"It used to be a herder's hut, for the summer when the high pastures are green," Jakli explained as they climbed out. "One of Auntie Lau's favorite places."

"She lived here?"

"Sometimes. She had a room in Yoktian for many years, in the unmarried teachers' quarters. Officially, she lived there. But she stayed here in the warm weather, after the herds got so small the pastures here weren't needed. This was like a- I don't know. A retreat. A sanctuary, in a way. She came here years ago to help a flock of sick sheep. She kept coming back. Not so far from the highway to be inaccessible by car or truck, but far enough to be quiet, to be a world apart."

Shan saw the fond way Jakli looked at the cabin and the meadow beyond, filled with heather and asters in brilliant autumn hues, surrounded by rhododendron with leaves of crimson. It was like an oasis in the high dry mountains, the long slope above facing south so that it was protected, capturing more heat and water than the surrounding landscape. "It was that kind of place for you too," Shan suggested.

She nodded. "Auntie Lau taught me many things here."

"About animals?"

"About animals. About nature. About medicine. About people. About the stars. She was full of knowledge. Sort of overflowing with knowledge. I never knew anyone like her. Everyone, all the Kazakhs and Uighurs loved her. She was from nobody's family but everyone's aunt. It's why she got elected to the Agricultural Council."

"She brought the zheli here?"

Jakli nodded again. "Several times a year. Sometimes for what she called a reverence day."

"Reverence day?"

"Sort of meditation all day, whatever kind of quiet each of the orphans felt comfortable with. Some drew pictures. Some wrote letters. Some stared at flowers."

"What did Khitai do?"

Jakli considered the question for a moment. "I was there at the end of the day the last time. I think he climbed up the trail and sat near the top of the hill. Yes. I remember him. He was on a rock ledge," she said, pointing toward a slab of rock that jutted from the hillside. "Like an old goat, looking out over the mountains. Not with pride, just lost in the beauty."

Shan looked at the empty ledge. Was Khitai sitting on some other rock today, watching? Did he even know a killer was coming? Had Malik found him? With a shudder he realized that, by seeking out the zheli, Malik might be putting himself in the path of the killer.

Jakli stepped onto the narrow porch of the hut. "This place was like a shrine when she was here."

"A shrine?"

"A mosque. A temple. A religious place, is all I mean. You wanted to think big thoughts, just to please her." She opened a wooden latch on the door and led Shan into the cabin.

It was indeed as sparse as a temple inside. A small table, a chair, two benches, and a bedframe made of hand-hewn timbers comprised the only furnishings. Its walls were unfinished logs, many still holding their bark. A tin basin with two cups sat on the chair and a felt blanket lay folded on the bed. In the center of the table sat a single pine cone.

Shan stepped to read a sturdy piece of paper pinned to the log wall. It contained two flowing Chinese ideograms, one over the other, elegantly drawn with brush and ink. The liquid strokes combined the image of a bird flying away into the sky and the symbol of two hands struggling for a single object. It meant do not contend and was associated with the Eighth Chapter of the Tao te Ching, the greatest of the Tao teachings he had learned as a child. The characters brought a momentary aching to his heart, for the Eighth had been his father's favorite verse. Shan knew the passage well:

The greatest good is like water

Which benefits all things

And yet it does not contend

It stays in places that others disdain

And therefore is close to the way of truth

The verse was used to describe how enlightened individuals found contentment by not struggling, by staying in lonely, quiet places where truth, like water, was more likely to be found. Sometimes the final words of the passage were translated as the way of life. Truth or life. Perhaps, he thought, looking back at the ideograms, for Lau there was little difference.

He touched a corner of the paper with his fingertips, then pulled them quickly away, as if he were intruding on Lau.

"She was like that," Jakli explained from his back.

He turned and nodded. "I need to understand something," Shan said as she roamed about the small room, gazing upon its contents. "Yesterday when you came to us, Akzu said you didn't owe Lau anything, after what she had done to you."

Jakli turned from the opposite side of the table. "I never understood. A misunderstanding of some kind, I guess. I was in a camp, for reeducation. Lau wrote a letter to the prosecutor, saying I should not be released as scheduled, that I should serve extra time on probation at the factory in Yoktian they use for former prisoners. The hat factory. When they told me why I couldn't go back to the clan I didn't believe it. But they showed me Lau's letter." Jakli sat in the chair and cupped her hands around the pine cone. "It's okay," she said in a confused tone, toward the cone, as if somehow it were a vehicle for reaching Lau. "Just a mistake, I know. She had been nervous lately."

Shan heard someone enter behind him. "There's no sign of her. Nothing that speaks of her," Jowa said over Shan's shoulder.

"Maybe that is her sign," Shan suggested, looking at the paper on the wall, "the simplicity."

Jakli led them to a trail at the far end of the meadow. As she disappeared into the brush, Lokesh halted in front of Shan. A small waterfall could be seen at the edge of the woods. Birds sang. "It's the kind of place where the soul of a boy could linger," Lokesh said with a sigh, then excitedly called Shan to watch a large beetle crossing the path.

Their small procession followed the stream above the meadow for nearly a mile on a foot trail that wound its way through more rhododendron thickets and stands of tall evergreens. He studied the path. It was little more than a game trail, but judging from the many recently broken plants and seedlings at its side, it appeared to have seen heavy recent use.

The path opened into a small clearing bordered on the opposite side by a rock wall that rose vertically nearly fifty feet. From the lower limbs of an ancient pine that towered over the wall, something man-made dangled in the wind. It was a diamond-shaped frame of sticks bound with twine, with strands of brightly colored yarn connecting the sides. A spirit catcher, a talisman used in many of the nomadic cultures, to trap the devils that fly in the air.

Jakli stopped at the foot of the wall and motioned her three companions toward the far side of the tree. Shan stepped forward. In the shadow of the tree was a darker shadow. It was a hole in the rock, a narrow cleft perhaps six feet high and wide enough to slip through sideways.

Shan followed Lokesh's eyes toward a small pile of brush at the side of the hole. No, he saw, it wasn't a pile of brush, it was flowers, bundles of flowers dropped at the side of the opening. They were mostly asters, the autumn wildflower that was in bloom on the slopes. Some looked so fresh they could have been dropped an hour earlier; others were dried and brittle. Beside the stack were over a dozen crude animal shapes of twigs bound with brown twine and vines, creatures with long legs that Shan took to be horses and creatures with short legs that might have been sheep or goats. Beside the stick creatures were several small clay objects, in the shapes of pots and bells. As he bent to examine them more closely, the air suddenly chilled. A frigid draft swept over Shan, raising the hairs on his arms. It was coming from the cave.