you." The Irishman nodded. "Let me see the pass." Bruce left the tracks,
climbed the earth wall and handed the pink slip to the
Irishman. He wore the three pips of a captain, and he glanced briefly at
the pass before speaking to the man beside him.
"Very well, Sergeant, you can be clearing the barrier now."
"I'll call the train through?" Bruce asked, and the captain nodded
again.
"But make sure there are no more accidents - we don't like hired
killers."
"Sure and begorrah now, Paddy, it's not your war you're a-fighting
either," snapped Bruce and abruptly turned his back on the man, jumped
down on to the tracks and waved to Mike Haig on the roof of
the coach.
The Irish sergeant and his party had cleared the tracks and while the
train rumbled slowly down to him Bruce struggled to control his
irritation. - the Irish captain's taunt had reached him.
Hired killer, and of course that was what he was. Could a man sink any
lower?
As the coach drew level with where he stood, Bruce caught the hand rail
and swung himself aboard, waved an ironical farewell to the Irish
captain and climbed up on to the roof.
"No trouble?" asked Mike.
"A bit of lip, delivered in music-hall brogue," Bruce answered)
"but nothing serious." He picked up the radio set.
"Driver."
"Monsieur?"
"Do not forget my instructions."
"I will not exceed forty kilometres the hour, and I shall at all times
be prepared for an emergency stop."
"Good!" Bruce switched off the set and sat down on the sandbags between
Ruffy and Mike.
Well, he thought, here we go at last. Six hours run to Msapa
Junction. That should be easy. And then - God knows, God alone knows.
The tracks curved, and Bruce looked back to see the last white-washed
buildings of Elisabethville disappear among the trees.
They were out into the open savannah forest.
Behind them the black smoke from the loco rolled sideways into the
trees; beneath them the crossties clattered in strict rhythm, and ahead
the line ran arrow straight for miles, dwindling with perspective until
it merged into the olive-green mass of the forest.
Bruce lifted his eyes. Half the sky was clear and tropical blue, but in
the north it was bruised with cloud, and beneath the cloud grey rain
drifted down to meet the earth.
The sunlight through the rain spun a rainbow, and the cloud shadow moved
across the land as slowly and as darkly as a herd of grazing buffalo.
He loosened the chin strap of his helmet and laid his rifle on the roof
beside him.
"You'd like a beer, boss?"
"Have you any?"
"Sure." Ruffy called to one of the gendarmes and the man climbed down
into the coach and came back with half a dozen bottles. Ruffy opened two
with his teeth. Each time half the contents frothed out and splattered
back along the wooden side of the coach.
"This beer's as wild as an angry woman," he grunted as he passed a bottle
to Bruce.
"It's wet anyway." Bruce tasted it, warm and gassy and too sweet.
"Here": how! said Ruffy.
Bruce looked down into the open trucks at the gendarmes who were
settling in for the journey. Apart from the gunners at the Brens, they
were lying or squatting in attitudes of complete relaxation and most of
them had stripped down to their underwear. One skinny little fellow was
already asleep on his back with his helmet as ! pillow and the tropical
sun beating into his face.
Bruce finished his beer and threw the bottle overboard.
Ruff opened another and placed it in his hand without comment.
"Why we going so slowly, boss?"
"I told the driver to keep the speed down - give us a chance to stop if
the tracks have been torn up."
"Yeah. Them Balubas might have done that - they're mad Arabs all of
them." The warm beer drunk in the sun was having a soothing effect on
bruce. He felt at peace, now, withdrawn from the need to make decisions,
to participate in the life around him.
"Listen to that train-talk," said Ruffy, and Bruce focused his hearing,
on the clicketv-chock of the crossties.
"Yes, I know. You can make it say anything you want it to," agreed
Bruce.
"And it can sing," Ruffy went on. "It's got real music in it, like
this." He inflated the great barrel of his chest, lifted his head and
let it come.
His voice was deep but with a resonance that caught the attention
of the men in the open trucks below them. Those who had been sprawled in
the amorphous shapes of sleep stirred and sat up. Another voice joined
in humming the tune, hesitantly at first, then more confidently; then
others took it up, the words were unimportant, it was the rhythm that
they could not resist. They had sung together many times before and like
a well-trained choir each voice found its place, the star performers
leading, changing the pace, improvising, quickening until the original
tune lost its identity and became one of the tribal chants. Bruce
recognize it as a planting song. It was one of his
favourites and he sat drinking his lukewarm beer and letting the
singing wash round him, build up into the chorus like storm waves, then
fall back into a tenor solo before rising once more.
And the train ran on-through the sunlight towards the rain clouds in the
north.
Presently Andre came out of the coach below him and picked his way
forward through the men in the trucks until he reached Hendry. The two
of them stood together, Andre's face turned up towards the taller man
and deadly earnest as he talked.
"Doll boy" Hendry had called him, and it was an accurate description of
the effeminately pretty face with the big toffee eyes; the steel helmet
he wore seemed too large for his shoulders to carry.
I wonder how old he is; Bruce watched him laugh suddenly, his face still
turned upwards to Hendry; not much over twenty and I have never seen
anything less like a hired killer.
"How the hell did anyone like de Surrier get mixed up in this?" His
voice echoed the thought, and beside him Mike answered.
"He was working in Elisabethville when it started, and he couldn't
return to Belgium. I don't know the reason but I guess it was something
personal. When it started his firm closed down. I suppose this was the
only employment he could find."
"That Irishman, the one at the barrier, he called me a hired killer."
Thinking of Andre's position in the scheme of things had turned Bruce's
thoughts back to his own status.
"I hadn't thought about it that way before, but I suppose he's right.
That is what we are." Mike Haig was silent for a moment, but when he
spoke there was a stark quality in his voice.
"Look at these hands!" Involuntarily Bruce glanced down.
at them, and for the first time noticed that they were narrow with long
moulded fingers, possessed of a functional beauty, the hands of an
artist.
"Look at them," Mike repeated, flexing them slightly; they were
fashioned for a purpose, they were made to hold a scalpel, they were
made to save life." Then he relaxed them and let them drop on to the
rifle across his lap, the long delicate fingers incongruous upon the