“A scrying bowl sees whatever you want it to see,” Morfran corrects him. “As for the banishing pentagram, I think it might be overkill. Burn some protective incense, or some herbs. That should be plenty.”

“You do know what we’re dealing with here, don’t you?” I ask. “She’s not just a ghost. She’s a hurricane. Overkill is fine by me.”

“Listen, kid. What you’re talking about is nothing more than a trumped-up séance. Summon the ghost and bind it in the circle of stones. Use the scrying bowl to get your answers. Am I right?”

I nod. He makes it sound so easy. But for someone who doesn’t do spells and spent the last night being tossed like a rubber ball, it’s going to be damn near impossible.

“I’ve got a friend in London doing the specifics. I’ll have the spell in a few days. I might need a few more supplies, depending.”

Morfran shrugs. “Best time to do a binding spell is during the waning moon anyway,” he says. “That gives you a week and a half. Plenty of time.” He squints at me and looks a whole lot like his grandson. “She’s getting the better of you, isn’t she?”

“Not for long.”

*   *   *

The public library isn’t all that impressive to look at, though I suppose I’ve been spoiled growing up with my dad and his friends’ collections of dusty tomes. It does, however, have a pretty decent local history collection, which is what’s really important. Since I’ve got to find Carmel and settle this whole bio assignment business, I put Thomas on the computer, searching through the online database for any record of Anna and her murder.

I find Carmel waiting at a table back behind the stacks.

“What’s Thomas doing here?” she asks as I sit down.

“Researching a paper.” I shrug. “So what’s the bio assignment about?”

She smirks at me. “Taxonomic classification.”

“Gross. And boring.”

“We have to make a chart that goes from phylum to species. We got hermit crabs and octopus.” She furrows her brow. “What’s the plural for octopus? Is it ‘octopuses’?”

“I think it’s octopi,” I say, spinning the open textbook toward me. We might as well get started, even though it’s the last thing I want to be doing. I want to be getting newsprint on my fingers with Thomas, searching out our murdered girl. I can see him at the computer from where I’m sitting, hunched over toward the screen, clicking away feverishly with the mouse. Then he writes something on a scrap of paper and gets up.

“Cas,” I hear Carmel say, and from the tone of her voice she’s been talking for a while. I put on my very best charming smile.

“Hm?”

“I said, do you want to do the octopus, or the hermit crab?”

“Octopus,” I say. “They’re good with a little olive oil and lemon. Lightly fried.”

Carmel makes a face. “That’s disgusting.”

“No, it isn’t. I used to eat it with my dad all the time in Greece.”

“You’ve been to Greece?”

“Yeah,” I say, talking absently while I flip through pages of invertebrates. “We lived there for a few months when I was about four. I don’t remember very much.”

“Does your dad travel a lot? For work or something?”

“Yeah. Or at least he did.”

“He doesn’t anymore?”

“My dad’s dead,” I say. I hate telling people this. I never know exactly how my voice is going to sound saying it, and I hate the stricken looks they get on their faces when they don’t know what to say back. I don’t look at Carmel. I just keep reading about different genuses. She says she’s sorry, and asks how it happened. I tell her he was murdered, and she gasps.

These are the right responses. I should be touched by her attempt to be sympathetic. It isn’t her fault that I’m not. It’s just that I’ve seen these faces and heard these gasps for too long. There’s nothing about my father’s murder that doesn’t make me angry anymore.

It strikes me suddenly that Anna is my last training job. She’s incredibly strong. She’s the most difficult thing I can imagine facing. If I beat her, I’ll be ready. I’ll be ready to avenge my father.

The idea makes me pause. The idea of going back to Baton Rouge, back to that house, has always been mostly abstract. Just an idea, a long-range plan. I suppose that for all of my voodoo research, part of me has been procrastinating. I haven’t been particularly effective, after all. I still don’t know who it was that killed my dad. I don’t know if I would be able to raise them, and I’d be all on my own. Bringing Mom is out of the question. Not after years of hiding books and discreetly clicking out of websites when she walked into the room. She’d ground me for life if she even knew I was thinking of it.

A tap on my shoulder brings me out of my daze. Thomas sets a newspaper down in front of me—a brittle, yellowed old thing that I’m surprised they let out of the glass.

“This is what I could find,” he says, and there she is, on the front page, beneath the headline that reads “Girl Found Slain.”

Carmel stands up to get a better view. “Is that—?”

“It’s her,” Thomas blurts excitedly. “There aren’t that many other articles. The police were dumbfounded. They hardly even questioned anybody.” He’s got a different newspaper in his hands; he’s riffling through it. “The last one is just her obituary: Anna Korlov, beloved daughter of Malvina, was laid to rest Thursday in Kivikoski Cemetery.”

“I thought you were researching a paper, Thomas,” Carmel comments, and Thomas starts to sputter and explain. I don’t care a lick about what they’re saying. I’m staring at her picture, a picture of a living girl, with pale skin and long, dark hair. She’s not quite daring to smile, but her eyes are bright, and curious, and excited.

“It’s a shame,” Carmel sighs. “She was so pretty.” She reaches down to touch Anna’s face, and I brush her fingers away. Something’s happening to me, and I don’t know what it is. This girl I’m looking at is a monster, a murderer. This girl for some reason spared my life. I carefully trace along her hair, which is held up with a ribbon. There’s a warm feeling in my chest but my head is ice-cold. I think I might pass out.

“Hey, man,” Thomas says, and shakes my shoulder a little. “What’s wrong?”

“Uh,” I sort of gurgle, not knowing what to say to him, or myself. I look away to buy time, and see something that makes my jaw clench. There are two police officers standing at the library desk.

Saying anything to Carmel and Thomas would be stupid. They’d instinctively look over their shoulders and that would be suspicious as hell. So I just wait, discreetly tearing Anna’s obituary out of the brittle newspaper. I ignore Carmel’s furious hiss of “You can’t do that!” and put it into my pocket. Then I discreetly cover the newspaper up with books and schoolbags and point down to a picture of a cuttlefish.

“Any idea where that fits in?” I ask. They’re both looking at me like I’ve come unglued. Which is fine because the librarian has turned and pointed at us. The cops are starting to make their way back to our table, just like I knew they would.

“What are you talking about?” Carmel asks.

“I’m talking about the cuttlefish,” I say mildly. “And I’m telling you to look surprised, but not too surprised.”

Before she can ask, the tramping noise of two men laden down with cuffs, flashlights, and sidearms is loud enough to warrant turning around. I can’t see her face, but I hope she doesn’t look as mortifyingly guilty as Thomas does. I lean into him and he swallows and pulls himself together.

“Hi, kids,” the first cop says with a smile. He’s a stout, friendly looking guy who’s about three inches shorter than me and Carmel. He handles this by staring Thomas directly in the eyes. “Doing some studying?”

“Y-yeah,” Thomas stutters. “Is there something wrong, Officer?”

The other cop is poking around our table, looking at our open textbooks. He’s taller than his partner, and leaner, with a hawk’s nose full of pores and a small chin. He’s bug ugly, but I hope not mean.