Austin said, "I'd guess he fell off his horse during the fight and was kicked in the head." He was not a callous man, but he felt no pity for the dead horseman.
Lombardo had retrieved his camera from the beached Zodiac and was filming the battle site. He and Kaela came over to see what the others were looking at. Lombardo let out a low whistle. "What kind of a getup is that?"
Austin knelt by the body. "Looks like something out of The Wizard of Oz."
The dead man wore a long muddy-gray coat that but- toned up the front and baggy pants tucked into black boots. His black fur pillbox hat lay a few feet away. Red epaulets decorated each shoulder. A pistol holster and scabbard hung from the wide leather belt that encircled his waist. Slung across his chest was a cartridge belt. A sheathed dagger hung from a cord around his neck.
"G'dayr' Dundee said with wonderment. “The man's a walking arsenal."
Austin searched the grass around the dead man. A few yards away, he found a rifle and he put the stock against his shoulder and worked the well-oiled bolt. Like the saber blade, the barrel was etched with Cyrillic writing. Austin was a collector of dueling pistols, and he had accumulated a general knowledge of antique guns. The rifle was a Moisin-Nagant, more than a hundred years old, and in mint condition. He uttered a silent prayer of thanks that the horsemen weren't carrying modern automatic weapons. A single Kalashnikov would have ripped him and the Gooney to shreds.
Austin handed the rifle off to Dundee and went through the dead man's pockets. Nothing. He unpinned the metal starburst emblem from the front of the hat and pocketed it. Lombardo had finished filming the battle scene, and Kaela suggested shooting some footage around the one-story cinder-block buildings farther inland.
"Not a good idea," Austin said, pointing to the trail of hoofprints leading toward the structures. He'd been worried that the horsemen would make a return appearance, but hadn't said anything because there wasn't much they could do about it. "In fact, I’d suggest that we get out of here as soon as we can." He rested the rifle on his shoulder, retrieved the saber and started walking back toward the beach. Kaela caught up with him on the crest of the dune.
"Do you have any idea what this is all about?" she said breathlessly. "Why these men would want to kill us?"
"You know as much as I do. I thought they were filming a movie until somebody took a few shots at me."
"It's a good thing for us that their aim was bad." She paused. Austin was studying her face the way he had earlier. "Is there anything wrong?"
"I'm almost embarrassed to say."
"I find it hard to believe that you'd be embarrassed. You hardly seem the shy type."
Austin shrugged. "Well, in a manner of speaking, you might say we've met before."
"Sorry, I'm sure I would have remembered."
"Not literally. Believe me when I say this. You bear a striking resemblance to the face of a princess I once saw painted on the wall of an Egyptian temple."
Kaela was tall, with a good part of her height invested in long shapely legs. She had a smooth mocha complexion and ebony black hair that she kept long with a natural tight curl. Her mouth was full and almost perfect, and her eyes were a dark amber. As an attractive woman working in a man's profession, she thought she had heard every male line invented – but this was a new one. She gave Austin a sidelong glance. "That's funny, I was thinking that you looked as if you'd fallen off Captain Kidd's pirate ship."
Austin laughed and ran his fingers through his disheveled hair. "I suppose I do look like a pirate, but I'm not joking. You're a ringer for the young woman in the temple. You're quite a bit younger than she is, though. I believe her portrait dates back to about four thousand B.C."
"I've been called a lot of things," she said, "but never an Egyptian mummy. Thanks for the compliment, if that's what it was. And for saving our necks. There's no way we can ever repay you, Mr. Austin."
"You can start by calling me Kurt. And may I call you Kaela?"
She smiled. "Of course."
"Now that we're old friends, how about being my guest at dinner?"
She glanced up and down the deserted coast. "What did you have in mind, something out of the Boy Scout handbook? Roots and berries?"
"I only made it as far as Cub Scout, and foraging was never my forte. I was thinking more of something like duck a l'orange. I can almost guarantee a table with a water view."
"Here?" she said, going along with the game.
"No, there." He pointed out to sea, where a turquoise-hulled ship could be seen steaming in their direction. "Casa Argo. They say the chef used to work at the Four Seasons before NUMA stole him."
"My mother didn't raise any stupid kids," Kaela said. "I'd be a fool to refuse an invitation like that." Conscious of her unkempt state, she said, "I don't think I'm dressed for a fancy dinner."
"I'm sure we can find something appropriate aboard the ship. I'll ask when I call for reservations. My radio is the only thing that wasn't smashed when I landed. Maybe you can round up your friends while I hail the boat – but you might want to hurry them along. We're on Russian territory, and I don't have my passport. We shouldn't overstay our welcome."
Kaela followed Austin with her eyes as he made his way back to the damaged ultralight. She sensed a story. Who was this guy? This was no nerd. She called out to Mike and Dundee and told them to wrap up their filming. Then she hurried to catch up with Austin.
6
MOSCOW, RUSSIA
WIELDING IRON SELF-CONTROL, Viktor Petrov replaced his telephone in its cradle, tented his fingers and stared into space. After a moment lost in thought, he rose from his desk and went to the window. As he gazed out at the city, letting his eyes linger on the turnip-shaped spires of St. Basil's in the distance, his hand came up and brushed his right cheek. He hardly felt the touch of his fingers through the parchment-like scar tissue that covered the dead nerve endings in his skin. How long had it been? Fifteen years. Strange. After all that time, a single phone call brought back memories of the searing pain.
Petrov watched the crowds of pedestrians swarming in the summer heat and yearned for winter. Like many of his countrymen, he had a poignant attachment to snow. The Russian winter was harsh and unforgiving, but it had protected the country from the armies of Napoleon and Hitler. Petrov's love of snow was more prosaic, as well. Winter covered the city's flaws, hushed its noise and hid its corruption under a white blanket of purity.
He returned to his battered metal desk, the largest object in the small, drab room. At one elbow was an old-fashioned black dial telephone. At the other, a fax machine. An empty filing cabinet stood in a corner, there mainly for show. The cramped office was one of dozens of cubicles that made up the tenth-floor warren of the agricultural building, a soaring gray monument to the banality of socialist architecture. Printed in small letters on the door were the words SIBERIAN PEST CONTROL. Petrov rarely had visitors. Occasionally, a lost soul blundered into the office, only to be told that Siberian Pest Control had moved.
In spite of his spartan surroundings, Petrov exerted wide power in the Russian government. The key to his influence was the anonymity that kept him from view. He remembered the old days when Pravda had dutifully printed photos of the Soviet hierarchy reviewing the May Day parade from Lenin's tomb. Any hint that someone in the lineup was a possible successor to the reigning tyrant of the day marked the unfortunate individual for liquidation. Petrov had mastered the art of fading into the woodwork. He was the bureaucratic equivalent of a shape-shifter, a legendary being that can change form at will. He had survived three premiers and countless Politburo members with his ability to avoid definition. He hadn't allowed himself to be photographed in years. The photos clipped to his personnel files were of dead men. He resisted attempts to give him a title. In the various evolutions of his long career, he was known simply as an aide.