It came, charmingly, in the mail. My name and address on a coffee-stained envelope, and inside just one scrap of paper with Anna’s name on it. It was written in blood. I get these tips from all over the country, all over the world. There are not many people who can do what I do, but there are a multitude of people who want me to do it, and they seek me out, asking those who are in the know and following my trail. We move a lot but I’m easy enough to find if they look. Mom makes a website announcement whenever we relocate, and we always tell a few of my father’s oldest friends where we’re headed. Every month, like clockwork, a stack of ghosts flies across my metaphorical desk: an e-mail about people going missing in a Satanic church in northern Italy, a newspaper clipping of mysterious animal sacrifices near an Ojibwe burial mound. I trust only a few sources. Most are my father’s contacts, elders in the coven he was a member of in college, or scholars he met on his travels and through his reputation. They’re the ones I can trust not to send me on wild-goose chases. They do their homework.

But, over the years, I’ve developed a few contacts of my own. When I looked down at the scrawling red letters, cut across the paper like scabbed-over claw marks, I knew that it had to be a tip from Rudy Bristol. The theatrics of it. The gothic romance of the yellowed parchment. Like I was supposed to believe the ghost actually did it herself, etching her name in someone’s blood and sending it to me like a calling card inviting me to dinner.

Rudy “the Daisy” Bristol is a hard-core goth kid from New Orleans. He lounges around tending bar deep in the French Quarter, lost somewhere in his mid-twenties and wishing he were still sixteen. He’s skinny, pale as a vampire, and wears way too much mesh. So far he’s led me to three good ghosts: nice, quick kills. One of them was actually hanging by his neck in a root cellar, whispering through the floorboards and enticing new residents of the house to join him in the dirt. I walked in, gutted him, and walked back out. It was that job that made me like Daisy. It wasn’t until later on that I learned to enjoy his extremely enthusiastic personality.

I called him the minute I got his letter.

“Hey man, how’d you know it was me?” There was no disappointment in his voice, just an excited, flattered tone that reminded me of some kid at a Jonas Brothers concert. He’s such a fanboy. If I allowed it, he’d strap on a proton pack and follow me around the country.

“Of course it was you. How many tries did it take you to get the letters to look right? Is the blood even real?”

“Yeah, it’s real.”

“What kind of blood is it?”

“Human.”

I smiled. “You used your own blood, didn’t you?” There was a sound of huffing, of shifting around.

“Look, do you want the tip or not?”

“Yeah, go ahead.” My eyes were on the scrap of paper. Anna. Even though I knew it was just one of Daisy’s cheap tricks, her name in blood looked beautiful.

“Anna Korlov. Murdered in 1958.”

“By who?”

“Nobody knows.”

“How?”

“Nobody really knows that either.”

It was starting to sound like a crock. There are always records, always investigations. Each drop of blood spilled leaves a paper trail from here to Oregon. And the way he kept trying to make the phrase “nobody knows” sound creepy was starting to wear on my nerves.

“So how do you know?” I asked him.

“Lots of people know,” he replied. “She’s Thunder Bay’s favorite spook story.”

“Spook stories usually turn out to be just that: stories. Why are you wasting my time?” I reached out for the paper, ready to crumple it in my fist. But I didn’t. I don’t know why I was being skeptical. People always know. Sometimes a lot of people. But they don’t really do anything about it. They don’t really say anything. Instead they heed the warnings and cluck their tongues at any ignorant fool who stumbles into the spider’s den. It’s easier for them that way. It lets them live in the daylight.

“She’s not that kind of spook story,” Daisy insisted. “You won’t ask around town and get anything about her—unless you ask in the right places. She’s not a tourist attraction. But you walk into any teenage girls’ slumber party, and I guarantee you they’ll be telling Anna’s story at midnight.”

“Because I walk into a ton of teenage girls’ slumber parties,” I sighed. Of course, I suppose that Daisy really did, back in his day. “What’s the deal?”

“She was sixteen when she died, the daughter of Finnish immigrants. Her father was dead, he died of some disease or something, and her mom ran a boarding house downtown. Anna was on her way to a school dance when she was killed. Someone cut her throat, but that’s an understatement. Someone nearly cut her head clean off. They say she was wearing a white party dress, and when they found her, the whole thing was stained red. That’s why they call her Anna Dressed in Blood.”

“Anna Dressed in Blood,” I repeated softly.

“Some people think that it was one of the boarders that did it. That some pervert took a look at her and liked what he saw, followed her and left her bleeding in a ditch. Others say it was her date, or a jealous boyfriend.”

I took a deep breath to pull me out of my trance. It was bad, but they were all bad, and it was by no means the worst thing I’d ever heard. Howard Sowberg, a farmer in central Iowa, killed his entire family with a pair of hedge shears, alternately stabbing and snipping as the case allowed. His entire family consisted of his wife, his two young sons, a newborn, and his elderly mother. Now that was one of the worst things I’d ever heard. I was disappointed to get to central Iowa and discover that the ghost of Howard Sowberg wasn’t remorseful enough to hang around. Strangely enough, it’s usually the victims that turn bad in the afterlife. The truly evil move on, to burn or turn to dust or be reincarnated as dung beetles. They use up all their rage while they’re still breathing.

Daisy was still going on about Anna’s legend. His voice was growing lower and breathier with excitement. I couldn’t decide whether to laugh or be annoyed.

“Okay, so what does she do, now?”

He paused. “She’s killed twenty-seven teenagers … that I know of.”

Twenty-seven teenagers in the last half century. It was starting to sound like a fairy tale again, either that or the strangest cover-up in history. Nobody kills twenty-seven teenagers and escapes without being chased into a castle by a crowd holding torches and pitchforks. Not even a ghost.

“Twenty-seven local kids? You’ve got to be kidding me. Not drifters, or runaways?”

“Well—”

“Well, what? Someone’s pulling your chain, Bristol.” Bitterness grew in the back of my throat. I don’t know why. So what if the tip was fake? There were fifteen other ghosts waiting in the stack. One of them was from Colorado, some Grizzly Adams type who was murdering hunters on an entire mountain. Now that sounded like fun.

“They never find any bodies,” Daisy said in an effort to explain. “They must just figure that the kids ran away, or were abducted. It’s only the other kids who would say anything about Anna, and of course nobody does. You know better than that.”

Yeah. I knew better than that. And I knew something else too. There was more to Anna’s story than Daisy was telling me. I don’t know what it was, call it intuition. Maybe it was her name, scrawled out in crimson. Maybe Daisy’s cheap and masochistic trick really did work after all. But I knew. I know. I feel it in my gut, and my father always told me when your gut says something, you listen.

“I’ll look into it.”

“Are you going?” There was that excited tone again, like an overeager beagle waiting to have his rope thrown.

“I said I’ll look into it. I’ve got something to wrap up here first.”

“What is it?”