“I am trying, but it was a long time ago, and our memories were not shaped by evolution to sustain themselves over a life span of a hundred and thirty years.

I have preserved my mental capacity far better than some of my peers—but not, it seems, as well as Rappaccini.” Charlotte’s beltphone buzzed and she picked up the handset. “Yes, Hal,” she said.

“Just thought you’d like to know,” he said. “Walter Czastka called in. He’s alive and well. I sent him the data Wilde’s been looking over, so we should have a second take on that by morning. We have a highly probable link between the suspect and a passenger who boarded a maglev two hours after she left the Trebizond Tower. Her ticket was booked in the name of Jeanne Duval. The ID’s fake and the account is a cash-fed dummy, but I’ve got a flock of surfers chasing every last detail down. It could be the vital break.” “Thanks,” said Charlotte. Polite discretion had presumably dissuaded Hal from simply reappearing on the table’s screen and interrupting their meal—unless he was using politeness as an excuse for leaving Michael Lowenthal out of the loop for a few minutes. If so, she thought, she had better be careful. Hal would, of course, have to copy Lowenthal’s employers in on the results of his chase—but if it were possible, he would infinitely prefer to catch the quarry first. In a race like this, minutes might make all the difference, and the reputation of the UN police was on the line.

“We reached Walter Czastka,” Charlotte informed Wilde as she picked up her fork again. “He’s alive and well—and he’s double-checking your work.” “You might have made contact with him,” Wilde said waspishly, “but I doubt that anyone has actually reached Walter for half a century or more.” “You don’t seem to like Walter Czastka,” Charlotte observed. “A matter of professional jealousy, perhaps?” Wilde hesitated briefly before responding, but decided to ignore the insulting implication. “I don’t dislike Walter personally” he said carefully. “I will admit, however, to a certain distaste for the idea that we’re two of a kind, equal in our expertise. He’s an able man, in his way, but he’s a hack; he has neither the eye nor the heart of a true artist. While I have aspired to perfection, he has always preferred to be prolific. He will identify the Celosia and will doubtless inform you that it is based on a gentemplate of mine, but he will not be able to see Rappaccini’s handiwork in the final product. I hope that you will not read too much into that omission.” “But Czastka must have artistic ambitions of his own,” Michael Lowenthal observed. “While you’ve been in New York, undergoing a third rejuvenation which most people would consider premature, he’s been laboring away on his private island, patiently building his personal Eden.” “Walter has Creationist ambitions, just as I have,” Wilde admitted, “but that’s not what you’re interested in, is it? You’re exploring the possibility that Walter might be the man behind Gabriel King’s murder, and wondering whether I might be underestimating him. You’re wondering whether he knows what I think of him—and whether, if so, he might have involved me in his criminal masterpiece merely in order to make a fool of me. You’re wondering whether he might have planned this magnificent folly to show the world how absurdly wrong I have been in my estimate of his abilities. I almost wish that it were conceivable, Michael, but it is not. I’ll gladly stake my reputation on it.” “Walter Czastka knew Gabriel King quite well,” Lowenthal observed mildly. “They were both born in 2301, and they attended the same university. Czastka has done a great deal of work for King, on various building projects—far more than you ever did, Dr. Wilde. They seem to have been on good terms, but they’ve had plenty of time to generate a motive for murder. Most murders involve people who know one another well.” He had obviously done some background work on this hypothesis, presumably while Charlotte had failed to engage him in conversation in Hal’s office.

“I daresay that nothing I can say will affect your pursuit of this line of inquiry,” said Wilde wearily, “but I assure you that it is quite sterile. Walter has not sufficient imagination to have committed this crime, even if he had a motive. I doubt that he did have a motive; Walter and Gabriel King are—or were, in the latter case—cats of a similar stripe. Like Walter, Gabriel King might have been a true artist, but like Walter, he declined the opportunity.” “What do you mean by that?” Lowenthal asked.

“A modern architect, working with thousands of subspecies of gantzing bacteria and shamirs, can raise buildings out of almost any material, shaped to almost any design,” Wilde pointed out, reverting to quasi-professorial mode. “The integration of pseudoliving systems to provide water and other amenities adds a further dimension of creative opportunity. A true artist could make buildings that would stand forever as monuments to contemporary creativity, but Gabriel King’s main interest was always in productivity—in razing whole towns to the ground and reerecting them with the least possible effort. His business, insofar as it is creative at all, has always been the mass production of third-rate homes for second-rate people. Walter has always been the first choice to provide those third-rate homes with third-rate interior and exterior floral decorations.” “I thought the original purpose of bacterial cementation processes was to facilitate the provision of decent homes for the very poor,” said Charlotte.

“Gabriel King was a structural bioengineer, after all, not an architect.” “Even so,” Wilde said, “I find it infinitely sad to see modern methods of construction being applied so mechanically to the mass production of housing for people who are wealthy enough not to need mass-produced housing. The building of a home, or a series of homes, ought to be part of an individual’s cultivation of his own personality, not a matter of following convention—or, even worse, some briefly fashionable fad, like so-called Decivilization. Like education, making a home will one day be one of the things every man is expected to do for himself, and there will be no more Gabriel King houses with Walter Czastka subsystems.” “We can’t all be Creationists,” objected Charlotte.

“Oh, but we can, Charlotte,” Wilde retorted. “We can all make every effort to be whatever we can be—even people like us, who have not Michael’s inbuilt advantages.” “Even the members of the New Human Race still die in the end,” said Charlotte.

“Lowenthal might be able to have ten careers, or twenty, instead of a mere handful, but there are thousands of different occupations—and as you pointed out yourself, our memories are finite. The human mind can only hold so much expertise.” “I’m talking about attitudes rather than capacities,” said Oscar. “The men of the past had one excuse for all their failures—man born of woman had but a short time to live, and it was full of misery—but it was a shabby excuse even then.

Today, the cowardice that still inhibits us is far more shameful. There is no excuse for any man who fails to be a true artist and declines to take full responsibility for both his mind and his environment. Too many of us still aim for mediocrity and are content with its achievement—” He would undoubtedly have continued the lecture, but Charlotte’s beltphone began to buzz again. She put the handset to her ear again.

“Shit hits fan,” said Hal tersely. “The worst-case scenario just kicked in.” By the time Charlotte put the handset down again Wilde and Lowenthal knew that something important had happened. Wilde was still cradling his last glass of Saint Emilion, but he wasn’t drinking. He was waiting for the bad news.

“Michi Urashima’s just been found dead in San Francisco,” she reported. She knew that it wasn’t necessary to tell either of them who Michi Urashima was. For the sake of completeness she added: “He was murdered. Same method as King.” “Michi Urashima!” Lowenthal repeated incredulously.