For reasons of chronology, the cigarette lighter has been with me far longer. And, compared with the binoculars, it has offered a greater range of useful possibilities, at least in my case; and so, as I said, in my days as a smoker I used it quite a bit. I always marveled at its mechanism, which for want of a better word I called automatic; it was my fear of breaking this mechanism by my heavy use that finally persuaded me to stop using it. For years it’s been stored in the depths of a cardboard box, along with old bus tickets and souvenirs that were essential in their day. Now the only important thing in the box is this lighter. Its mechanism consists of a button on the upper-left-hand side; that is, it’s made for right-handed people. Cradling the lighter in your hand, you press the button with your thumb and the top part, a lid in the shape of a cylindrical tube, suddenly flips up. As the lid opens, a cogwheel connected to the hinge strikes the flint, creating a spark that lights the wick. A left-hander could use it, of course, but he or she would have to get used to the inconvenience of the flame igniting inward, not outward, or would have to hold the lighter gingerly and press the button in a rather awkward position.

As I said, for years I took a ridiculous pride in this oddity; from an early age, though I didn’t fully realize it at the time, I was half-aware that it was an object to be handed down. My grandfather was notorious for smoking like a chimney, as they used to say. Every morning the local tobacco shop would deliver a carton of filterless cigarettes. I was in first grade, and could verify that the carton was almost the same size as the 100-piece boxes of chalk I sometimes saw at school. One Saturday, I recall, I was present during a conversation between my grandmother and the owner of the tobacco shop, who pressed her not to allow my grandfather to smoke at such a rate. Either my grandmother was incapable of controlling him, or was so unconcerned that it made no difference to her. But that’s another story; in the end my grandfather continued to get hold of his cigarettes and to smoke in a sort of domestic exile in which, I suppose, as is frequently the case, the tobacco kept him company.

The surface of both sides of the lighter was uniformly striped, with an elegance that to me recalled Art Deco. I’ve seen pewter or perhaps silver-plated cigarette cases with a similar scoring on their cover, a motif, I’ve always thought, that seeks to imitate the futuristic cladding of the early twentieth-century. Down the center of the same side of the lighter as the button, you can see a small rectangular plate, obviously intended to be engraved as one pleases: with a name, initials, or a date. Inevitably for someone as hazy as its former owner, the plate on this lighter is blank. A missing inscription that accentuated the lighter’s availability, or its mysteriousness in any case, because as is true for nearly all manufactured objects, a simple change of hands can send a supposedly well-planned transfer awry, leaving nearly no trace.

I don’t want to generalize, but that is the true condition all objects force on us, not only manufactured ones: that of concealing the history they have witnessed, in complete silence. With some effort on one’s part, they can be made to speak; an entire industry has sprung up around making what’s silent speak. For a time I thought that was why literature existed, books in general, or indeed, the written word itself in any form: the written word confronts what exists so as to get it down. Afterward I stopped attaching so much importance to the matter, which I recall from time to time, on occasions like this, when I’m reconstructing my relationship to some object.

Such were my thoughts in that great German city. I was thinking more about myself, obviously, than about the number of things in all likelihood buried beneath that urban perfection. As long as these weren’t visible, they didn’t matter to me. I thought of the reverse watch and of the valuable lesson it would provide a niece or nephew, and one of their children, and so on through subsequent generations. The perennial lesson of looking behind you, and the irrefutable proof of coming from a specific place. I was sitting on a bench gazing every now and then at the lake, where I could make out the swans in profile as they prowled the lake’s edge, fishing — probably, as I said — for something to eat, and every so often I looked out at the distant avenue besides which the aforementioned railway station stood. I was absorbed in thoughts that had no resolution and were somewhat brief, mere formulations. For instance, I thought: “So far from home. . I would have never imagined being here”; and it also occured to me: “At night, when they turn on the ornamental lights and the rest of the water jets in the lake, everything will look different”; etc. The unceasing jets at the lake’s center signaled, in that sense, the continuity both of one’s thoughts and of the water, like two inseparable elements. .

I was lost in these ruminations when all at once two women stopped in front of me and began waving their arms at me. I didn’t realize it at first, but they wanted me to leave the bench to them so that they could eat lunch. Each carried a paper-wrapped packet with her lunch, and one woman also carried two plastic forks. I imagined they were probably foreigners, like me but less so, though in any event from a different place. They didn’t speak to me in German — in truth they hardly spoke to me at all — but they managed to communicate everything with gestures. They wore clothes from another era, from which I gathered that they were from somewhere in Eastern Europe, perhaps not far away. Poland or Ukraine, who knows. And, as one often notices in cities, the difference was visible in their skin as well, because at first glance one saw in them the harsh weather of rural life. I can’t say that these women were brusque, but I do remember they were lacking in the often equivocal kindness one finds in European cities.

They were clear and concise. I could say nothing in defense of my sitting there in meditation, and so I sketched a bow of my head that would hide my embarrassment, by way of farewell, and walked away without looking back, blending in with pedestrians who were in a rush to cross at the green light. At times nowadays I look through the photos I took on that trip, and I see the magnificent lake, and there’s my friend, leaning his elbows on the balustrade of a bridge, and beyond him a group of swans near the shore. Several of them have buried their imposing bills and their heads in the water, taking up a position that seems precautionary, as if they preferred to hide and not have their picture taken. Further in the background, though, there’s a solitary swan that, more radically, is making its escape and is well into take-off. I see its half-spread wings, which seem to be coming apart at the joints, its neck stretched forward to the limit, and its feet touching the lake as if it were running on the surface. The creature leaves behind evidence of its steps, bursts of water that explode as waterdrops and turbulence which disappear little by little, as the photo shows: the initial splashes have dispersed and are about to vanish.

When I got to my feet and turned the bench over to the two women, neither conveyed any gratitude by word or gesture, nor even any acknowledgement, not even a glance; and so I felt vaguely annoyed at their shooing me away like a bothersome animal, a swan for instance. I guessed that they probably ate their lunch on that bench every day and always arrived at the same hour, getting together to meet and speak of their families and their memories of the East, and that I had played the role of a quickly remedied setback. Yet another of those visitors who occasionally erred and sat down on their bench. .

So I wondered whether the old man approaching me now, in flight from the sun with his last reserves of strength, wasn’t the customary occupant of the bench. In that case, I could say: in the south of Brazil there’s an old man who every afternoon sits on the same bench in the shade. Just before he took a seat, he greeted me with a nod that for a moment seemed dismissive, though it sufficed to make me forget my displeasure. And after he settled in as far away from me as possible, on the opposite end of the bench, he took a deep breath and began to untie his shoes. He didn’t take them off at first, but merely loosened them. Then he stretched his legs, rested his hands over his stomach, and appeared to sleep. A bit later, with a deft motion of his heels, he did what was necessary to take off his shoes. What with the muffled shouts that arrived from the distance, the trill of the birds, the constant hum of the bustling city and, in particular, the turbulent fountain with its endlessly spurting water, I was astonished to be able to hear my benchmate let out a sigh.