He doesn't tell Risa what's in store for her. Somehow telling her would be stealing something from her. Let this be between her, Sonia, the pen, and the page, as it had been for him.

She leaves the baby with him as she goes up to face the old woman. It's asleep, and right now, in this place and at this moment, there's something so comforting about holding it in his arms, he's thankful he saved it. And he thinks that if his soul had a form, this is what it would be. A baby sleeping in his arms.

_{20 Risa}

The next time Sonia opens the trapdoor, Risa knows things are changing again. The time has come to leave the safety of Sonia's basement.

Risa's the first in line when Sonia calls them to come up. Roland would have been, but Connor threw an arm out like a turnstile to let Risa get to the stairs first.

With the sleeping baby crooked in her right arm, and her left hand on the rusty steel banister, Risa climbs the jagged stone steps. Risa assumes she'll be climbing into daylight, but it's night. The lights are out in the shop—just a few night-lights are on, carefully positioned so the kids can avoid the minefield of random antiques around them.

Sonia leads them to a back door that opens into an alley. There's a truck waiting for them there. It's a small delivery truck. On its side is a picture of an ice cream cone.

Sonia hadn't lied. It is the ice cream man.

The driver stands beside the open back door of the truck. He's a scruffy guy who looks like he'd more likely be delivering illegal drugs than kids. Roland, Hayden, and Mai head for the truck, but Sonia stops Risa and Connor.

"Not yet, you two."

Then Risa notices a figure standing in the shadows. Risa's neck hairs begin to bristle defensively, but when the figure steps forward, she realizes who it is. It's Hannah, the teacher who saved them at the high school.

"Honey, the baby can't go where you're going," Hannah says.

Reflexively, Risa holds the baby closer to her. She doesn't even know why. All she's wanted to do since getting stuck with the thing is to get rid of it.

"It's all right," says Hannah. "I've talked it over with my husband. We'll just say we were storked. It will be fine."

Risa looks in Hannah's eyes. She can't see all that well in the dim light, but she knows the woman means what she says.

Connor, however, steps between them. "Do you want this baby?"

"She's willing to take it," says Risa. "That's enough."

"But does she want it?"

"Did you want it?"

That seems to give Connor pause for thought. Risa knows he didn't want it, but he had been willing to take it when the alternative was a miserable life with a miserable family. Just as Hannah is willing to save it from an uncertain future right now. Finally Connor says, "It's not an it. It's a she." Then he heads off toward the truck.

"We'll give her a good home," Hannah says. She takes a step closer, and Risa transfers the baby to her.

The moment the baby is out of her arms Risa feels a tremendous sense of relief, but also an indefinable sense of emptiness. It's a feeling not quite intense enough to leave her in tears, but strong enough to leave her with a phantom sort of aching, the type of thing an amputee must feel after losing a limb. That is, before a new one is grafted on.

"You take care, now," says Sonia, giving Risa an awkward hug. "It's a long journey, but I know you can make it."

"Journey to where?"

Sonia doesn't answer.

"Hey," says the driver, "I don't got all night."

Risa says good-bye to Sonia, nods to Hannah, and turns to join Connor, who's waiting lor her at the back of the truck. As Risa leaves, the baby starts to cry, but she doesn't look back.

She's surprised to find about a dozen other kids in the truck, all distrustful and scared. Roland's still the biggest, and he solidifies his position by making another kid move, even though there's plenty of other places to sit.

The delivery truck is a hard, cold, metal box. It once had a refrigeration unit to keep the ice cream cold, but that's gone along with the ice cream. Still, it's freezing in there, and it smells of spoiled dairy. The driver closes and locks the back doors, sealing out the sound of the baby, who Risa can still hear crying. Even after the door is closed, she thinks she can still hear it, although it's probably just her imagination.

The ice cream truck bounces along the uneven streets. The way the truck sways, their backs are constantly smacked against the wall behind them.

Risa closes her eyes. It makes her furious that she actually misses the baby. It was thrust upon her at the worst possible moment in her life—why should she have any regret about being rid of it? She thinks about the days before the Heartland War, when unwanted babies could just be unwanted pregnancies, quickly made to go away. Did the women who made that other choice feel the way she felt now? Relieved and freed from an unwelcome and often unfair responsibility . . . yet vaguely regretful?

In her days at the state home, when she was assigned to take care of the infants, she would often ponder such things. The infant wing had been massive and overflowing with identical cribs, each containing a baby that nobody had wanted, wards of a state that could barely feed them, much less nurture them.

"You can't change laws without first changing human nature," one of the nurses often said as she looked out over the crowd of crying infants. Her name was Greta. Whenever she said something like that, there was always another nurse within earshot who was far more accepting of the system and would counter with, "You can't change human nature without first changing the law." Nurse Greta wouldn't argue; she'd just grunt and walk away.

Which was worse, Risa often wondered—to have tens of thousands of babies that no one wanted, or to silently make them go away before they were even born? On different days Risa had different answers.

Nurse Greta was old enough to remember the days before the war, but she rarely spoke of them. All her attention was given to her job, which was a formidable one, since there was only one nurse for every fifty babies. "In a place like this you have to practice triage," she told Risa, referring to how, in an emergency, a nurse had to choose which patients would get medical attention. "Love the ones you can," Nurse Greta told her. "Pray for the rest." Risa took the advice to heart, and selected a handful of favorites to give extra attention. These were the ones Risa named herself, instead of letting the randomizing computer name them. Risa liked to think she had been named by a human being instead of by a computer. After all, her name wasn't all that common. "It's short for sonrisa," a Hispanic kid once told her. "That's Spanish for 'smile.'" Risa didn't know if she had any Hispanic blood in her, but she liked to think she did. It connected her to her name.

"What are you thinking about?" Connor asks, tearing her out of her thoughts and bringing her back to the uneasy reality around them.

"None of your business.''

Connor doesn't look at her—he seems to be focusing on a big rust spot on the wall, thinking. "You okay about the baby?" he asks.

"Of course." Her tone is intentionally indignant, as if the question itself offended her.

"Hannah will give her a good home," Connor says. "Better than us, that's for sure, and better than that beady-eyed cow who got storked." He hesitates for a moment, then says, "Taking that baby was a massive screwup, I know—but it ended okay for us, right? And it definitely ended better for the baby."