“No way,” Jules says, rising now.

“Why not?”

“I didn’t bring him here so he could be a sacrifice. Until we know how dogs are affected, I’m not agreeing to that.”

“A sacrifice,” Don says. “Good choice of words.”

“The answer is no,” Jules says.

Don turns to Tom.

“You see? The one dog owner we have in the house is even against it.”

“I didn’t say I was against Tom’s idea,” Jules says.

Don looks around the room.

“So, is everyone for this then? Really? All of you think it’s a good idea?”

Olympia looks to Malorie, wide eyed. Don, seeing an opportunity for an ally, approaches her.

“What do you think, Olympia?” he demands.

“Oh! I . . . well . . . I . . . don’t know!”

“Don,” Tom says. “We’ll take a legitimate vote.”

“I’m for it,” Felix says.

Malorie looks around the living room.

“I’m for it, too,” Jules says.

“I’m in,” Cheryl says.

Tom turns to Don. As he does, Malorie feels something sink inside her.

The house, Malorie realizes, needs him.

“I’ll go with you,” Jules says. “If I’m not going to let you use my dog, I can at least help you round up others.”

Don shakes his head.

“You guys are fucking nuts.”

“Then let’s start making you a helmet, too,” Tom says, planting a hand on Jules’s shoulder.

By the next morning, Tom and Jules are putting the finishing touches on the second helmet.

They are leaving today. For Malorie, it is all moving too fast. They just voted on them leaving, but do they have to leave right away?

Don makes no move to hide his feelings. The others, like Malorie, are hopeful. It is difficult, Malorie knows, not to be swept up in Tom’s energy. If it were Don about to leave, she might have less faith in his returning with Seeing Eye dogs. But Tom has an energy about him. When he says he’s going to do something, it feels like it’s already done.

Malorie watches from the couch. Both With Child and At Last . . . a Baby! talk about the “stress link” between mother and child. Malorie doesn’t want her baby to feel the anxiety she feels now, watching Tom prepare to leave the house.

There are two duffel bags against the wall. Both are half-stocked with canned goods, flashlights, and blankets. Beside them are big knives and the former legs of a kitchen stool, chiseled now into sharp stakes. They will use the broomsticks as walking sticks.

“Maybe,” Olympia says, “animals can’t go mad because their brains are too small.”

By the expression on Don’s face, it looks like he might say something. But he holds his tongue.

“It’s possible that animals don’t have the capacity to go mad,” Tom says, adjusting a helmet strap. “Maybe a thing has to be smart enough to lose its mind.”

“Well, I would like to know something like that before I go out there,” Don says.

“Maybe,” Tom continues, “there are degrees of insanity. I’m constantly curious to know how the creatures affect people who are already insane.”

“Why don’t you round up some of them, too?” Don huffs. “Are you sure you want to risk your life on the hope that animals aren’t as smart as us?”

Tom looks him in the eye.

“I’d like to tell you I have more respect for animals than that, Don. But right now, all I care about is surviving.”

At last, Jules straps his helmet on. He turns his head to see how it fits. The back of it snaps apart and the whole thing falls to his feet.

Don slowly shakes his head.

“Damn it,” Tom says, picking up the pieces. “I had that worked out. Don’t worry, Jules.”

Lifting the pieces, Tom reassembles them, then fortifies the strap with a second one. He places it upon Jules’s head.

“There. All better.”

With these words, Malorie feels ill. She has known all morning that Tom and Jules would be leaving, but the moment seems to come too quickly.

Don’t go, she wants to say to Tom. We need you. I need you.

But she understands that the reason the house needs Tom is because he’s the kind of man who would do what he is doing today.

By the wall, Felix and Cheryl help Tom and Jules strap the duffel bags to their backs.

Tom is jabbing at the air with one of the stakes.

Malorie feels a second wave of nausea. There is no greater reminder of the horror of this new world than seeing Tom and Jules prepared the way they are, for a walk around the block. Blindfolded, armed, they look like soldiers of a makeshift war.

“Okay,” Tom says. “Let us out.”

Felix steps to the front door. The housemates gather behind him in the foyer. Malorie watches them close their eyes, then she does the same. In her private darkness, her heart beats louder.

“Good luck,” she suddenly says, knowing that she would regret it if she didn’t.

“Thank you,” Tom says. “Remember what I said. In twelve hours we’ll be back. Are everybody’s eyes closed?”

The housemates tell him they are.

Then the front door opens. Malorie can hear their shoes upon the front porch. Then the door is shut.

To Malorie, it feels like something imperative has been locked outside.

Twelve hours.

eighteen

As the rowboat glides, taken by the water slowly on its own, Malorie cups a handful of river water and washes the wound on her shoulder.

It’s not an easy task and the pain is severe.

“Are you okay, Mommy?” the Boy asks.

“No questions,” she answers. “Listen.”

When the wolf struck her, Malorie saw red as the dark world behind her blindfold erupted into bright pain. Now, as she cleans, she sees purples, grays, and worries that this means she is close to passing out. Fainting. Leaving the children to fend for themselves.

Her jacket is off. Her tank top is bloodied and she shivers, wondering how much of that is the cold air and how much is the loss of blood. From the right pocket of the jacket, she removes a steak knife. Then she cuts a sleeve off the jacket and ties it tightly around her shoulder.

Wolves.

By the time the children turned three, Malorie had gotten complex with her lessons. The pair was instructed to remember ten, twenty sounds in a row before revealing what they thought they were. Malorie would walk through the house, then outside, then upstairs. Along the way she made noises. Upon returning, the children told her what she had done. Soon, the Girl got all twenty right. But the Boy was reciting forty, fifty sounds, adding the unintentional noises she made on her way to the ones she meant.

You started in our bedroom, Mommy. You sighed before leaving. Then you walked to the kitchen and on the way your ankle cracked. You sat in the middle chair at the kitchen table. You put your elbows on the table. You cleared your throat and then went into the cellar. You took the first four steps slower than the last six. You tapped your finger on your teeth.

But no matter how much she’s taught them, the children could not be prepared to name the beasts who roam the woods on the river. The wolves, Malorie knows, have every advantage. So will anything else they encounter.

She tightens the tourniquet even more. Her shoulder throbs. Her thighs ache. Her neck aches. This morning she felt strong enough to row the twenty-mile trip. Now, wounded, she needs rest. She debates this with herself. She knows that in the old world, a break would have been advised. But stopping out here could mean death.

A loud screech from above makes Malorie jump. It sounded like a bird of prey. Like it was a hundred feet long. Ahead, something splashes. It’s brief but the sound is unnerving. Something moves in the woods to the left. More birds call out. The river is coming to life and with each piece of evidence of this, Malorie grows more afraid.

As the life grows around her, it seems to diminish within.