They both skidded to a stop near the ambulance and McPherson climbed angrily from the car, slammed the door.

Storming toward Poitier, he said, “What has happened here?”

Rhyme explained, shouldering the blame.

The assistant commissioner glared at him then turned and raged in a low growl at his corporal, “I will not have this insubordination. You should have told me.”

Rhyme expected the young man would roll over. But he stared into his boss’s eyes.

“Sir, with all respect. I was given the Moreno homicide to handle.”

“It was your case to handle according to proper procedures. And that doesn’t include bringing an interloper into the field with you.”

“This was a lead. The sniper was here. I should have searched last week.”

“We have to see what the–”

Poitier interjected, “Venezuelan authorities have to say.”

“Do not interrupt me again, Corporal. And do not take that attitude with me.”

“Yes, sir. Sorry, sir.”

Rhyme said, “This is an important case, Commissioner, with implications for both our countries.”

“And you, Captain Rhyme, you. Do you understand you nearly got a policeman on my force killed?”

The criminalist fell silent.

His voice flinty he added, “And yourself too. We don’t need any more dead Americans in the Bahamas. We’ve had our share.” A cool glance to his side. “You’re suspended, Corporal. There will be an inquiry that may result in your termination. At the very least, you’ll be reassigned back to Traffic.”

Dismay flooded Poitier’s face. “But–”

“And you, Captain Rhyme, you are leaving the Bahamas immediately. My officers here will escort you to the airport, along with your associates. Your belongings will be collected from your motel and given to you there. We have already called the airline. You have seats on a flight that leaves in two hours. You’ll be in custody until then. And you, Corporal, you will surrender your weapon and your identification at headquarters.”

“Yes, sir.”

But suddenly Ron Pulaski strode forward and confronted the assistant commissioner, who was easily twice his weight and several inches taller. “No,” the young patrolman said.

“I beg your pardon?”

The young officer said firmly, “We’re going to spend the night at our motel. Leave in the morning.”

“What?” McPherson blinked.

“We are not leaving tonight.”

“That’s not acceptable, Officer Pulaski.”

“Lincoln nearly died. He’s not getting on an airplane until he’s had some rest.”

“You’ve committed crimes–”

Pulaski unholstered his phone. “Should we call the embassy and discuss the matter with them? Of course, I’d have to mention what we’re doing down here, the specific crime we’re investigating.”

Silence, except for the clang of the mysterious machinery in the factory behind them and the lapping of the shimmering waves.

The brass glowered. “All right,” McPherson muttered. “But you take the first flight in the morning. You’ll be escorted to your motel and confined to your room until then.”

Rhyme said, “Thank you, Commissioner. I appreciate it. I apologize for any difficulties I’ve caused your force. Good luck with this case. And with the murder investigation of the American student.” He looked at Poitier. “And again, I’m sorry to you too, Corporal.”

Five minutes later Rhyme, Thom and Pulaski were in the Ford van, leaving the spit, with a police escort behind them to make sure they arrived – and stayed put – at their motel. The two large officers in the squad car were unsmiling and wary. Rhyme in fact didn’t mind their presence; after all, the trio from the gold Mercury was still at large.

“Goddamn good job, rookie.”

“Better than competent?”

“You exceeded competence.”

The young officer laughed. “I had a hunch you needed to buy some time.”

“That’s exactly right. I liked the embassy part, by the way.”

“Improvising. So what do we do next?”

“We let the bread bake,” Rhyme said cryptically. “And see if we can’t rustle up some of this Bahamian rum I’ve been hearing about.”

Into the parlor of the town house, the laboratory, Amelia Sachs carted a milk crate containing the evidence from the Lydia Foster crime scene.

“Did Lincoln call?” she asked Mel Cooper, who eyed the crate with interest.

“Nope, not a word.”

Cooper, the expert lab man, was now officially on board, thanks to a call by Lon Sellitto and Captain Myers, to arrange for his reassignment to the Rhyme Precinct. Cooper, an NYPD detective, was balding and diminutive and wore thick Harry Potter glasses that never seemed to remain exactly perched where they should be. You would think his off hours life would be filled with math puzzles and Scientific American  but his leisure time was largely taken with ballroom dancing competitions, with his stunningly gorgeous Scandinavian girlfriend, a mathematics professor at Columbia University.

Nance Laurel was at her desk. The woman glanced blankly at the physical evidence, then back to the policewoman, and Sachs didn’t know if this was a greeting or a symptom of one of the pauses before she spoke.

Sachs offered grimly, “I got it wrong. There’re two perps.” She explained about her erroneous assumption. “I was following the sniper. The man who killed Lydia Foster’s somebody else.”

“Who do you think?” Cooper asked.

“Bruns’s backup.”

“Or a specialist hired by Metzger to clean up,” Laurel said. It seemed to Sachs that her voice brightened at this. Good news for the case, good news for the jury – that their primary suspect would order one of his officers to do something so heartless. Not a word of sympathy for the victim, not a frown of concern.

Sachs truly hated the woman at this moment.

She continued, pointedly speaking only to Mel Cooper, “Lon’s agreed to keep it a motive unknown case for the time being – like the IED at the Java Hut’s still officially a gas main explosion. I thought it was better not to let Metzger know how the investigation’s going.”

Laurel was nodding. “Good.”

Sachs stared at the whiteboards then began to revise them in light of what they’d learned. “Let’s give Lydia Foster’s killer the title Unsub Five Sixteen. After today’s date.”

Laurel asked, “Anything more about the ID of the shooter, the man you followed to NIOS?”

“No. Lon’s got a surveillance team on him. They’ll call as soon as they make an ID.”

Another pause. Laurel said, “I’m just curious: Did you think about getting his fingerprints?”

“His–”

“When you were following the sniper downtown? The reason I’m asking is I was working a case once and an undercover detective dropped a glossy magazine. The subject picked it up for her. We got his prints.”

“Well,” Sachs said evenly, “I didn’t.”

Because if I had done that we’d have his fucking ID by now. Which we don’t.

An impenetrably cryptic nod from Laurel.

Just curious…

That was as irritating as “if you don’t mind.”

Sachs turned away from her, wincing slightly, and handed off the evidence from the Lydia Foster crime scene to Mel Cooper, who regarded the slim pickings with the same dismay that Sachs felt.

“That’s it?”

“Afraid so. Unsub Five Sixteen knows what he’s doing.” Sachs was looking at the photos of Lydia Foster’s bloody corpse, which she was downloading from the crime scene team in Queens and printing out.

Lips tight, she stepped to one of the whiteboards and taped the pictures up.

“He tortured her,” Laurel said softly but with no other reaction.

“And took everything Lydia had about the assignment for Moreno.”

“What could she have known?” the ADA wondered. “If he had a commercial interpreter with him on the business trip, he obviously wasn’t taking her to meet criminals. She’d be a good witness to testify that Moreno wasn’t a terrorist.” She added, “That is, would  have been a good witness.”