And the poor painter had to listen patiently to all that. The police inspector was busy meanwhile studying the paintings and sketches, and showed straight away that his soul was more alive than the landlord's and was even no stranger to artistic impressions.

"Heh," he said, jabbing a finger into one canvas on which a naked woman was portrayed, "the subject's a bit… playful. And this one, why is it all black under his nose? Did he spill snuff there or what?"

"A shadow," Chartkov answered sternly and without turning his eyes to him.

"Well, it could have been moved somewhere else, under the nose it's too conspicuous," said the inspector. "And whose portrait is that?" he continued, going up to the portrait of the old man. "Much too terrifying. Was he really as terrible as that? Look how he stares! Eh, what a Gromoboy! 10 Who was your model?"

"But that's some…" said Chartkov, and did not finish. A crack was heard. The inspector must have squeezed the frame of the portrait too hard, owing to the clumsy way his policeman's hands were made; the side boards split inward, one fell to the floor, and along with it a packet wrapped in blue paper fell with a heavy clank. The inscription "1,000 Gold Roubles" struck Chartkov's eyes. He rushed like a madman to pick it up, seized the packet, clutched it convulsively in his hand, which sank from the heavy weight.

"Sounds like the clink of money," said the inspector, hearing something thud on the floor and unable to see it for the quickness of Chartkov's movement as he rushed to pick it up.

"And what business is it of yours what I have?"

"It's this: that you have to pay the landlord for the apartment right now; that you've got money but don't want to pay-that's what."

"Well, I'll pay him today."

"Well, why didn't you want to pay before? Why make the landlord worry, and bother the police besides?"

"Because I didn't want to touch this money. I'll pay him everything by this evening and leave the apartment by tomorrow, because I don't wish to remain with such a landlord."

"Well, Ivan Ivanovich, he's going to pay you," said the inspector, turning to the landlord. "And in the event of your not being properly satisfied by this evening, then I beg your pardon, mister painter."

So saying, he put on his three-cornered hat and went out to the front hall, followed by the landlord, his head bowed, it seemed, in some sort of reflection.

"Thank God they got the hell out of here," said Chartkov when he heard the front door close.

He peeked out to the front hall, sent Nikita for something so as to be left completely alone, locked the door behind him, and, returning to his room, began with wildly fluttering heart to unwrap the packet. There were gold roubles in it, every one of them new, hot as fire. Nearly out of his mind, he sat over the heap of gold, still asking himself if he was not dreaming. There was an even thousand of them in the packet, which looked exactly the same as the ones he had seen in his dream. For several minutes he ran his fingers through them, looking at them, and still unable to come to his senses. In his imagination there suddenly arose all the stories about treasures, about boxes with secret compartments, left by forebears to their spendthrift grandchildren in the firm conviction of their future ruined condition. He reflected thus: "Mightn't some grandfather have decided even now to leave his grandson a gift, locking it up in the frame of a family portrait?" Full of romantic nonsense, he even began thinking whether there might not be some secret connection with his destiny here: whether the existence of the portrait might not be connected with his own existence, and whether its very acquisition had not been somehow predestined? He began studying the frame of the portrait with curiosity. On one side a groove had been chiseled out, covered so cleverly and inconspicuously with a board that, if the inspector's weighty hand had not broken through it, the roubles might have lain there till the world's end. Studying the portrait, he marveled again at the lofty workmanship, the extraordinary finish of the eyes; they no longer seemed terrible to him, but all the same an unpleasant feeling remained in his soul each time. "No," he said to himself, "whoever's grandfather you were, I'll put you under glass for this and make you a golden frame." Here he placed his hand on the heap of gold that lay before him, and his heart began to pound hard at the touch of it. "What shall I do with it?" he thought, fixing his eyes on it. "Now I'm set up for at least three years, I can shut myself in and work. I have enough for paints now, enough for dinners, for tea, for expenses, for rent; no one will hinder and annoy me anymore; I'll buy myself a good mannequin, order a plaster torso, model some legs, set up a Venus, buy prints of the best pictures. And if I work some three years for myself, unhurriedly, not to sell, I'll beat them all, and maybe become a decent artist."

So he was saying together with the promptings of his reason; but within him another voice sounded more audibly and ringingly. And as he cast another glance at the gold, his twenty-two years and his ardent youth said something different. Now everything he had looked at till then with envious eyes, which he had admired from afar with watering mouth, was in his power. Oh, how his heart leaped in him as soon as he thought of it! To put on a fashionable tailcoat, to break his long fast, to rent a fine apartment, to go at once to the theater, the pastry shop, the… all the rest-and, having seized the money, he was already in the street.

First of all he stopped at a tailor's, got outfitted from top to toe, and, like a child, began looking himself over incessantly; bought up lots of scents, pomades; rented, without bargaining, a magnifi- cent apartment on Nevsky Prospect, the first that came along, with mirrors and plate-glass windows; chanced to buy an expensive lorgnette in a shop; also chanced to buy a quantity of various neckties, more than he needed; had his locks curled at a hairdresser's; took a couple of carriage rides through the city without any reason; stuffed himself with sweets in a pastry shop; and went to a French restaurant, of which hitherto he had heard only vague rumors, as of the state of China. There he dined, arms akimbo, casting very proud glances at others, and ceaselessly looking in the mirror and touching his curled locks. There he drank a bottle of champagne, which till then he had also known more from hearsay. The wine went to his head a little, and he left feeling lively, pert, devil-may-care, as the saying goes. He strutted down the sidewalk like a dandy, aiming his lorgnette at everyone. On the bridge, he noticed his former professor and darted nimbly past him as if without noticing him at all, so that the dumbfounded professor stood motionless on the bridge for a long time, his face the picture of a question mark.

All his things, and whatever else there was-easel, canvases, paintings-were transported to the magnificent apartment that same evening. The better objects he placed more conspicuously, the worse he stuck into a corner, and he walked through the magnificent rooms, ceaselessly looking in the mirrors. An irresistible desire was born in him to catch fame by the tail at once and show himself to the world. He could already imagine the cries: "Chartkov, Chartkov! Have you seen Chartkov's picture? What a nimble brush this Chartkov has! What a strong talent this Chartkov has!" He walked about his room in a state of rapture, transported who knows where. The next day, taking a dozen gold roubles, he went to the publisher of a popular newspaper to ask for his magnanimous aid; the journalist received him cordially, called him "most honorable sir" at once, pressed both his hands, questioned him in detail about his name, patronymic, place of residence. And the very next day there appeared in the newspaper, following an advertisement for newly invented tallow candles, an article entitled "On the Extraordinary Talents of Chartkov": "We hasten to delight the educated residents of the capital with a won- derful-in all respects, one may say-acquisition. Everyone agrees that there are many most beautiful physiognomies and most beautiful faces among us, but so far the means have been lacking for transferring them to miracle-working canvas, to be handed on to posterity; now this lack has been filled: an artist has been discovered who combines in himself all that is necessary. Now the beautiful woman may be sure that she will be depicted with all the graciousness of her beauty-ethereal, light, charming, wonderful, like butterflies fluttering over spring flowers. The respectable paterfamilias will see himself with all his family around him. The merchant, the man of war, the citizen, the statesman-each will continue on his path with renewed zeal. Hurry, hurry, come from the fete, from strolling to see a friend or cousine, from stopping at a splendid shop, hurry from wherever you are. The artist's magnificent studio (Nevsky Prospect, number such-and-such) is all filled with portraits from his brush, worthy of Van Dycks and Titians. One hardly knows which to be surprised at: their faithfulness and likeness to the originals, or the extraordinary brightness and freshness of the brush. Praised be you, artist! You drew the lucky ticket in the lottery! Viva, Andrei Petrovich!" (The journalist evidently enjoyed taking liberties.) "Glorify yourself and us. We know how to appreciate you. Universal attraction, and money along with it, though some of our fellow journalists rise up against it, will be your reward."