Using the Search function, I quickly find the folders I want. They contain files of payoff records to various organizations and individuals. I have to make sure these are separate from the legitimate casino expenses, and Carly has briefed me on how to tell the difference. Once again, the telltale flags she mentioned are there, so I know I'm in the right place.

I unzip the pouch on my left leg calf and remove a link that I insert into the computer's floppy drive. The other end I plug into my OPSAT. A touch of a few buttons and voila--the files begin to copy onto my portable device. It takes only a minute or so.

As the OPSAT does its work, I think about Dan Lee, the Third Echelon man who was murdered in this casino three months ago. He was tracking illegal arms sales in China, and the trail led him here to Macau. The Shop, of course, are the guys doing the dealing. Before he was killed, Lee had given Lambert proof that the Tropical Casino's accounting department was being used as a front for the illegal transactions. Shutting down the Shop is one of our primary directives, and the only way to do it is to work from the outer ends of the pipelines back to the source. And there are lots of pipelines, all over the globe. Uncovering them is only half the battle. Now, with these files listing the Shop's customers in our possession, other U.S. agencies can act on closing this particular pipeline.

We still don't know exactly what happened to Dan Lee. A Chinese recruit, Lee had worked for the NSA for something like seven years. I never knew him personally--we never meet the other agents in Third Echelon--but I understand he was a stand-up guy. He did his job well and was a good man. Lambert thought that someone in the Shop had learned of his identity and lured him to the casino with information as bait. Lee never left the casino.

The OPSAT finishes the transfer just as I hear noise in the hallway outside. Shit. I pull the link out of the computer. Keys rattle in the door and I hear a voice followed by a laugh. There are two of them. I have no time to shut down the computer, but I hit the monitor's Off button.

I leap away from the desk and eye the distance to the ventilation shaft. The key turns in the lock. There's no time for that route. I scamper up a set of filing cabinets and press myself into the corner, my head against the ceiling. It's a difficult position to hold. I have to use my knee against the top of the filing cabinets to leverage myself while at the same time pushing with my arms on the two walls to anchor my body. It isn't comfortable. Just as I settle myself, the door opens. Maybe they won't notice me since I'm some four or five feet above their heads.

I recognize the first guy, the one with the keys. It's Kim Wei Lo, probably the mastermind behind the Shop's operation in Macau. He's on the wanted lists for all the three-letter agencies--you know, the CIA, the FBI, the NSA . . . When the other guy turns slightly, I make him, too. He's Chen Wong, Lo's bodyguard. Wong is a big guy, but I've seen bigger. If it came down to a face-off, I'm pretty sure I could take him.

Lo hits one of the two light switches on the wall by the door. The fluorescents directly over the desk blink on. Thank God he didn't switch on the other one. My side of the room would've been showered with illumination. At least I'm still in the shadows. If they look up and focus on the back wall, corner and ceiling, they'll see me hanging there like a spider.

The two men go to the desk and Lo says something in Chinese. I catch the word "computer," so I figure he's wondering why someone didn't shut it down for the night. It doesn't bother him too much, though. He sits at the desk and begins to work while Wong paces slowly behind him, gazing out the large glass window that overlooks the main drag cutting through this poor excuse for a city. An urban areais a more appropriate term. As it's the middle of the night, there isn't much traffic or neon lights. I hope something will mesmerize him enough that he'll keep his back to me while I wait this out.

As a precaution, though, I mentally practice drawing my Five-seveN from where I am, but, ultimately, I don't think it's possible without falling to the floor. I have a directive not to kill anyone if I don't have to. Unfortunately, I've had to disobey that directive on numerous occasions. I don't like doing it, but sometimes you gotta do what you gotta do.

It's hot in the room. They must shut off the AC at night. Or maybe it's a ruse to get gamblers to buy more drinks. I'm dying to adjust the temperature in my uniform, but I don't dare move. I can feel the sweat building underneath my headpiece, and it's starting to trickle down my face.

Shit. Wong turns and walks aimlessly around the desk and heads my way. He's drawn his own pistol--it looks like a Smith & Wesson .38 from here--and he's twirling it in his hand, Western-style. He does an abrupt turn and faces a bookshelf. As he continues to twirl the gun, Wong scans the titles of the books. I guess the guy really can read.

Lo says something and Wong grunts in reply. He doesn't walk back to the desk, though, damn it. Instead, he moves away from the books and starts ambling toward the filing cabinets. All he has to do is glance up and he'll see me for sure. The carpet must be awfully interesting, though, because he's keeping his head down. It's as if he's watching his feet as he walks.

Oh, for Christ's sake, he's standing right beneath me now. Most of my body is above the filing cabinet, but my head and shoulders extend away from the wall, flat against the ceiling. Just don't look up, you bastard.

I feel a bead of sweat run down the bridge of my nose. Aw, fuck. I can't wipe it. I can't even move. That little drop of salt water builds up on the very tip of my nose, threatening to fall right on Wong's head. My breathing stops. Time stands still.

And then the drop of sweat falls and hits his square, crew-cut head. He notices it, too. He reaches up, feels the moisture, and slowly arches his head back to look at the ceiling.

I shove off the walls and pile-drive the man to the floor. He drops his Smith & Wesson along the way. For hand-to-hand combat, I exclusively use Krav Maga, an Israeli technique that literally means "contact combat." It's not so much a self-defense martial art as it is a no-holds-barred system for survival in any situation. It combines elements of Eastern disciplines, such as karate, judo, and kung fu, with basic boxing and down-and-dirty maneuvers. It's taught and used by the Israel Defense Forces, the Israeli National and Military Police, and other anti-terror /special forces in Israel. Since its development by Imi Lichtenfeld after World War II, Krav Maga has emigrated all over the world and is now widely taught alongside other martial arts. Krav Maga isn't a competitive sport--it's a fight for your life. The whole idea is not only to defend yourself but also to do as much damage as possible to your opponent as quickly as you can.

So with Wong on the floor beneath me, I ram my forehead, goggles and all, into his face as hard as I can. He screams in agony as the edge of the goggles rips into his skin. I chop him hard in the throat for good measure, but he moves too quickly. My knuckles don't connect with his Adam's apple, so I only succeed in hurting him rather than killing him. The big guy rolls and throws me off as if I'm a blanket. In an instant we're both standing and ready for more.

By now Lo has stood and drawn a gun of his own. It's some kind of semiautomatic--I can't tell for sure what it is because things are moving way too fast. He points it at me and I reach for Wong's shirt collar. I pull him toward me, swinging his body around so he's between the desk and me. Lo's gun fires and Wong jerks as the bullet penetrates his spine and bursts out through his sternum. I feel its heat as the round whizzes past my ear and embeds itself in the wall behind me. The blood follows a split second later, splashing me in the face and chest.