“That’s right; now let’s have a look at you,” he said. “T-T-T-T-T-T. Very bad, very bad; a serious case.”

The dusty wagon was lined with shelves full of curious boxes and jars of a kind found in old apothecary shops. It looked as though it hadn’t been swept out in years. Bits and pieces of equipment lay strewn all over the floor, and at the rear was a heavy wooden table covered with books, bottles, and bric-a-brac.

“Have you ever heard a blindfolded octopus unwrap a cellophane-covered bathtub?” he inquired again as the air was filled with a loud, crinkling, snapping sound.

Sitting at the table, busily mixing and measuring, was the man who had invited them in. He was wearing a long white coat with a stethoscope around his neck and a small round mirror attached to his forehead, and the only really noticeable things about him were his tiny mustache and his enormous ears, each of which was fully as large as his head.

“Are you a doctor?” asked Milo, trying to feel as well as possible.

“I am KAKOFONOUS A. DISCHORD, DOCTOR OF DISSONANCE,” roared the man, and, as he spoke, several small explosions and a grinding crash were heard.

“What does the ‘A’ stand for?” stammered the nervous bug, too frightened to move.

bellowed the doctor, and two screeches and a bump accompanied his response. “Now, step a little closer and stick out your tongues.”

“Just as I suspected,” he continued, opening a large dusty book and thumbing through the pages. “You’re suffering from a severe lack of noise.”

He began to jump around the wagon, snatching bottles from the shelves until he had a large assortment in various colors and sizes collected at one end of the table. All were neatly labeled: Loud Cries, Soft Cries, Bangs, Bongs, Smashes, Crashes, Swishes, Swooshes, Snaps and Crackles, Whistles and Gongs, Squeaks, Squawks, and Miscellaneous Uproar. After pouring a little of each into a large glass beaker, he stirred the mixture thoroughly with a wooden spoon, watching intently as it smoked and steamed and boiled and bubbled.

“Be ready in just a moment,” he explained, rubbing his hands.

Milo had never seen such unpleasant-looking medicine and wasn’t at all anxious to try any. “Just what kind of a doctor are you?” he asked suspiciously.

“Well, you might say I’m a specialist,” said the doctor. “I specialize in noise—all kinds—from the loudest to the softest, and from the slightly annoying to the terribly unpleasant. For instance, have you ever heard a square-wheeled steam roller ride over a street full of hard-boiled eggs?” he asked, and, as he did, all that could be heard were loud crunching sounds.

“But who would want all those terrible noises?” asked Milo, holding his ears.

“Everybody does,” said the surprised doctor; “they’re very popular today. Why, I’m kept so busy I can hardly fill the orders for noise pills, racket lotion, clamor salve, and hubbub tonic. That’s all people seem to want these days.”

He stirred the beaker of liquid a few more times and then, as the steam cleared, continued:

“Business wasn’t always so good. Years ago, everyone wanted pleasant sounds and, except for a few orders during wars and earthquakes, things were very bad. But then the big cities were built and there was a great need for honking horns, screeching trains, clanging bells, deafening shouts, piercing shrieks, gurgling drains, and all the rest of those wonderfully unpleasant sounds we use so much of today. Without them people would be very unhappy, so I make sure that they get as much as they want. Why, if you take a little of my medicine every day, you’ll never have to hear a beautiful sound again. Here, try some.”

“If it’s all the same to you, I’d rather not,” said the Humbug, backing away to the far corner of the wagon.

“I don’t want to be cured of beautiful sounds,” insisted Milo.

“Besides,” growled Tock, who decided that he didn’t much like Dr. Dischord, “there is no such illness as lack of noise.”

“Of course not,” replied the doctor, pouring himself a small glass of the liquid; “that’s what makes it so difficult to cure. I only treat illnesses that don’t exist: that way, if I can’t cure them, there’s no harm done—just one of the precautions of the trade,” he concluded, and, seeing that no one was about to take his medicine, he again reached toward the shelf, removed a dark-amber bottle, dusted it carefully, and placed it on the table in front of him.

“Very well, if you want to go all through life suffering from a noise deficiency, I’ll give it all to the DYNNE for his lunch,” he said, and he uncorked the bottle with a hollow-sounding pop.

For a moment everything was quiet as Milo, Tock, and the Humbug looked intently at the bottle, wondering what Dr. Dischord would do next. Then, very faintly at first, they heard a low rumbling that sounded miles away. It grew louder and louder and louder and closer and closer and closer until it became a deafening, ear-splitting roar that seemed to be coming from inside the tiny bottle. Then, from the bottle, a thick bluish smog spiraled to the ceiling, spread out, and gradually assumed the shape of a thick bluish smog with hands, feet, bright-yellow eyes, and a large frowning mouth. As soon as the smog had gotten completely out of the bottle it grasped the beaker of liquid, tilted back what would have been its head, if it really had one, and drank it all in three gulps.

“A-H-H-H, THAT WAS GOOD, MASTER,” he bellowed, shaking the whole wagon. “I thought you’d never let me out. Terribly cramped in there.”

“This is my assistant, the awful DYNNE,” said Dr. Dischord. “You must forgive his appearance, for he really doesn’t have any. You see, he is an orphan whom I raised myself without benefit of governess or any other assistance for——”

“No nurse is good nurse,” interrupted the DYNNE, doubling up with laughter (if you can imagine a thick bluish smog doubling up with laughter).

“For I found him,” continued the doctor, ignoring this outburst, “living alone and unwanted in an abandoned soda bottle—without family or relatives——”

“No niece is good niece,” roared the DYNNE again, with a laugh that sounded like several sirens going off at once, and he slapped at where his knee should have been.

“And brought him here,” continued the exasperated Dischord, “where, despite his lack of shape or features, I trained——”

“No nose is good nose,” thundered the DYNNE once again as he collapsed in another fit of hysterics and clutched his sides.

“I trained him as my assistant in the business of concocting and dispensing noise,” finished the doctor, mopping his brow with a handkerchief.

“No noise is good noise,” exclaimed the Humbug happily, trying to catch the spirit of things.

“THAT’S NOT FUNNY AT ALL,” sobbed the DYNNE, who went to a corner and sulked.

“What is a DYNNE?” asked Milo when he had recovered from the shock of seeing him appear.

“You mean you’ve never met the awful DYNNE before?” said Dr. Dischord in a surprised tone. “Why, I thought everyone had. When you’re playing in your room and making a great amount of noise, what do they tell you to stop?”

“That awful din,” admitted Milo.

“When the neighbors are playing their radio too loud, late at night, what do you wish they’d turn down?”

“That awful din,” answered Tock.

“When the street on your block is being repaired and the pneumatic drills are working all day, what does everyone complain of?”

“The dreadful row,” volunteered the Humbug brightly.

“The dreadful RAUW,” cried the anguished DYNNE, “was my grandfather. He perished in the great silence epidemic of 1712.”

Milo felt so sorry for the unhappy DYNNE that he gave him his handkerchief, which was immediately covered in bluish smoggy tears.