On the news, the protesters' standard line was that the new children were artificial monsters designed to help corporations take over the world. GM Kids, they called them, or Lab Brats, or Monsanto's Future Toadies.

Pushed back almost into the grass and gravel of a makeshift parking lot were a few dozen parents. Dicken could easily tell them apart from the protesters. The parents were older, conservatively dressed, worn down and nervous. For them, this was no game, no bright ritual of youthful passage into a dull and torpid maturity.

The staff car and its two escorts approached the first perimeter gate through a weave of concrete barricades. Protesters swarmed the fence, swinging their signs in the direction of the protected road. The largest sign out front, scrawled in red marker and brandished by a skinny boy with prominent bad teeth, read, hey hey usa/ don't fuck with nature's dna!

“Just shoot them,” Dicken muttered.

Augustine nodded his tight-lipped concurrence.

Damn, we agree on something,Dicken thought.

In the beginning, the protesters had nearly all been parents, arriving at the schools by the thousands, some hangdog and guilty, some grim and defiant, all pleading that their children be allowed to go home. Back then, the nursery buildings had been filled and the dorms under construction or empty. The parents had mounted their vigils year-round, even in the dead of winter, for more than five years. They had been the best of citizens. They had surrendered their children willingly, trusting government promises that they would eventually be returned.

Mark Augustine had been unable to fulfill that promise, at first because of what he thought he knew, but in later years because of grim political reality.

Americans by and large believed they were safer with the virus children put away. Sealed up, out of sight. Out of range of contagion.

Dicken watched Augustine's expression change from studied indifference to steely impassivity as the staff car climbed the sloping road to the plateau. There the massive complex sat flat and ugly like a spill of children's blocks on the Ohio green.

The car maneuvered around the barricades and pulled up to the dazzling concrete gatehouse, whiter even than the clouds. As the guards checked their schedule of appointments and consulted with the Secret Service agents, Augustine stared east through the car window at a row of four long, ocher-colored dormitories.

It had been a year since Augustine had last inspected Goldberger. Back then, lines of kids had moved between classrooms, dormitories, and cafeteria halls, attended by teachers, interns, security personnel. Now, the dormitories seemed deserted. An ambulance had been parked by the inner gate to the barracks compound. It, too, was unattended.

“Where are the kids?” Dicken asked. “Are they allsick?”

30

PENNSYLVANIA

Stella saw and felt everything in ragged jerks. Being moved was an agony and she cried out, but still, the shadows insisted on hurting her. She saw asphalt and stone and gray bricks, then a big upside-down tree, and finally a bed with tight pink sheets. She saw and heard adults talking in the light of an open door. Everything else was dark, so she turned toward the darkness—it hurt less—and listened with huge ears to voices in another room. For a moment, she thought these were the voices of the dead, they were saying such incredible things, harmonizing with a weird joy. They were discussing fire and hell and who was going to be eaten next, and a mad woman laughed in a way that made her flesh crawl.

The flesh did not stop crawling. It just kept on going, and she lay in the bed with no skin, staring up at cobwebs or ghostly arms or just floaters inside her eyeballs, tiny chains of cells magnified to the size of balloons. She knew they were not balloons. It did not matter.

Kaye was beyond exhaustion. Iris Mackenzie sat her down in a chair with a cup of coffee and a cookie. The house was huge and bright inside with the colors and tones rich folks choose: creams and pale grays, Wedgwood blues and deep, earthy greens.

“You have to eat something and rest,” Iris told her.

“Mitch . . .” Kaye began.

“He and George are with your girl.”

“I should be with her.”

“Until the doctor arrives, there's nothing you can do.”

“A sponge bath, get that temperature down.”

“Yes, in a minute. Now rest, Kaye, please. You nearly fainted on the front porch.”

“She should be in a hospital,” Kaye said, her eyes going a little wild. She managed to stand, pushing past Iris's gentle hands.

“No hospital will take her,” Iris said, turning restraint into a hug and sitting her down again. Iris pressed her cheek against Kaye's and there were tears on it. “We called everyone on the phone tree. Lots of the new children have it. It's on the news already, hospitals are refusing admissions. We're frantic. We don't know about our son. We can't get through to Iowa.”

“He's in a camp?” Kaye was confused. “We thought the network was just active parents.”

“We are veryactive parents,” Iris said with iron in her tone. “It's been two months. We're still listed, and we will stay listed as long as we can help. They can't hurt us any more than they already have, right?”

Iris had the brightest green eyes, set like jewels in a face that was farmer's daughter pretty, with light, florid Irish cheeks and dark brown hair, a slender physique, thin, strong fingers that moved rapidly, touching her hair, her blouse, the tray, and the kettle, pouring hot water into the bone china cups and stirring in instant coffee.

“Does the disease have a name?” Kaye asked.

“No name yet. It's in the schools—the camps, I mean. Nobody knows how serious it is.”

Kaye knew. “We saw a girl. She was dead. Stella may have got it from her.”

“God damnit,” Iris said, teeth clenched. It was a real curse, not just an exclamation.

“I'm sorry I'm so scattered,” Kaye said. “I need to be with Stella.”

“We don't know it isn't catching . . . for us. Do we?”

“Does it matter?” Kaye said.

“No. Of course not,” Iris said. She wiped her face. “It absolutely does not matter.” The coffee was being ignored. Kaye had not taken a sip. Iris walked off. Turning, she said, “I'll get some alcohol and a bath sponge. Let's get her temperature down.”

31

OHIO

The director greeted the staff car at the tangent where the wide circular drive met the steps to the colonnade of the administration building. He wore a brown suit and stood six feet tall, with wheat-colored hair thinning at the crown, a bulbous nose, and almost no cheek bones. Two women, one large and one short, dressed in green medical scrubs, stood at the top of the steps. Their features were obscured by the shadow of a side wall that blocked the low sun.

Augustine opened the door and got out without waiting for the driver. The director dried his hands on his pants leg, then offered one to shake. “Dr. Augustine, it's an honor.”

Augustine gave the man's hand a quick grip. Dicken pushed his leg out, grasped the handle over the door, and climbed from the car. “Christopher Dicken, this is Geoffrey Trask,” Augustine introduced him.

Behind them, the two Secret Service cars made a V, blocking the drive. Two men stepped out and stood by the open car doors.

Trask mopped his brow with a handkerchief. “We're certainly glad to have both of you,” he said. At six thirty in the evening, the heat was slowly retreating from a high of eighty-five degrees.

Trask flicked his head to one side and the two women descended the steps. “This is Yolanda Middleton, senior nurse and paramedic for the pediatric care center.”

Middleton was in her late forties, heavy-set, with classic Congolese features, short-cut wild hair, immense, sad eyes, and a bulldog expression. Her uniform was wrinkled and stained. She nodded at Dicken, then examined Augustine with blunt suspicion.