Louisa was twenty-five years old and had been in love once, with a doctor she had known in the sanatorium. Her love was returned, eventually, costing the doctor his job. There was some harsh doubt in her mind about whether he had been told to leave the sanatorium or had left of his own accord, being weary of the entanglement. He was married, he had children. Letters had played a part that time too. After he left, they were still writing to one another. And once or twice after she was released. Then she asked him not to write anymore and he didn’t. But the failure of his letters to arrive drove her out of Toronto and made her take the travelling job. Then there would be only the one disappointment in the week, when she got back on Friday or Saturday night. Her last letter had been firm and stoical, and some consciousness of herself as a heroine of love’s tragedy went with her around the country as she hauled her display cases up and down the stairs of small hotels and talked about Paris styles and said that her sample hats were bewitching, and drank her solitary glass of wine. If she’d had anybody to tell, though, she would have laughed at just that notion. She would have said love was all hocus-pocus, a deception, and she believed that. But at the prospect she still felt a hush, a flutter along the nerves, a bowing down of sense, a flagrant prostration.

She had a picture taken. She knew how she wanted it to be. She would have liked to wear a simple white blouse, a peasant girl’s smock with the string open at the neck. She did not own a blouse of that description and in fact had only seen them in pictures. And she would have liked to let her hair down. Or if it had to be up, she would have liked it piled very loosely and bound with strings of pearls.

Instead she wore her blue silk shirtwaist and bound her hair as usual. She thought the picture made her look rather pale, hollow-eyed. Her expression was sterner and more foreboding than she had intended. She sent it anyway.

She had wracked her brains, of course, to remember him. She could not remember shaking out her hair, as he said she had done, or smiling at any young man when the raindrops fell on the radiator. He might as well have dreamed all that, and perhaps he had.

She had begun to follow the war in a more detailed way than she had done previously. She did not try to ignore it anymore. She went along the street with a sense that her head was filled with the same exciting and troubling information as everybody else’s. Saint-Quentin, Arras, Montdidier, Amiens, and then there was a battle going on at the Somme River, where surely there had been one before? She laid open on her desk the maps of the war that appeared as double-page spreads in the magazines. She saw in colored lines the German drive to the Maine, the first thrust of the Americans at Château-Thierry. She looked at the artist’s brown pictures of a horse rearing up during an air attack, of some soldiers in East Africa drinking out of coconuts, and of a line of German prisoners with bandaged heads or limbs and bleak, sullen expressions. Now she felt what everybody else did — a constant fear and misgiving and at the same time this addictive excitement. You could look up from your life of the moment and feel the world cracking beyond the walls.

Every Tuesday afternoon the ladies and girls of the Red Cross met in the Council Chambers, which was just down the hall from the Library. When the Library was empty for a few moments, Louisa went down the hall and entered the room full of women. She had decided to knit a scarf. At the sanatorium she had learned how to knit a basic stitch, but she had never learned or had forgotten how to cast on or off.

The older women were all busy packing boxes or cutting up and folding bandages from sheets of heavy cotton that were spread on the tables. But a lot of girls near the door were eating buns and drinking tea. One was holding a skein of wool on her arms for another to wind.

Louisa told them what she needed to know.

“So what do you want to knit, then?” said one of the girls with some bun still in her mouth.

Louisa said, a muffler. For a soldier.

“Oh, you’ll want the regulation wool,” another said, more politely, and jumped off the table. She came back with some balls of brown wool, and fished a spare pair of needles out of her bag, telling Louisa they could be hers.

“I’ll just get you started,” she said. “It’s a regulation width too.”

Other girls gathered around and teased this girl, whose name was Corrie. They told her she was doing it all wrong.

“Oh, I am, am I?” said Corrie. “How would you like a knitting needle in your eye? Is it for a friend?” she said solicitously to Louisa. “A friend overseas?”

“Yes,” said Louisa. Of course they would think of her as an old maid, they would laugh at her or feel sorry for her, according to whatever show they put on, of being kind or brazen.

“So knit up good and tight,” said the one who’d finished her bun. “Knit up good and tight to keep him warm!”

ONE OF THE GIRLS in this group was Grace Horne. She was a shy but resolute-looking girl, nineteen years old, with a broad face, thin lips often pressed together, brown hair cut in a straight bang, and an attractively mature body. She had become engaged to Jack Agnew before he went overseas, but they had agreed not to say anything about it.

LOUISA HAD MADE friends with some of the travellers who stayed regularly at the hotel. One of these was Jim Frarey, who sold typewriters and office equipment and books and all sorts of stationery supplies. He was a fair-haired, rather round-shouldered but strongly built man in his middle forties. You would think by the look of him that he sold something heavier and more important in the masculine world, like farm implements.

Jim Frarey kept travelling all through the Spanish flu epidemic, though you never knew then if stores would be open for business or not. Occasionally the hotels too would be closed, like the schools and movie houses and even — Jim Frarey thought this a scandal — the churches.

“They ought to be ashamed of themselves, the cowards,” he said to Louisa. “What good does it do anybody to lurk around home and wait for it to strike? Now you never closed the Library, did you?”

Louisa said only when she herself was sick. A mild case, hardly lasting a week, but of course she had to go to the hospital. They wouldn’t let her stay in the hotel.

“Cowards,” he said. “If you’re going to be taken, you’ll be taken. Don’t you agree?”

They discussed the crush in the hospitals, the deaths of doctors and nurses, the unceasing drear spectacle of the funerals. Jim Frarey lived down the street from an undertaking establishment in Toronto. He said they still got out the black horses, the black carriage, the works, to bury such personages as warranted a fuss.