The song was about Sir Roland, a knight who tried in vain before he died to break his sword Dyrendal so that it wouldn’t end up in enemy hands. Inside the hilt were holy relics, a tooth from Saint Peter, blood from Saint Basil, and a thread from the kirtle that the Mother of God had worn. But the sword refused to break, no matter how hard the dying Sir Roland tried. Then the angels of God took pity on the hero and lifted the sword up to heaven, and Roland could sink down in the shade of a pine tree with his oliphant battle-horn at his side. He turned his head toward the land of the unbelievers so that Charlemagne would not find his dead hero with his face turned away in cowardice. And he confessed his sins, lifting his right gauntlet up toward God. Then Saint Gabriel came down to receive it and guide Roland’s soul to heaven.

Arn and Brother Guilbert were both very moved by this song, since they could easily imagine everything that the words described, almost as if they had actually been present. Many were the accounts they had both heard about Christian knights in the Holy Land breaking their swords in half and lying down to await death as they surrendered their souls to God.

When the two Provençal lute players discovered that some of their listeners were actually moved by the words of the song, they moved as close to Brother Guilbert and Arn as they dared and sang verse after verse, as if they never wanted to stop. The song about Sir Roland was quite long.

Not realizing that he should have offered a few silver coins in order to be quit of the singers, Arn finally grew tired of the endless singing and in Frankish called out his thanks, saying that now that would suffice. Disappointed, the singers fell silent and moved away to find a new audience.

‘I suppose you should have paid them something,’ Brother Guilbert explained.

‘No doubt you’re right,’ said Arn. ‘But I have no silver on me, nor do you, so I’ll have to put the matter aside until later. There is too much of the monk in me, and it’s not easy to rid myself of those ways.’

‘Then you’d better make haste, since the wedding night is fast approaching,’ jested Brother Guilbert. But he regretted his words when he saw how Arn blanched at this simple statement of fact.

Finally the sound of a horn announced that the official festivities were to begin, and half of the guests headed toward the door of the great hall, while the other half remained in the courtyard without really knowing how to act so as not to seem offended that they hadn’t been included among the foremost hundred guests. Only the Sverkers openly displayed their discontent, assembling together so that they formed one large red bloodstain in the middle of the courtyard. Among those entering the great hall, there were few red mantles, and those there were belonged to women.

The most beautiful of these red mantles was worn by Ulvhilde Emundsdotter, who had been the dearest friend of both Cecilias during those dark days at Gudhem cloister. The friendship of the three women was remarkably strong, even though there was spilled blood between them. Cecilia Rosa’s future husband, Arn, was the one who had chopped off the hand of Ulvhilde’s father, Emund. And Cecilia Blanca’s husband, Knut, was the one who had killed him after a treacherous transaction.

The three women were the first to enter the great hall, staying close. Queen Blanca already knew where they were to sit during the banquet; all three would be seated together high up on the bridal dais with the six bridesmaids below.

Even though it was a bright midsummer evening, fires blazed on all sides as the guests entered. Above the high seat in the middle of the long wall of the room hung a large blue tapestry with a faded Folkung lion from the time of their ancestors. On either side of the high seat, to show respect, the house thralls had hung the two shooting targets used for the archery game on the bachelors’ evening. Almost the first thing anyone noticed in the dancing shadows from the fires was the sight of two arrows embedded in the black Sverker griffins. Around the arrows in one of the targets hung a crown of gold, so that everyone could now see with their own eyes what the rumours had already reported. The bridegroom himself had shot ten arrows so close to each other that a crown could encircle them all, and he had done so from a distance of fifty paces.

Ulvhilde made no attempt avoid the sight. On the contrary. When she took her seat next to her friends high up on the bridal dais, she giggled, saying that it was most fortunate she hadn’t been a guest on the previous day. She would have had to watch her back in order not to have arrows shot at her. For on the back of her red mantle, right in the middle, a black griffin head had been stitched with thousands of silk threads, the type of embroidery that the three friends had truly been the first in the realm to master during the time that they were confined to Gudhem under Mother Rikissa.

Cecilia Blanca was of the opinion that an insult was no bigger than one allowed it to be, and at the next shooting banquet Ulvhilde ought to see to it that a lion was used for the archery target. Then those who had made this jest would be repaid in kind.

The bridegroom’s dais was far away in the hall, on the other side of the first longtable, and in the middle of that table was the high seat. There Eskil and Erika Joarsdotter now took their places on either side of the archbishop. The king had decided to sit with the groom, just as the queen was seated with the bride. Such an honour had never been shown before to any bridal couple in the realm of the Eriks and Folkungs.

But when all had taken their seats, Erika Joarsdotter, looking worried, got up and went over to stand at the door while whispers and murmurs spread through the hall. The guests understood that something was not as it should be. And so their joy was even greater a few minutes later when old Herr Magnus came into the hall, walking next to his wife Erika. Slowly but with great dignity he made his way between all the tables all the way over to the high seat where sat down next to the archbishop, with Erika on his other side. The house thralls brought the ancestral drinking horn with the silver fittings and handed it to Herr Magnus. He got up, standing steadily on both feet, and raised the horn. At once everyone fell silent with anticipation and amazement. They had all thought that Herr Magnus had been crippled for many years and was just awaiting the release of death.

‘Few men are granted the joy that has been given to me today!’ said Herr Magnus in a loud, clear voice. ‘I now drink with you my kinsmen and friends upon welcoming a son back from the Holy Land and upon gaining a daughter in my household, and because I have been granted the grace of renewed health and the joy of seeing kinsmen and friends join me in peace and concord. None of my ancestors have had any better reason to raise this horn!’

Herr Magnus drained the ale without spilling a drop, although those sitting closest to him noticed that at the end he was shaking from exertion.

There was a brief silence after Herr Magnus sat down and handed the ancestral drinking horn to his son Eskil. Then a great cheering began, swelling to a mighty roar as the hundred guests pounded their fists on the tables. The pipes and drums started playing at once, and the food was carried in by white-clad house thralls, preceded by minstrels who both played and frolicked merrily.

‘With meat, pipes, and ale we’ll manage to avoid a good deal of gawking, and that’s much to be desired,’ said Queen Blanca as she raised her wine glass to Cecilia and Ulvhilde. ‘That’s not to say that they don’t have much to stare at, presenting as we do quite a marvellous sight up here in our green, red, and blue!’

They drank with abandon, and both Ulvhilde and Cecilia laughed heartily at their friend’s daring way of dismissing the embarrassment of being the centre of so much attention, which they had now endured for some time, amidst all the whispering and pointing.