But they weren’t there yet.

As long as the stone of the living world around them was dark and relatively cool, they couldn’t be more than a mile or two down, so there was still hope.

“Maybe we should just give up,” the Ogre said to him in the midst of their endless struggle. “Maybe we should give up, and let what happens happen. Let the earth take us where it wants us to go. Is that a good idea?”

“No!” The suggestion infuriated Mikey. He wanted to tear the chocolate creature limb from limb for saying it—and he discovered that the anger gave him strength. Striking back at the Ogre would not help them—but taking that anger and channeling it into upward momentum—that would make a difference.

If Mikey let go of the Chocolate Ogre, he knew he could save himself, but the days of the selfish, self-centered McGill were gone. He wouldn’t do that to Nick. They would rise to the surface together, or not at all.

“This will not be our fate!” he screamed to the stone around him. Whether or not the earth was alive he did not know, but it seemed to have a will of its own. It wanted to draw them down into its womb, and hold them there until the world itself was no more. Perhaps that was acceptable, maybe even desirable for other souls, but not for him. He was not a Centered One. He was Mikey McGill, and he had things to do!

First of all, he had to save Allie! Without him, she would be a prisoner of Mary. Even worse, she would be at the mercy of that two-faced skinjacking slimeball Milos! Mikey could not bear to leave her in his clutches. The thought of it added to his fury, and his fury was transposed into muscle, moving them upward.

He renewed the struggle, and realized that arms and legs in this dense, gritty darkness were useless. He had the power to change, and realized there were forms more suitable for moving in dense, murky depths. He drew in his arms, and turned them into flippers. He fused his legs, and turned them into a fluke. He imagined himself a whale, but covered with sharp, toothlike ridges that could grip stone. Then he sprouted himself a dorsal fin.

“Hold on to that, and don’t let go,” he told the Chocolate Ogre, who, if nothing else, was very good at doing what he was told. Then Mikey began to force them upward through the stone of the living world, imagining all those things that made him furious—all those things that he knew he could change if he could only be back on the surface again.

He had no sense of direction now. But he knew they were moving upward because the earth around him and within him was getting colder and colder. Then after many days, he breached into the light of day, and the sun almost blinded him. It came so suddenly, he didn’t know what to do next. He had almost forgotten what it was to be a spirit in Everlost. Before he could sink again, he found deep in his thoughts an image of who he was. Mikey McGill. Mary’s brother. Allie’s soulmate. Perhaps the one boy who could make a difference in the battle for souls in Everlost.

Before he knew it, his form transformed back into that of a human, and with what little strength he had left, he reached out and grabbed the hand of the Chocolate Ogre, who was already beginning to sink back into the earth.

“We’ve got to keep moving now,” he reminded the Ogre. “If we don’t, we’ll sink again.”

“It’s bright here,” the Ogre said. “Where are we? Where are we going?”

“We’re going to rescue Allie,” he told the Ogre. “I don’t know where we are right now, but we’ll figure it out soon enough.”

Then a succulent aroma came to them, so pungent, it overcame the rich smell of chocolate.

“Do you smell that?” said the Ogre. “It smells good!”

Mikey was wary. He knew that in Everlost that which was pleasing to the senses was sometimes the tip of something much less pleasant. “Whatever it is, let’s avoid it.”

But like a dog fixed on a scent, the Ogre couldn’t resist. He determined the direction of the smell, and took off after it.

“Nick, no!”

Mikey ran after him, trying to stop him—but found that his feet were still welded into a thorn-encrusted whale fluke. He fell flat on his face, and by the time he had transformed his fluke into two human legs, the Chocolate Ogre was bounding away.

There was a honey ham, glistening, as if it had come right off a holiday table, stuck into a post that had crossed into Everlost. Like all Everlost food, it was perfectly preserved and at the peak of flavor.

“Nick, don’t touch it!”

But nothing could stop the Chocolate Ogre now.

Mikey caught up with him just as he grabbed the ham, and the instant he did, a trap sprang up around them both, locking into place. It was a cage! They were locked in a cage!

“Now look what you’ve done!” shouted Mikey, but the Ogre didn’t seem to care. He just joyfully sunk his dark teeth into the ham, leaving behind a ring of chocolate with every bite he took.

There was a shout of glee, then strange maniacal laughter coming from a farmhouse that was slowly decaying itself into Everlost. A figure left the porch, approaching them. As the figure limped closer, Mikey could see that he was alive, but not entirely.

And for the first time in a very, very long time, Mikey McGill was truly afraid.

In her book Everything You Wanted to Know About Everlost, but Were Ashamed to Ask, Mary Hightower has this to say about scar wraiths:

“Scar wraiths do not exist, plain and simple. The very idea that someone could be part-way in and part-way out of Everlost is preposterous. Either you are blessed with admission into Everlost, or you are not. As for those awful legends about a scar wraith’s ability to extinguish an Everlost soul and wipe it out of existence, those legends are entirely false. Nothing can hurt an Afterlight, much less kill one. Let me say this again, in case there is any doubt. Scar wraiths do not exist. However, if you see one, please report it to an authority.”

CHAPTER 10

Wraith, Wraith, Go Away

Mikey screamed.

He had never screamed in all his years in Everlost, but this was something stranger and more horrible than anything he had ever seen: a man who existed part in and part out of Everlost. That steely gray eye, that cheek—and even one hand that almost seemed to hang in the air in front of the hazy blur of his living body—and where his Everflesh attached to his living flesh was an angry red line that sparked like a short circuit.

Mikey knew the scar wraith legend. It was second only to scary stories about himself when he was the McGill. According to the legend, just the brush of an arm, the grip of a shoulder, the caress of a cheek from a scar wraith’s hand would “kill” an Afterlight. But worse than dying, the Afterlight would extinguish. No light. No tunnel. Nothing. The touch of a scar wraith meant absolute death.

“Well, well, well, what have we got here . . . ,” the scar wraith said, his eagle eye zipping back and forth in its socket as he examined them. His voice was both rough and almost musical, too. There was a resonance to it, like there were two sets of vocal cords, one a little higher than the other; clashing dissonant tones like an air raid siren.

“Don’t touch me!” Mikey screamed. “Nick, stay away from the bars! Don’t let him touch you!”

The scar wraith circled the cage with a heavy chain that had crossed into Everlost, and locked it in place with a padlock.

Mikey tried everything to escape. He turned his hands into lobster claws, his fingers into tiny buzz saws, he filled his arms with muscles and tried to pry the bars apart, but he couldn’t. He might have been able to push down the sides of the spring-loaded cage, but the chain and padlock now made that impossible. He thought of squeezing through the small chain-link holes of the bed frames, but he knew that wouldn’t work either. Although Mikey could reform himself into all nature of monster, all his creations were big and bulky. He couldn’t fashion himself into a creature slim enough to slither through the narrow bars and chain-link holes of a bed frame.


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