In life she had been a cheerfully pretty girl who had missed the turn to beauty somewhere (perhaps by inches), not through any lack in her features but—just possibly—because her life had been so calm and unremarkable. But now she had achieved beauty. Dark beauty.

Death had not put its mark on her. Her face was blushed with color, and her lips, innocent of makeup, were a deep and glowing red. Her forehead was pale but flawless, the skin like cream. Her eyes were closed, and the dark lashes lay sootily against her cheeks. One hand was curled at her side, and the other was thrown lightly across her waist. Yet the total impression was not of angelic loveliness but a cold, disconnected beauty. Something in her face—not stated but hinted at—made Jimmy think of the young Saigon girls, some not yet thirteen, who would kneel before soldiers in the alleys behind the bars, not for the first time or the hundredth. Yet with those girls, the corruption hadn’t been evil but only a knowledge of the world that had come too soon. The change in Susan’s face was quite different—but he could not have said just how.

Now Callahan stepped forward and pressed his fingers against the springiness of her left breast. “Here,” he said. “The heart.”

“No,” Ben repeated. “I can’t.”

“Be her lover,” Father Callahan said softly. “Better, be her husband. You won’t hurt her, Ben. You’ll free her. The only one hurt will be you.”

Ben looked at him dumbly. Mark had taken the stake from Jimmy’s black bag and held it out wordlessly. Ben took it in a hand that seemed to stretch out for miles.

If I don’t think about it when I do it, then maybe—

But it would be impossible not to think about it. And suddenly a line came to him from Dracula, that amusing bit of fiction that no longer amused him in the slightest. It was Van Helsing’s speech to Arthur Holmwood when Arthur had been faced with this same dreadful task: We must go through bitter waters before we reach the sweet.

Could there be sweetness for any of them, ever again?

“Take it away!” he groaned. “Don’t make me do this—”

No answer.

He felt a cold, sick sweat spring out on his brow, his cheeks, his forearms. The stake that had been a simple baseball bat four hours before seemed infused with eerie heaviness, as if invisible yet titanic lines of force had converged on it.

He lifted the stake and pressed it against her left breast, just above the last fastened button of her blouse. The point made a dimple in her flesh, and he felt the side of his mouth begin to twitch in an uncontrollable tic.

“She’s not dead,” he said. His voice was hoarse and thick. It was his last line of defense.

“No,” Jimmy said implacably. “She’s Undead, Ben.” He had shown them; had wrapped the blood-pressure cuff around her still arm and pumped it. The reading had been 00/00. He had put his stethoscope on her chest, and each of them had listened to the silence inside her.

Something was put into Ben’s other hand—years later he still did not remember which of them had put it there. The hammer. The Craftsman hammer with the rubber perforated grip. The head glimmered in the flashlight’s glow.

“Do it quickly,” Callahan said, “and go out into the daylight. We’ll do the rest.”

We must go through bitter waters before we reach the sweet.

“God forgive me,” Ben whispered.

He raised the hammer and brought it down.

The hammer struck the top of the stake squarely, and the gelatinous tremor that vibrated up the length of ash would haunt him forever in his dreams. Her eyes flew open, wide and blue, as if from the very force of the blow. Blood gushed upward from the stake’s point of entry in a bright and astonishing flood, splashing his hands, his shirt, his cheeks. In an instant the cellar was filled with its hot, coppery odor.

She writhed on the table. Her hands came up and beat madly at the air like birds. Her feet thumped an aimless, rattling tattoo on the wood of the platform. Her mouth yawned open, revealing shocking, wolflike fangs, and she began to peal forth shriek after shriek, like hell’s clarion. Blood gushed from the corners of her mouth in freshets.

The hammer rose and fell: again…again…again.

Ben’s brain was filled with the shrieks of large black crows. It whirled with awful, unremembered images. His hands were scarlet, the stake was scarlet, the remorselessly rising and falling hammer was scarlet. In Jimmy’s trembling hands the flashlight became stroboscopic, illuminating Susan’s crazed, lashing face in spurts and flashes. Her teeth sheared through the flesh of her lips, tearing them to ribbons. Blood splattered across the fresh linen sheet which Jimmy had so neatly turned back, making patterns like Chinese ideograms.

And then, suddenly, her back arched like a bow, and her mouth stretched open until it seemed her jaws must break. A huge explosion of darker blood issued forth from the wound the stake had made—almost black in this chancy, lunatic light: heart’s blood. The scream that welled from the sounding chamber of that gaping mouth came from all the subcellars of deepest race memory and beyond that, to the moist darknesses of the human soul. Blood suddenly boiled from her mouth and nose in a tide…and something else. In the faint light it was only a suggestion, a shadow, of something leaping up and out, cheated and ruined. It merged with the darkness and was gone.

She settled back, her mouth relaxing, closing. The mangled lips parted in a last, susurrating pulse of air. For a moment the eyelids fluttered and Ben saw, or fancied he saw, the Susan he had met in the park, reading his book.

It was done.

He backed away, dropping the hammer, holding his hands out before him, a terrified conductor whose symphony has run riot.

Callahan put a hand on his shoulder. “Ben—”

He fled.

He stumbled going up the stairs, fell, and crawled toward the light at the top. Childhood horror and adult horror had merged. If he looked over his shoulder, he would see Hubie Marsten (or perhaps Straker) only a hand’s breadth behind, grinning out of his puffed and greenish face, the rope embedded deep into his neck—the grin revealing fangs instead of teeth. He screamed once, miserably.

Dimly, he heard Callahan cry out, “No, let him go—”

He burst through the kitchen and out the back door. The back porch steps were gone under his feet and he pitched headlong into the dirt. He got to his knees, crawled, got to his feet, and cast a glance behind him.

Nothing.

The house loomed without purpose, the last of its evil stolen away. It was just a house again.

Ben Mears stood in the great silence of the weed-choked backyard, his head thrown back, breathing in great white snuffles of air.

 

SIXTEEN

 

In the fall, night comes like this in the Lot:

The sun loses its thin grip on the air first, turning it cold, making it remember that winter is coming and winter will be long. Thin clouds form, and the shadows lengthen out. They have no breadth, as summer shadows have; there are no leaves on the trees or fat clouds in the sky to make them thick. They are gaunt, mean shadows that bite the ground like teeth.

As the sun nears the horizon, its benevolent yellow begins to deepen, to become infected, until it glares an angry inflamed orange. It throws a variegated glow over the horizon—a cloud-congested caul that is alternately red, orange, vermilion, purple. Sometimes the clouds break apart in great, slow rafts, letting through beams of innocent yellow sunlight that are bitterly nostalgic for the summer that has gone by.

This is six o’clock, the supper hour (in the Lot, dinner is eaten at noon and the lunch buckets that men grab from counters before going out the door are known as dinner pails). Mabel Werts, the unhealthy fat of old age hanging doughily on her bones, is sitting down to a broiled breast of chicken and a cup of Lipton tea, the phone by her elbow. In Eva’s the men are getting together whatever they have to get together: TV dinners, canned corned beef, canned beans which are woefully unlike the beans their mothers used to bake all Saturday morning and afternoon years ago, spaghetti dinners, or reheated hamburgers picked up at the Falmouth McDonald’s on the way home from work. Eva sits at the table in the front room, irritably playing gin rummy with Grover Verrill, and snapping at the others to wipe up their grease and to stop that damn slopping around. They cannot remember ever having seen her this way, cat-nervous and feisty. But they know what the matter is, even if she does not.


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