She sent messages to the two officers, then stepped to a clean whiteboard and wrote down the evidence, as well as the information she and Lon Sellitto had learned about the victim.

614 W. 54th Street

Victim: Samantha Levine, 32

– Worked for International Fiber Optic Networks

– Probably no connection to Unsub

– No sexual assault, but touching of skin

Unsub 11 5

– See details from prior scene

– Might have returned to the scene

• No sightings

– No friction ridges

– No footprints

COD: Poisoning with Brugmansia, introduced via tattooing

– Angel’s trumpet, devil’s breath

– Atropine, hyoscyamine, scopolamine

Tattoo

– ‘forty’ surrounded by scarring scallops

– Why cardinal number?

Sedated with propofol

– How obtained? Access to medical supplies? (No local thefts)

Location

– Abducted from restroom of Provence2 restaurant, basement

– Kill site was underneath restroom, in 19th century slaughterhouse culling area underground

– Similar infrastructure to earlier scene:

• IFON

• ConEd router

• Metropolitan Transit Authority DC current feed

• Department of Environmental Protection pipe

Flashlight

– Generic, cannot be sourced

Handcuffs

– Generic, cannot be sourced

Duct tape

– Generic, cannot be sourced

No trace

Purse left as booby trap

– Plastic surgeon’s hypodermic needle

– Strychnine loaded into needle

• Can’t locate source

• Probably not enough to kill

Rhyme gazed at the entries and then shrugged. ‘It’s as mysterious as the message he’s trying to send.’

Thom said, ‘Witching hour.’

‘Okay, you win.’

Cooper pulled his jacket on and said good night.

‘Sachs?’ Rhyme asked. ‘You coming upstairs?’

She’d turned from the board and was staring out the window at the stark, ice coated branches bending in the persistent wind.

‘What?’ She hadn’t heard, it seemed.

‘You coming to bed?’

‘I’ll be a few more minutes.’

Thom climbed the stairs and Rhyme wheeled to the elevator that would take him to the second floor. Once there, he rolled toward the bedroom. He paused, though, cocked his head, listening. Sachs was on the phone, speaking softly, but he could still make out the words.

‘Pam, hey, it’s me … Hope you’re checking messages. Really like to talk. Give me a call. Okay, love you. ’Night.’

That was, Rhyme believed, the third such call today.

He heard her footfalls on the stairs and immediately veered into the bedroom and struck up a conversation with Thom – which must have bordered on the surreal to the aide, given that Rhyme was concentrating on his words not one bit; he simply wanted to keep Sachs from knowing he’d overheard her plea to Pam Willoughby.

Sachs crested the top stair and walked into the bedroom. Rhyme was thinking how unsettling it is when the people who are the hubs of our lives are suddenly vulnerable. And worse yet when they mask it with stoic smiles, as Sachs did now.

She saw his glance and asked, ‘What?’

Rhyme vamped. ‘Just thinking. I have a feeling we’re going to get him tomorrow.’

He expected her to look incredulous and say something like, ‘You?  Have a feeling .’

But instead she glanced subtly at her phone’s screen, pocketed the unit and said, eyes out the window, ‘Could be, Rhyme. Could be.’

THURSDAY, NOVEMBER 7

9:00 A.M.

Sweating, groaning loudly, Billy Haven awoke from a difficult dream.

Involving the Oleander Room.

Though all dreams set there – and there were lots of them – were, by definition, difficult.

This one was particularly horrifying because his parents were present, even though they’d died some years before he’d ever stepped into the Oleander Room for the first time. Maybe they were ghosts but they looked real. The odd reality of the unreality of dreams.

His mother was gazing at what he was doing and she was screaming, ‘No, no, no! Stop, stop!’

But Billy was smiling reassuringly and saying, ‘It’s okay,’ even though he knew it wasn’t. It was anything but okay. Then he realized the reassurance didn’t mean anything because his mother couldn’t hear him. Which wiped the smile away and he felt miserable.

His father merely shook his head, disappointed at what he was seeing. Vastly disappointed. This upset Billy too.

But their part in the dream made sense, now that he thought about it: His parents had died and died bloody.

Perfectly, horrifically logical.

Billy was smelling blood, seeing blood, tasting blood. Inking his skin temporarily with blood. Which happened both in the dream and in real life in the Oleander Room. Painting his skin the way people in some cultures do when piercing is forbidden.

Billy flung off the sheet and sat up, swinging his feet to the cold floor. Using a pillow, he wiped his forehead of sweat, picturing all of them: Lovely Girl and his parents.

He glanced down at the works on his thighs. On the left:

ELA

On the other:

LIAM

Two names that he was proud to carry with him. That he’d carry forever. They represented a huge gap in his life. But a gap soon to be closed. A wrong soon to be righted.

The Modification …

He looked at the rest of his body.

Billy Haven was largely tat free, which was odd for someone who made much of his income as a tattoo artist. Most inkers were drawn to the profession because they enjoyed body mods, were even obsessed with the needles, the lure of the machine. More. Give me more. And they’d often grow depressed at the dwindling inches of uninked skin on their bodies to fill with more works.

But not Billy. Maybe it was like Michelangelo. The master had liked painting but did not particularly like being painted.

Finger skin to finger skin …

The truth was that Billy hadn’t wanted to be a tat artist at all. It had been a temporary job to put himself through college. But he’d found that he enjoyed the practice and in an area where a pen and paintbrush artist would have trouble making a living, a skin artist could do okay for himself. So he’d tucked aside his somewhat worthless college degree, set up shop in a strip mall and proceeded to make pretty good ducats with his Billy Mods.

He looked again at his thighs.

ELA LIAM

Then he glanced at his left arm. The red centipede.

The creature was about eighteen inches long. Its posterior was at the middle of his biceps and the design moved in a lazy S pattern to the back of his hand, where the insect’s head rested – the head with a human face, full lips, knowing eyes, a nose, a mouth encircling the fangs.

Traditionally, people tattooed themselves with animals for two reasons: to assume attributes of the creature, like courage from a lion or stealth from a panther. Or to serve as an emblem to immunize them from the dangers of a particular predator.

Billy didn’t know much about psychology but knew that, between the two, it was the first reason that had made him pick this creature with which to decorate his arm.

All he really knew, though, was that it gave him comfort.

He dressed and assembled his gear, then ran a pet roller over his clothing, hair and body several times.

His wristwatch hummed. Then the other, in his pocket, made a similar noise a few seconds later.

It was time to go hunting once more.

Okay. This is a pain.

Billy was in a quiet, dim tunnel beneath the East Side of Midtown, making his way toward where he was going to ink a new victim to hell.

But his route had been blocked off.

In the nineteenth century, he’d learned, this tunnel housed a connector for a narrow gauge spur line linking a factory with a rail depot around 44th Street. It was a glorious construction of smooth brick and elegant arches, surprisingly free of vermin and mold. The ties and rails were gone but the passageway’s transportation heritage was still evident: Several blocks away, Billy could hear, trains moved north and south out of Grand Central Station. You could hear subways too. Overhead and under. Some so close that dust fell.