could hotly deny that any of this was his fault, but until anybody tried to assert that it was, he couldn't.