I wouldn’t go so far as to say it’s clearly any color.

“Fourth is green,” he continues. “Third is yellow. Like your bandana. Retro. Nice.”

I bring a hand up to my hair. “What’s second?” I ask.

“It’s somewhere between brown and orange. Ghastly.”

I almost laugh. “They all look a bit gray to me.”

“Give it time,” he says. “So, you just move in? Or do you enjoy roaming the halls of apartment buildings, hocking”—he peers into the basket—“baked goods?”

“Wes,” the girl says again, stamping her foot, but he ignores her pointedly, winking at me. The girl’s face reddens, and she disappears into the apartment. A moment later she emerges, weapon in hand.

She sends the book spinning through the air with impressive aim, and I must have blinked, or missed something, because the next minute, Wesley’s hand has come up and the book is resting in it. And he’s still smiling at me.

“Be right there, Jill.”

He brushes the book off and lets it fall to his side while he peers into the muffin basket. “This basket nearly killed me. I feel I deserve compensation.” His hand is already digging through the cellophane, past ribbons and tags.

“Help yourself,” I say. “You live here, then?”

“Can’t say that I do—Oooooh, blueberry.” He lifts a muffin and reads the label. “So you are a Bishop, I presume.”

“Mackenzie Bishop,” I say. “Three F.”

“Nice to meet you, Mackenzie,” he says, tossing the muffin into the air a few times. “What brings you to this crumbling castle?”

“My mother. She’s on a mission to renovate the café.”

“You sound so enthused,” he says.

“It’s just old…” That’s enough sharing, warns a voice in my head.

One dark eyebrow arches. “Afraid of spiders? Dust? Ghosts?”

“No. Those things don’t worry me.” Everything is loud here, like you.

His smile is teasing, but his eyes are sincere. “Then what?”

I’m spared by Jill, who emerges with another book. Part of me wants to see this Wesley try to stave off a second blow while holding a book and a blueberry muffin, but he turns away, conceding.

“All right, all right, I’m coming, brat.” He tosses the first book back to Jill, who fumbles it. And then he casts one last look at me with his crooked smile. “Thanks for the muffin, Mac.” He just met me and he’s already using a nickname. I’d kick his ass, but there’s a slight affection to the way he says it, and for some reason I don’t mind.

“See you around.”

Several moments after the door to 5C has closed, I’m still standing there when the scratch of letters in my pocket brings me to my senses. I head for the stairs and pull the paper from my jeans.

Jackson Lerner. 16.

This History is old enough that I can’t afford to put it off. They slip so much faster the older they get—distress to destruction in a matter of hours; minutes, even. I get back to the third floor, ditching the basket in the stairwell, and pocket my ring as I reach the painting of the sea. I pull the key’s cord over my head, wrapping it several times around my wrist as my eyes adjust to make out the keyhole in the faint wall crack. I slot the key and turn. A hollow click; the door floats to the surface, lined in light, and I head back into the forever night of the Narrows.

I close my eyes and press my fingertips against the nearest wall, reaching until I catch hold of the memories, and behind my eyes the Narrows reappear, bleak and bare and grayer, but the same. Time rolls away beneath my touch, but the memory sits like a picture, unchanging, until the History finally flickers in the frame, blink-and-you-miss-it quick. The first time, I do miss it, and I have to drag time to a stop and turn it forward, breathing out slow, slow, inching frame by frame until I see him. It goes like empty empty empty empty empty empty body empty empty—gotcha. I focus, holding the memory long enough to identify the shape as a teenage boy in a green hoodie—it must be Jackson—and then I nudge the memory forward and watch him walk past from right to left, and turn the first corner. Right.

I blink, the Narrows sharpening around me as I pull back from the wall, and follow Jackson’s path around the corner. Then I start again, repeating the process at each turn until I close the gap, until I’m nearly walking in his wake. Just as I’m reading the fourth or fifth wall, I hear him, not the muddled sounds of the past but the shuffling steps of a body in the now. I abandon the memory and track the sound down the hall, whipping around the corner, where I find myself face-to-face with—

Myself.

Two distorted reflections of my sharp jaw and my yellow bandana pool in the black that’s spreading across the History’s eyes, eating up the color as he slips.

Jackson Lerner stands there staring at me with his head cocked, a mop of messy reddish brown hair falling against his cheeks. Beneath his bright green hoodie, he has that gaunt look boys sometimes get in their teens. Like they’ve been stretched. I take a small step back.

“What the hell’s going on here?” he snaps, hands stuffed into his jeans. “This some kind of fun house or something?”

I keep my tone empty, even. “Not really, no.”

“Well, it blows,” he says, a thin layer of bravado masking the fear in his voice. Fear is dangerous. “I want to get out of here.”

He shifts his weight, as solid as flesh and blood on the stained floor. Well, as solid as flesh, anyway. Histories don’t bleed. He shifts again, restless, and then his blackening eyes drift down to my hand, to the place where my key dangles from the cord wrapped around my wrist. The metal glints.

“You got a key.” Jackson points, gaze following the key’s small, swinging movements. “Why don’t you just let me out? Huh?”

I can hear the change in tone. Fear twists into anger.

“All right.” Da would tell me to stay steady. The Histories will slip; you can’t afford to. I glance around at the nearest doors.

But they all have chalk X’s.

“What are you waiting for?” he growls. “I said, let me out.”

“All right,” I say again, sliding back. “I’ll take you to the right door.”

I steal another step away. He doesn’t move.

“Just open this one,” he says, pointing to the nearest outline, X and all.

“I can’t. We need to find one with a white circle and then—”

“Open the damn door!” he yells, lunging for the key around my wrist. I dodge.

“Jackson,” I snap, and the fact that I know his name causes him to pause. I try a different approach. “You have to tell me where you want to go. These doors all go to different places. Some don’t even open. And some of them do, but the places they lead are very bad.”

The anger written across his face fades into frustration, a crease between his shining eyes, a sadness in his mouth. “I just want to go home.”

“Okay,” I say, letting a small sigh of relief escape. “Let’s go home.”

He hesitates.

“Follow me,” I press. The thought of turning my back on him sends off a slew of warning lights in my head, but the Narrows are too, well, narrow for us to pass through side by side. I turn and walk, searching for a white circle. I catch sight of one near the end of the hall, and pick up my pace, glancing back to make sure Jackson is with me.

He’s not.

He’s stopped, several feet back, and is staring at the keyhole of a door set into the floor. The edge of an X peeks out beneath his shoe.

“Come on, Jackson,” I say. “Don’t you want to go home?”

He toes the keyhole. “You aren’t taking me home,” he says.

“I am.”

He looks up at me, his eyes catching the thin stream of light coming from the keyhole at his feet. “You don’t know where my home is.”

That is, of course, a very good point. “No, I don’t.” A wave of anger washes over his face when I add, “But the doors do.”

I point to the one at his feet. “It’s simple. The X means it’s not your door.” I point to the one just ahead, the filled-in circle drawn on its front. “That one, with the chalk circle. That’s your door. That’s where we’re going.”