A realization struck her. This is what it means to live on. When granted hope, a person uses it as fuel, as a guidepost to life. It is impossible to live without hope. Aomame’s heart clenched at the thought, as if every bone in her body were suddenly creaking and screaming out.
She sat at the dining table and picked up the automatic pistol. She pulled back the slide, sending a bullet into the chamber, thumbed back the hammer, and stuck the muzzle in her mouth. Just a touch more pressure with her trigger finger and all this sadness would disappear. Just a touch more. One more centimeter. No, if I pull my finger just five millimeters toward me, I will shift over to a silent world where there are no more worries. The pain will only last an instant. And then there will be a merciful nothingness. She closed her eyes. The Esso tiger from the billboard, gas hose in hand, grinned at her. Put a Tiger in Your Tank.
She pulled the hard muzzle out of her mouth and slowly shook her head.
I can’t die. In front of the balcony is the playground. The slide is there, and as long as I have the hope that Tengo will show up again, I won’t be able to pull this trigger. This possibility drew her back from the brink. One door closed inside her heart and another door opened, quietly, without a sound. Aomame pulled the slide again, ejecting the bullet, set the safety, and placed the pistol back on the table. When she closed her eyes she sensed something in the darkness, a faint light, fading away by the moment. What it could be, she had no idea.
She sat down on the sofa and focused on the pages of Swann’s Way. She imagined the scenes depicted in the story, trying hard not to let other thoughts intrude. Outside a cold rain had started to fall. The weather report on the radio said a gentle rain would continue until the next morning. A weather front was stalled out in the Pacific—like a lonely person, lost in thought, oblivious of time.
Tengo won’t be coming, she thought. The sky was covered from one end to the other with thick clouds, blocking out the moon. Still she would probably go out onto the balcony, a hot cup of cocoa in hand, and watch the playground. She would keep binoculars and the pistol nearby, wear something decent enough so that she could quickly run outside, and gaze at the slide in the rain. This was the only meaningful act she could undertake.
At three p.m., someone at the entrance of the building rang her bell. Aomame ignored it. It wasn’t possible that anyone would be visiting her. She had the kettle on for tea, but to be on the safe side she switched off the gas and listened. The bell rang three or four times and then was silent.
About five minutes later a bell rang again. This time it was the doorbell to her apartment. Now someone was inside the building, right outside her door. The person may have followed a resident inside, or else had rung somebody else’s bell and talked their way in. Aomame kept perfectly still. If somebody comes, don’t answer, Tamaru had instructed her. Set the dead bolt and don’t make a sound.
The doorbell must have rung ten times. A little too persistent for a salesman—they usually give up at three rings. As she held her breath, the person began to knock on the door with his fist. It wasn’t that loud a sound, but she could sense the irritation behind it. “Miss Takai,” a low, middle-aged man’s voice said. A slightly hoarse voice. “Miss Takai. Can you please answer the door?”
Takai was the fake name on the mailbox.
“Miss Takai, I know this isn’t a good time, but I would like to see you. Please.”
The man paused for a moment, waiting for a response. When there was none, he knocked on the door again, this time a little louder.
“I know you’re inside, Miss Takai, so let’s cut to the chase and open the door. I know you’re in there and can hear me.”
Aomame picked up the automatic pistol from the table and clicked off the safety. She wrapped the pistol in a towel and held it by the grip.
She had no idea who this could be, nor what he could possibly want. His anger seemed directed at her—why, she had no clue—and he was determined to get her to open the door. Needless to say, in her present position this was the last thing she wanted.
The knocking finally stopped and the man’s voice echoed again in the hallway.
“Miss Takai, I am here to collect your NHK fee. That’s right, good old NHK. I know you’re at home. No matter how much you try to stay quiet, I can tell. Working this job for so many years, I know when someone is really out, and when they’re just pretending. Even when a person tries to stay very quiet, there are still signs he’s there. People breathe, their hearts beat, their stomachs continue to digest food. Miss Takai, I know you’re in there, and that you’re waiting for me to give up and leave. You’re not planning to open the door or answer me. Because you don’t want to pay the subscription fee.”
The man’s voice was louder than it needed to be, and it reverberated down the hallway of the building. That was his intention—calling out the person’s name so loudly that it would make them feel ridiculed and embarrassed. And so it would be a warning to all the neighbors. Aomame kept perfectly silent. She wasn’t about to respond. She put the pistol back on the table. Just to be sure, though, she kept the safety off. The man could just be pretending to be an NHK fee collector. Seated at the dining table, she stared at the front door.
She wanted to stealthily pad over to the door, look through the peephole, and check out what kind of person he was. But she was glued to the chair. Better not do anything unnecessary—after a while he would give up and leave.
The man, however, seemed ready to deliver an entire lecture.
“Miss Takai, let’s not play hide and seek anymore, okay? I’m not doing this because I like to. Even I have a busy schedule. Miss Takai, I know you watch TV. And everyone who watches TV, without exception, has to pay the NHK subscription fee. You may not like it, but that’s the law. Not paying the fee is the same as stealing, Miss Takai, you don’t want to be treated as a thief because of something as petty as this, do you? This is a fancy building you live in, and I don’t think you will have any trouble paying the fee. Right? Hearing me proclaim this to the world can’t be much fun for you.”
Normally Aomame wouldn’t care if an NHK fee collector was making a racket like this. But right now she was in hiding, trying to keep out of sight. She didn’t want anything to attract the attention of other residents. But there was nothing she could do about it. She had to keep still and wait until he went away.
“I know I’m repeating myself, Miss Takai, but I am sure you’re in there, listening to me. And you’re thinking this: Why, of all places, did you have to choose my apartment to stand outside of? I wonder, too, Miss Takai. It’s probably because I don’t like people pretending not to be at home. Pretending not to be at home is just a temporary solution, isn’t it? I want you to open the door and tell me to my face that you don’t have any intention of paying the NHK fee. You would feel much better, and so would I. That would leave some room for discussion. Pretending to be out is not the way to go. It’s like a pitiful little rat hiding in the dark. It only sneaks out when people aren’t around. What a miserable way to live your life.”
This man’s lying, Aomame thought. That’s just ridiculous, that he can sense when somebody is at home. I haven’t made a sound. His real goal is to just stand in front of a random apartment, make a racket, and intimidate all the other residents, to make people decide they would prefer to pay the fee than to have him plant himself outside their door like that. This man must have tried the same tactics elsewhere and had good results.