Rage of Angels

Sidney Sheldon

This book is dedicated with love

to Mary

The Eighth Wonder of the World

“…Tell us of the secret hosts of evil, O Cimon.” “Their names may not be spake aloud lest they profane mortal lips, for they came out of unholy darknesses and attacked the heavens, but they were driven away by the rage of angels…”

—from Dialogues of Chios

Table of Contents

Dedication

Epigraph

Author’s Note

BOOK I

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

BOOK II

37

38

39

40

41

42

43

44

45

46

47

48

49

50

51

52

53

54

55

56

57

58

59

60

61

62

63

64

Mistress of the Game Excerpt

After the Darkness Excerpt

About the Author

Praise

Books by Sidney Sheldon

Copyright

About the Publisher

Author’s Note

The characters and events in this novel are fictional. The background, however, is real, and I am indebted to those who generously helped to fill it in for me. In a few instances I have taken what I believe to be necessary dramatic license. Any legal or factual errors are mine alone.

My deep gratitude for sharing with me their courtroom lives and experiences goes to F. Lee Bailey, Melvin Belli, Paul Caruso, William Hundley, Luke McKissack, Louis Nizer, Jerome Shestack and Peter Taft.

In California, the Honorable Wm. Matthew Byrne, of the United States District Court, was most helpful.

In New York, I owe special thanks to Phil Leshin, former Assistant Commissioner for Public Affairs of the New York City Department of Correction, for escorting me through Riker’s Island; and to Pat Perry, the Assistant Deputy Warden at Riker’s Island.

Barry Dastin’s legal supervision and counsel have proved invaluable.

My appreciation to Alice Fisher for her assistance in researching this book.

And finally, a thank you to Catherine Munro, who patiently and cheerfully transcribed and typed what began as a thousand-page manuscript, more than a dozen times over a period of almost three years.

—SIDNEY SHELDON

BOOK I

1

New York: September 4, 1969

The hunters were closing in for the kill.

Two thousand years ago in Rome, the contest would have been staged at the Circus Neronis or the Colosseum, where voracious lions would have been stalking the victim in an arena of blood and sand, eager to tear him to pieces. But this was the civilized twentieth century, and the circus was being staged in the Criminal Courts Building of downtown Manhattan, Courtroom Number 16.

In place of Suetonius was a court stenographer, to record the event for posterity, and there were dozens of members of the press and visitors attracted by the daily headlines about the murder trial, who queued up outside the courtroom at seven o’clock in the morning to be assured of a seat.

The quarry, Michael Moretti, sat at the defendant’s table, a silent, handsome man in his early thirties. He was tall and lean, with a face formed of converging planes that gave him a rugged, feral look. He had fashionably styled black hair, a prominent chin with an unexpected dimple in it and deeply set olive-black eyes. He wore a tailored gray suit, a light blue shirt with a darker blue silk tie, and polished, custommade shoes. Except for his eyes, which constantly swept over the courtroom, Michael Moretti was still.

The lion attacking him was Robert Di Silva, the fiery District Attorney for the County of New York, representative of The People. If Michael Moretti radiated stillness, Robert Di Silva radiated dynamic movement; he went through life as though he were five minutes late for an appointment. He was in constant motion, shadowboxing with invisible opponents. He was short and powerfully built, with an unfashionable graying crew cut. Di Silva had been a boxer in his youth and his nose and face bore the scars of it. He had once killed a man in the ring and he had never regretted it. In the years since then, he had yet to learn compassion.

Robert Di Silva was a fiercely ambitious man who had fought his way up to his present position with neither money nor connections to help him. During his climb, he had assumed the veneer of a civilized servant of the people; but underneath, he was a gutter fighter, a man who neither forgot nor forgave.

Under ordinary circumstances, District Attorney Di Silva would not have been in this courtroom on this day. He had a large staff, and any one of his senior assistants was capable of prosecuting this case. But Di Silva had known from the beginning that he was going to handle the Moretti case himself.

Michael Moretti was front-page news, the son-in-law of Antonio Granelli, capo di capi, head of the largest of the five eastern Mafia Families. Antonio Granelli was getting old and the street word was that Michael Moretti was being groomed to take his father-in-law’s place. Moretti had been involved in dozens of crimes ranging from mayhem to murder, but no district attorney had ever been able to prove anything. There were too many careful layers between Moretti and those who carried out his orders. Di Silva himself had spent three frustrating years trying to get evidence against Moretti. Then, suddenly, Di Silva had gotten lucky.

Camillo Stela, one of Moretti’s soldati, had been caught in a murder committed during a robbery. In exchange for his life, Stela agreed to sing. It was the most beautiful music Di Silva had ever heard, a song that was going to bring the most powerful Mafia Family in the east to its knees, send Michael Moretti to the electric chair, and elevate Robert Di Silva to the governor’s office in Albany. Other New York governors had made it to the White House: Martin Van Buren, Grover Cleveland, Teddy Roosevelt and Franklin Roosevelt. Di Silva intended to be the next.

The timing was perfect. The gubernatorial elections were coming up next year.

Di Silva had been approached by the state’s most powerful political boss. “With all the publicity you’re getting on this case, you’ll be a shoo-in to be nominated and then elected governor, Bobby. Nail Moretti and you’re our candidate.”

Robert Di Silva had taken no chances. He prepared the case against Michael Moretti with meticulous care. He put his assistants to work assembling evidence, cleaning up every loose end, cutting off each legal avenue of escape that Moretti’s attorney might attempt to explore. One by one, every loophole had been closed.

It had taken almost two weeks to select the jury, and the District Attorney had insisted upon selecting six “spare tires”—alternate jurors—as a precaution against a possible mistrial. In cases where important Mafia figures were involved, jurors had been known to disappear or to have unexplained fatal accidents. Di Silva had seen to it that this jury was sequestered from the beginning, locked away every night where no one could get to it.


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