"I'm ready," Strom replied after he secured the final gear in place. With dread, he grabbed the handle and started to crank. Slowly the crucible began to turn. After cranking the crucible back to the upright position, Strom filled it with sand and placed a bowl beneath it. Trying to be as smooth as he could, he cranked the handle and simulated the pour.

"Just a little too fast," Milo said. "It accelerates the pour too soon."

"I can't believe it works at all," Osbourne said.

Strom ignored Osbourne's comment, determined to find a way to slow the initial part of the pour. "What if we cut off the first part of the strap and stitch on something thinner; then it won't accelerate much until it reaches the thick strap," he said.

Milo produced a sack made of strong but thin material, and he cut a length from it. After a few more tests pouring sand, Milo calculated the length of strap to be replaced. Stitching the light material and leather proved to be difficult, but Gustad showed Strom how to use an awl to make holes in the leather.

After a few more test pours, Milo declared the pouring machine ready for a test with real glass. They were running out of sand, and Strom felt the pressure.

When Osbourne pulled the crucible from the furnace, he performed his practiced movements and placed the rod on Strom's machine. When he went to secure the strap, though, the heat was too much, despite his thick, leather gloves. By the time the strap was attached, the glass had already cooled too much.

"Don't despair, young Strom. No one designs machines without flaws; the real challenge is to overcome those flaws. We'll just find a way to fix it and try again. Eventually we will succeed."

"How much sand do we have left?" Osbourne asked.

The modest room Catrin had been provided within the Inner Sanctuary offered little in the way of distraction. She was glad when Mother Gwendolin arrived, if only for something new to think about.

"I hope the morning has greeted you kindly," Mother Gwendolin said as she led Catrin through a maze of corridors.

"I've had a great deal to consider, but I'm feeling a bit better about things. Thank you."

"I'm sorry to burden you further, but time rushes away from us, and there is much we must learn," Mother Gwendolin said, and Catrin nodded. "Much of the information we have regarding ancient times is isolated and without context, which makes it exceedingly difficult to give any of it credence. But there is something I've benefited from personally, and I would like to share it with you. I think, perhaps, it will help you to see more clearly."

"Please, go on," Catrin said, eager for anything that might give her direction. She felt lost in a sea of critical decisions she wasn't prepared to make.

"It's called a viewing ceremony, and I find it helps me focus when I'm unable to resolve a debate or conflict. Would you like to try?"

"What does it involve-I mean, it's not painful, is it?" Catrin asked, feeling silly, and Mother Gwendolin laughed. Her laugh was like the tinkling of fine chimes, and it set Catrin's heart at ease.

"No, child, it's not painful. The viewing chamber is a very special room with two adjoining chambers. A group of specially trained monks will gather in each of the chambers, and they will perform an ancient melody. It's actually quite enchanting."

"Yes, I think I would like that. Thank you," Catrin said, and she wondered what she was getting herself into. The opportunity was certainly too good to pass up, but the Cathurans had already proven full of surprises, and she wondered what the viewing ceremony would reveal.

When they arrived at their destination, a hallway with three elaborately painted doors, they were greeted by a large gathering of robed and hooded monks standing in silence. Catrin smiled, realizing Mother Gwendolin had assumed she would say yes. With a simple nod, Mother Gwendolin sent the monks to their respective chambers. As they filed through the outer doors that bore images of colorful birds, Mother Gwendolin led Catrin through the center door. This door was painted to resemble the night sky, which Catrin noted contained no comets.

Within the chamber stood a large, thronelike chair that was made of a glossy, umber stone streaked with veins of silver and obsidian. Directly across from it, at eye level, was a round hole in the stone wall, beyond which lay open sky. On either side of the chair were twisted orifices that presumably led to the outer chambers where the monks awaited. Mother Gwendolin led her to the seat. Catrin climbed atop the cold, hard stone, doubting she would be able to get comfortable enough to meditate.

"Try to clear your mind of all things. The old writings say, 'Ride the vibrations and you will be free.' I don't think I've ever achieved the desired effect, but it has been helpful nonetheless. When you feel you are finished, just ring this bell," Mother Gwendolin said, and she produced a delicate pewter bell from her robes. It bore the figure of a fairy clinging to the bell, and its ring seemed impossibly loud and clear. Catrin placed the bell on the arm of the throne.

Icy wind gusted through the opening in the wall, and Catrin shivered, wishing she had worn something more substantial than her leather jacket over a homespun top and leggings. Removing the heavy shawl from her shoulders, Mother Gwendolin wrapped it around Catrin with a benevolent smile.

Pulling the shawl tighter, Catrin soaked in its warmth.

"I will leave you now. May you find that which you seek," Mother Gwendolin said, and she left the room, shutting the door behind herself.

The melody drifted to Catrin slowly as she sorted her thoughts and sought her center. A different cadence and tone came from each side, but they merged into seamless harmony-not the disjointed noise of two independent groups, but intentional and purposeful diversification. The two dissimilar parts formed a perfect whole. Drifting on the music, she let it carry her from her burdens.

As she let her spirit float, the drums began. Starting softly, they grew to a pounding crescendo, resonating in a way that seemed impossible, and Catrin could feel them more acutely than she could hear them. The thunder of them rattled the foundation of her being and seemed to shake loose the dust and clutter from her soul. It was as if she were shedding a dead skin, and she experienced herself as a wave of energy rather than her physical form. It was glorious and terrifying.

Despite the exultation of these new feelings, she grew frustrated. Surely some revelation should have come to her by now, some inkling of what path she should take. But the ecstasy was void of insight, and she felt as if she were missing something critical, something just out of reach. Concentrating, she squeezed her eyes shut but still struggled in vain. After numerous attempts, she relented, her will spent.

With a forlorn sigh, she resolved to ring the bell, but as she leaned back, too fast, the back of her head smacked against the unyielding stone with a hollow thunk. Her jaw dropped and her eyes flew open with the shock of pain. Her vision focused on the sky beyond the opening in the wall. It was beautiful and inviting, and in her next breath, she was soaring through it.

Her awareness flew among the clouds, and she reveled in the glory of existence for a time, but the strangeness made her wary. She wondered at her lack of form and realized a silvery thread of energy trailed her, like a strand of gossamer leading back to her physical vessel. The confining husk that usually held her awaited in the viewing chamber. She could feel the connection, and she clung to it. Though she enjoyed the invigorating freedom, she knew she would need to return to her prison of flesh; she would be lost without it.