The stairs beckoned me upward, but I forced myself to ignore them, walking instead to the door leading out to the small, enclosed courtyard. Much as I hated to start any journey on the ground, I didn’t want to risk attracting attention by taking the same path too many times. That meant starting from a different rooftop. I crossed the courtyard to the abandoned bodega, and from there, made my way out to the street.

New York is the city that never sleeps, but there are still neighborhoods that quiet down after a certain hour, losing the majority of their vibrancy and life in favor of stillness and the dark. Being popular with the tourists has done a lot to revitalize the Meatpacking District. That also means that it’s one of the areas that clears out quickly after midnight. A few well-dressed people on their way home from the bars lingered, but the streets were otherwise left to the homeless, the taxi drivers, the lost, and of course, the cryptids. I recognized them by the way they wore their hats, pulled low over their faces, and the quick anxiety of their steps. The Covenant had everyone on edge, most of all the people who inhabited this shadowy slice of the Big Apple.

I kept close to the buildings as I walked, looking for a good route upward. I found it about three blocks away from the Nest, at a corner that seemed to be in deeper shadow than most of the others, where the cornices of the building formed an almost perfect series of handholds. I glanced around once, making sure that no one was looking at me. Then I reached up, and started to climb.

There’s a security on the rooftops of a major city that I never feel anywhere else, a feeling like I could run forever if I had to. The city limits always loom, but no one can chase in a straight line across the slope of that much disparate architecture; there’s always a chance to double back and find another way. It would take an army to take me out when I’m that far above the street.

With no real idea of where I was going or what I was going to do when I got there, I took a long step backward, tensed, and ran.

Running helped to clear my head, allowing me to review the events of the night so far in a clearer, more rational light. Bad: Margaret Healy had seen me, and even if she didn’t know for sure who I was, she knew I was someone who wasn’t on her side. Not even an idiot could wake up facedown on the carpet of someone else’s hotel room, wrists and ankles taped together, and not realize that something was probably up. Good: even if she’d seen me, she didn’t know for sure who I was, or that I had anything to do with Dominic. She might be furious—she wouldbe furious, if she was anything like every other member of our mutual family—but she wouldn’t know where to start looking for me.

Bad: Sarah’s cover had been blown, and Gingerbread Pudding was no longer safe. Good: I’d managed to get Sunil, Rochak, and Sarah all to safety before the Covenant could reach them, and under the circumstances, that was a victory. Better yet, the Freakshow was still secure. We had options. They might not be as diverse as I would have liked them to be, but at least they existed.

Bad: Dominic was with the Covenant, at least for the moment . . . and that was good at the same time, because he’d called to warn me about Sunil and Rochak, and there’d been no ambush waiting for me. Maybe I was wrong. Maybe Margaret had just been at the Port Hope for the normal reasons, and he hadn’t betrayed us. When this was over . . . it wasn’t impossible to think that maybe when this was all over, he’d be standing with me, not against me. Covenant members had chosen to walk away from their duty before. I was living proof of that.

I was so lost in thought that I misjudged the drop as I leaped from one roof to another. I landed harder than I intended to. I caught myself with my hands before I could face-plant on the roof. The gesture cost me a lot of momentum, and rather than trying to get started again, I let myself skid to a stop, turning my feet to the side to increase my friction. Once the last of my inertia had bled off I straightened, looking around.

I was near the Freakshow, in one of those weird New York neighborhoods that mixes commercial and residential buildings in a patchwork of brownstone, concrete, and glass. I walked to the edge of the roof, looking down. There were a few people on the street, and the ubiquitous taxis slid endlessly by, but everything was silent, or as close to silent as New York ever gets. It was a real cinematic moment, the sort of thing that normally only exists in movies.

The sound of a gun being cocked somehow managed to fit right in. I stiffened. “Hello,” said Margaret from behind me, her sharp British accent somehow turning that single word into a threat. “I was wondering when you’d arrive.”

Then her gun caught me across the back of the head. I had just enough time to realize that I’d done something completely stupid—and that wasn’t like me, what the hellwas I doing?—before I fell. The last thing I heard was the sound of my own body hitting the rooftop, a heavy, wet thud, like a sack of cement being dropped. Then there was nothing.

A converted slaughterhouse in the Meatpacking District, resuming narration with the assistance of Sarah Zellaby

THE CEILING in my temporary room was water stained enough that it sort of looked like a Magic Eye puzzle, one of those pictures that’s supposed to resolve into three dimensions if you stare at it long enough. It was a far cry from the kind of hotel where I usually stayed. It was even a far cry from the Port Hope, where I could probably have found a few water stains if I’d been willing to look hard enough.

It was better than being dead. I stretched out on the air mattress with my hands folded behind my head, squinting up at the ceiling. Maybe it would be a sailboat. Or a functional solution for the Riemann Hypothesis. Either one would be fine with me.

I was starting to relax when pain flared into sudden life at the back of my skull, as intense as if I’d somehow slammed my head into the concrete floor. Only I hadn’t moved. I cried out, too startled to do anything else, and sat up, clapping a hand over the spot. The pain got worse . . .

 . . . and then it was gone, disappearing as suddenly as it had come. One second, pain, the next second, no pain. I lowered my hand slowly, waiting for the pain to come back. It didn’t. Everything was silent.

That was when I realized that the sense of Verity’s presence—a low constant, as long as we were within a few miles of each other, even if I normally couldn’t “hear” her when we weren’t in the same building—was gone. Verity?I thought, as hard as I could. At this distance, she shouldn’t have been able to answer me, but there should have been something.

There was nothing.

I staggered to my feet, trying to make sense of the silence. It was the loudest thing I’d ever heard. I’ve had family around me for as long as I can remember, people I was so telepathically attuned to that I could hear them without trying. It was disorienting, like blowing out the last candle in the middle of a blackout. It was also terrifying, because I didn’t know what it meant . . . but I suspected.

“Uncle Mike!” The words came out in a wail as I turned and bolted for the door.

The main room of the slaughterhouse was empty. I practically flew down the stairs, following the vague sense of “people this way” to the kitchen where Istas and the Madhura were sitting around a table. I grabbed the edge of the doorframe to keep myself upright, aware that I had to look half insane with worry, and not really giving a damn. “Where’s Mike?” I demanded.