“Sorry, old bean,” the voice sputtered, “I’ve taken ill. A Mr. Samuelson from our main office was in town. He’ll keep the appointment as scheduled.”

Lassiter didn’t sound anything like himself, Ho thought. Whatever he’d caught sounded serious. “He’s here now,” Ho said.

“Don’t worry, Mr. Ho,” the voice said, hacking, “he’s very knowledgeable, an expert on ancient Asian art.”

“I hope you feel better soon,” Ho said.

The sound of a phlegmy coughing fit erupted that lasted for almost a minute.

“Me, too,” the voice said, “and I hope I can view the Golden Buddha very soon.”

Ho hung up the telephone and rose to walk downstairs.

On the Oregon, the operator disconnected the line and turned to the man who had portrayed Lassiter.

“For a chef,” he said quietly, “you make a hell of a spy.”

17

WINSTON Spenser was not wired for a life of crime and deceit. At this instant, he was vomiting into the toilet in his hotel room. Someone might argue it was all the booze from the night before, but in fact it was the tension that was ripping his guts apart. The tension that comes from living a lie, from being wrapped in deceit, from doing what one knows is wrong. By now there was nothing but bile rising—any food he had ingested was long gone, any liquor left was in his pores.

Spenser reached up, grabbed a hand towel, then wiped the corners of his mouth.

Rising from the floor, he stared at his image in the mirror. His eyes were red and bloodshot and his skin pallor a ghastly gray. The tension he was feeling was revealed by the muscles in his face. They twitched and popped like a kernel of popcorn in a sizzling pan. He reached up to dab a tear from the corner of his left eye, but his hand was shaking. He supported one hand with the other and finished the task. Then he climbed into the shower to try and sweat out the fear.

RICHARD Truitt stood in the living room, waiting. He stared around the room and tried to form a picture of his target. If Truitt was to guess, he figured the man who resided here was self-made and had only recently become affluent. He based this judgment on the furnishings and general décor. The pieces in the room were expensive enough, they just had no soul. And they were arranged in a fashion favoring flash over comfort. The possessions of old money always contained a story—the story Truitt was seeing was of objects bought in bulk to fill a space and give a picture of the occupant that was neither real nor imaginative.

There was a stuffed lion, but Truitt doubted the owner had stalked and shot the animal himself. A few paintings from contemporary artists like Picasso, but the paintings were far from the artists’ best works. Truitt imagined they had been bought for image value. Guests without foundation or substance would be rightly impressed. An ancient coat of armor that to Truitt’s eye appeared to be a reproduction…a French Louis XVI–style couch that looked about as comfortable to sit on as a bed of nails.

“Mr. Samuelson,” a voice said from the staircase.

Truitt turned to see who was speaking.

The man was small. Five and a half feet tall and slight of build. His hair was jet black and styled like a 1970s California hustler. The mouth was small, with teeth that held a certain feral rage. Although Truitt imagined the man was smiling to be friendly, the effect from his grin made Truitt want to reach for his wallet to see if it was safe.

“I’m Stanley Ho,” the man said, reaching the bottom of the stairs and extending his hand.

The stage was set and Truitt became the actor.

“Paul Samuelson,” he said, extending a slightly limp wrist for a handshake. “The home office asked me to take over for Mr. Lassiter, who has unfortunately been stricken with a bug.”

Truitt’s version of Samuelson was coming across as a light-in-the-loafers Michael Caine.

“I trust you’re familiar with this type of sculpture?”

“Oh, yes,” Truitt gushed. “I did graduate studies in Asian art. It’s one of my favorite forms.”

Ho motioned to the stairs, then led the way up. “The object is known as the Golden Buddha. Are you in any way familiar with the piece?”

They rounded the first leg of the stairs and crossed the landing to the second flight.

“I’m afraid not,” Truitt said breathlessly. “Has it ever been displayed?”

“No,” Ho said quickly. “It has been part of a private collection for decades.”

“Then I shall examine it with an eye for comparison to the other pieces I am familiar with.”

They had exited the second flight and were winding their way around to the last set of stairs.

“You have a beautiful home,” Truitt lied. “The staircases are mahogany, are they not?”

“Yes,” Ho said, pausing at the door to his office to scan a card that unlocked the door. “From Brazil and hand fitted without nails or screws.”

Ho opened the door and stepped aside.

“How lovely,” Truitt said. He stared across the office to where the Golden Buddha sat. “But nowhere near as lovely as this.”

Truitt walked over to the Buddha, followed by Ho.

“Magnificent,” Truitt said easily. “May I touch it?”

“Please,” Ho said.

The insurance adjuster was acting just as Ho had hoped. Equal parts respect and sublimation. There was a good chance the appraisal would be in his favor. If it was not to his liking, Ho was sure he could bully the agent into capitulation.

Truitt rubbed his hand over the face of Buddha, then stared into the jeweled eyes. “Might I ask some about the history?”

“He’s from the thirteenth century and from Indochina,” Ho said.

Truitt opened a small leather clutch he had been holding and removed a jeweler’s eyepiece. He placed it over one eye and examined the stones. “Exquisite.”

Ho watched as the adjuster examined the Buddha from head to toe. The man seemed competent, so he decided to ask him about the secret storage compartment. “I had a historian dig into it a little and he mentioned that some of these pieces contained an inner chamber.”

“The part of Buddha where there is no ego,” Truitt said quickly, “the void.”

“Then you are familiar with the idea?” Ho said.

“Oh, yes,” Truitt said. He was glad the Corporation had seen fit to provide him with a report on ancient Asian art. The “void” had been part of the study.

“I can’t seem to find one on this piece.”

“Let’s look closer,” Truitt said.

The two men spent the next twenty minutes carefully examining the object, but no secret compartment was found. Truitt decided to use the revelation to his favor.

“Shall we sit for a bit?” he asked Ho.

The men took seats around Ho’s desk.

“What value do you have in mind,” Truitt said, “that you would like our company to underwrite?”

“I was thinking in the neighborhood of two hundred million,” Ho said.

“That’s an expensive neighborhood,” Truitt said, smiling.

Leaning forward, he spilled the contents of his leather clutch on the floor. Scooping down to pick up the contents, he attached a small bug to the bottom of Ho’s desk.

“Silly me,” he said after the bug was attached and the bag placed back on his lap.

“What do you think is the value?” Ho asked.

“The absence of the secret compartment actually adds to the rarity of the piece,” Truitt lied. “It places the age at least a few decades before what I had estimated. The voids date from the twelfth century and later. You may have something here that defies accurate pricing.”

Ho smiled his feral smile. He loved it when he bested someone in a deal, and he was beginning to think he’d outsmarted some of the wisest art collectors in the world. At first, the $200 million he’d paid had seemed like a king’s ransom—now it was looking like he’d bought cheap.