‘Okay, but you’ve got my number. Good luck, dudes.’

Then the man was gone.

The team was looking at the images of the tattoos once more. Lon Sellitto wasn’t picking up so Sachs called Major Cases and had the team at headquarters add ‘17th’ to the list of numbers they were searching for.

Just after she’d disconnected, her phone hummed again and she answered. Rhyme saw immediately that she stiffened. She asked breathlessly, ‘What? You have somebody on the way?’

She slammed the disconnect button and looked at Rhyme, eyes wide. ‘That was a sergeant at the Eight Four. A neighbor just called in a nine one one, intruder outside Pam’s apartment. White male in a stocking cap and short gray coat. Seemed to be wearing a mask. Yellow. Jesus.’

Sachs flipped open her phone and hit a speed dial button.

Answer!

Please answer! Sachs gripped her mobile hard and shivered in hopeless rage when Pam’s voice mail came on.

‘If you’re at home, Pam, get out of your house! Now! Go to the Eighty Fourth Precinct. Gold Street. I think the perp in our case is at your place.’

Her eyes met Rhyme’s, his face equally troubled, and she jammed her finger onto the redial button.

Rhyme asked, ‘Is she working? Or at school?’

‘I don’t know. She works odd hours. And’s in school part time this semester.’

Ron Pulaski called, ‘There should be a unit there in seven, eight minutes.’

But the question: Is it too late?

The hollow buzzing of the phone filled the speaker.

Goddamn it. Voice mail once more.

No, no …

‘Sachs–’

She ignored Rhyme and hit the redial button again. Why the hell hadn’t they put protection on Pam full time? True, their unsub’s targets – like the Bone Collector’s – were random and the Skin Collector surely didn’t even know she existed, they’d assumed. But now, of course, he’d decided to target not only those tracking him down, but their friends and family too. It wouldn’t be impossible to discover Pam’s relationship to Rhyme and Sachs. Why hadn’t–

Click. ‘Amelia,’ Pam said, breathless. ‘I got your message. But I’m not home. I’m at work.’

Sachs lowered her head. Thank you, thank you …

‘But Seth’s there! He’s there now. He’s waiting for me. We’re going out later. Amelia, what … what should we do?’

Sachs got his mobile and spun to Pulaski. ‘Call Seth!’ She shouted the number across the room. The young officer dialed fast.

‘The doors are locked, Pam?’

‘Yes, but … Oh, Amelia. Are police there?’

‘They’re on their way. Stay where you are. And–’

‘Stay where I am? I’m going home. I’m going there now.’

‘No. Don’t do that.’

Pam’s voice was ragged, accusatory. ‘Why’s he doing this? Why is he at my  apartment?’

‘Stay where–’

The girl hung up.

‘It’s ringing.’ Pulaski’s expression changed instantly.

‘Speaker,’ Rhyme snapped.

The young officer hit the button. Seth’s voice came from the line. ‘Hello?’

‘Seth, it’s Lincoln Rhyme.’

‘Hey, how–’

‘Listen to me carefully. Get out. Somebody’s breaking into the apartment. Get out now!’

‘Here? What do you mean? Is Pam all right?’

‘She’s okay. Police are coming but you have to get out. Drop whatever you’re doing and leave. Go out the front door and get to the Eighty Fourth Precinct. It’s on Gold Street. Or at least some populated place. Call Amelia or me as soon as–’

Seth’s next words were muted, as if he was turning and the phone was no longer next to his mouth. ‘Hey!’

A sound like breaking glass could be heard and another voice, a man’s: ‘You. Put the phone down.’

‘The hell’re you–’

Then several thuds. Seth screamed.

And the line went dead.

The squad cars beat Amelia Sachs to Pam’s apartment.

But not by much.

Sachs had kept the gears low in her Torino, the RPMs high, and her foot largely off the brake as she sped to Brooklyn Heights. Sidney Place, a narrow street ending at State, runs north, one way, but that didn’t stop Sachs from pounding the Ford the opposite way, sending several oncoming cars up on the sidewalk, squeezing for protection between the many trees here. One rattled elderly driver scraped a fender on the stairs of St Charles Borromeo church, tall and red as a fire truck.

Sachs’s fierce eyes, more than the blue dashboard flasher, cleared the way with little resistance.

Pam’s apartment building was shabbier than most here, a three story walk up, one of the few gray buildings in a neighborhood of crimson stone. Sachs aimed for the semicircle of police vehicles and an ambulance. She laid on the horn – no siren in the Torino – and parted the craning neck crowd then gave up and parked. She sprinted to the door, noting that the ambulance door was open but there were no EMS techs nearby. Bad sign. Were they working away desperately on Seth?

Or was he dead?

In Pam’s apartment hallway, a stocky uniform glanced at the shield on her belt and nodded her in. She asked, ‘How is he?’

‘Dunno. It’s a mess.’

Her phone buzzed. She glanced at caller ID. Pam. Sachs debated but let it ring. She didn’t have anything to tell her yet.

I will in a few minutes, she thought. Then wondered what exactly the message would be.

A mess …

Pam lived on the ground floor, a small dark space of about six hundred square feet, whose resemblance to a jail cell was enhanced by the exposed brick walls and tiny windows. Such was the price of living in a posh neighborhood like the Heights, the center of town when Brooklyn was a city unto itself.

She stepped inside and saw two officers.

‘Detective Sachs,’ one said, though she didn’t recognize him. ‘You running the scene? We’ve cleared it. Had to make sure–’

‘Where is he?’ She looked past the uniform but then she realized that, of course, the Underground Man would have taken Seth to the basement.

The officer confirmed that he was in the cellar. ‘The medics, coupla detectives from the Eight Four.’ He shook his head. ‘They’re doing the best they can. But.’

Sachs tossed her hair off her shoulder. Wished she’d banded it up outside. No time then, no time now. She turned and headed back into the corridor, which smelled of onion and mold and some powerful cleaner. It turned her stomach. She found herself walking slowly. The sight of death or gore didn’t bother her; you don’t sign on to crime scene work if that troubles you. But the looming thought of a somber call to Pam was a sea anchor.

Or given that the perp’s weapon of choice was toxins, even a non fatal injury could be devastating: blindness, nerve or brain damage, kidney failure.

She found the door to the cellar and started down the rickety stairs. Overhead bulbs lit the way, bare and glaring. The basement was well underground, with slits of greasy windows at ceiling level. The large expanse, which smelled astringently of furnace fuel and mildew, was mostly open but there were several smaller areas with doorless entryways, maybe storerooms at one time. It was into one of these that the perp had dragged Seth. She could see the backs of one detective and one uniform in the room, both looking down.

Her heart thudded as she also noted a medical tech standing with crossed arms outside the doorway, peering in. His face, a mask.

He looked at her blankly and nodded, then glanced back into the storeroom.

Alarmed, Sachs stepped forward, peered in and stopped.

Seth McGuinn, shirtless, lay on the damp floor, hands under him – probably cuffed like the other victims. His eyes were closed and his face was as gray as the ancient paint on the troubled cellar walls.

‘Amelia. They don’t know,’ said one of the uniformed officers, standing near Seth. His name was Flaherty and she knew the big, redheaded officer from the Eight Four.