Fuka-Eri kept silent. Long silences did not seem to bother her, but this was not the case for Tengo.
“Oh yes,” he said, “I should tell you I started rewriting your Air Chrysalistoday. I know you haven’t given us your final permission, but there’s so little time, I’d better get started if we’re going to meet the deadline.”
“Mr. Komatsu said so,” she asked, without a question mark.
“Yes, he is the one who told me to get started.”
“Are you and Mr. Komatsu close,” she asked.
“Well, sort of,” Tengo answered. No one in this world could actually be “close” to Komatsu, Tengo guessed, but trying to explain this to Fuka-Eri would take too long.
“Is the rewrite going well.”
“So far, so good.”
“That’s nice,” Fuka-Eri said. She seemed to mean it. It sounded to Tengo as if Fuka-Eri was happy in her own way to hear that the rewriting of her work was going well, but given her limited expression of emotion, she could not go so far as to openly suggest this.
“I hope you’ll like what I’m doing,” he said.
“Not worried.”
“Why not?” Tengo asked.
Fuka-Eri did not answer, lapsing into silence on her end. It seemed like a deliberate kind of silence, designed to make Tengo think, but try as he might, Tengo could come up with no explanation for why she should have such confidence in him.
He spoke to break the silence. “You know, there’s something I’d like to ask you. Did you actually live in a commune-type place and take care of a goat? The descriptions are so realistic, I wanted to ask you if these things actually happened.”
Fuka-Eri cleared her throat. “I don’t talk about the goat.”
“That’s fine,” Tengo said. “You don’t have to talk about it if you don’t want to. I just thought I’d try asking. Don’t worry. For the author, the work is everything. No explanations needed. Let’s meet on Sunday. Is there anything I should be concerned about in meeting that person?”
“What do you mean.”
“Well … like I should dress properly, or bring a gift or something. You haven’t given me any hint what the person is like.”
Fuka-Eri fell silent again, but this time it did not seem deliberate. She simply could not fathom the purpose of his question or what prompted him to ask it. His question hadn’t landed in any region of her consciousness. It seemed to have gone beyond the bounds of meaning, sucked into permanent nothingness like a lone planetary exploration rocket that has sailed beyond Pluto.
“Never mind,” he said, giving up. “It’s not important.” It had been a mistake even to ask Fuka-Eri such a question. He supposed he could pick up a basket of fruit or something along the way.
“Okay, then, see you at nine o’clock Sunday morning,” Tengo said.
Fuka-Eri hesitated a few moments, and then hung up without saying anything, no “Good-bye,” no “See you Sunday,” no anything. There was just the click of the connection being cut. Perhaps she had nodded to Tengo before hanging up the receiver. Unfortunately, though, body language generally fails to have its intended effect on the phone. Tengo set down the receiver, took two deep breaths, switched the circuits of his brain to something more realistic, and continued with the preparations for his modest dinner.
CHAPTER 7
Aomame
QUIETLY, SO AS NOT TO WAKE THE BUTTERFLY
Just after one o’clock Saturday afternoon, Aomame visited the Willow House. The grounds of the place were dominated by several large, old willow trees that towered over the surrounding stone wall and swayed soundlessly in the wind like lost souls. Quite naturally, the people of the neighborhood had long called the old, Western-style home “Willow House.” It stood atop a steep slope in the fashionable Azabu neighborhood. When Aomame reached the top of the slope, she noticed a flock of little birds in the willows’ uppermost branches, barely weighing them down. A big cat was napping on the sun-splashed roof, its eyes half closed. The streets up here were narrow and crooked, and few cars came this way. The tall trees gave the quarter a gloomy feel, and time seemed to slow when you stepped inside. Some embassies were located here, but few people visited them. Only in the summer would the atmosphere change dramatically, when the cries of cicadas pained the ears.
Aomame pressed the button at the gate and stated her name to the intercom. Then she aimed a tiny smile toward the overhead camera. The iron gate drew slowly open, and once she was inside it closed behind her. As always, she stepped through the garden and headed for the front door. Knowing that the security cameras were on her, she walked straight down the path, her back as erect as a fashion model’s, chin pulled back. She was dressed casually today in a navy-blue windbreaker over a gray parka and blue jeans, and white basketball shoes. She carried her regular shoulder bag, but without the ice pick, which rested quietly in her dresser drawer when she had no need for it.
Outside the front door stood a number of teak garden chairs, into one of which was squeezed a powerfully built man. He was not especially tall, but his upper body was startlingly well developed. Perhaps forty years of age, he kept his head shaved and wore a well-trimmed moustache. On his broad-shouldered frame was draped a gray suit. His stark white shirt contrasted with his deep gray silk tie and spotless black cordovans. Here was a man who would never be mistaken for a ward office cashier or a car insurance salesman. One glance told Aomame that he was a professional bodyguard, which was in fact his area of expertise, though at times he also served as a driver. A high-ranking karate expert, he could also use weapons effectively when the need arose. He could bare his fangs and be more vicious than anyone, but he was ordinarily calm, cool, and even intellectual. Looking deep into his eyes—if, that is, he allowed you to do so—you could find a warm glow.
In his private life, the man enjoyed toying with machines and gadgets. He collected progressive rock records from the sixties and seventies, and lived in another part of Azabu with his handsome young beautician boyfriend. His name was Tamaru. Aomame could not be sure if this was his family name or his given name or what characters he wrote it with. People just called him “Tamaru.”
Still seated in his teak garden chair, Tamaru nodded to Aomame, who took the chair opposite him and greeted him with a simple “Hello.”
“I heard a man died in a hotel in Shibuya,” Tamaru said, inspecting the shine of his cordovans.
“I didn’t know about that,” Aomame said.
“Well, it wasn’t worth putting in the papers. Just an ordinary heart attack, I guess. Sad case: he was in his early forties.”
“Gotta take care of your heart.”
Tamaru nodded. “Lifestyle is the important thing,” he said. “Irregular hours, stress, sleep deprivation: those things’ll kill you.”
“Of course, something’s gonna kill everybody sooner or later.”
“Stands to reason.”
“Think there’ll be an autopsy?”
Tamaru bent over and flicked a barely visible speck from the instep of his shoe. “Like anybody else, the cops have a million things to do, and they’ve got a limited budget to work with. They can’t start dissecting every corpse that comes to them without a mark on it. And the guy’s family probably doesn’t want him cut open for no reason after he’s quietly passed away.”
“His widow, especially.”
After a short silence, Tamaru extended his thick, glove-like right hand toward Aomame. She grasped it, and the two shared a firm handshake.
“You must be tired,” he said. “You ought to get some rest.”
Aomame widened the edges of her mouth somewhat, the way ordinary people do when they smile, but in fact she produced only the slightest suggestion of a smile.