He forced out the single syllable, thwarted longing shaping it to a groan: "No!"

"Thou canst not mean no." Tears filled those huge, wondrous, violet eyes, filled and overflowed; the beautiful head bowed, shoulders heaving with sobs. "Oh, thou wilt not leave me forlorn!"

Guilt seized him, and shame at making a woman weep; pity filled him, and he reached out to gather her close, to comfort her, to press her to him in the golden rays of the setting sun that seemed to set both of them aflame with desire, gilding the huge expanse of snowy feather bed, and he felt his need for her rising, filling him, a physical pain within him.

But the thought of pain reminded him of the tapestries. Out of the corner of his eye he glanced at them, and recoiled with a gasp of horror.

Suddenly, the tapestries were gone, and the cobwebbed walls were all that were there behind the naked hag who stood before him, screaming, "Fool!" Oblivious of her nudity, she howled, "Villain! Vile miscreant! Travesty of a man! If thou wilt not take what is offered thee, become what thou art-the lowest of the low!" Her hands snapped out; he felt her will compelling his own as her eyes seemed to swell, swallowing him, dragging him into the dreadful, bloodshot, yellow gleam, and he felt himself dwindling, growing slack, falling to his knees, till he writhed on the floor.

"Be the serpent thou art," she hissed, malicious satisfaction in her eyes, "and shalt be evermore. "

He strained against the compulsion, but again, the touch of an expert had bound him, constrained him; he knew she had only convinced him he was a snake, that physically he was still every bit the man he had been-but his subconcious knew differently. It was now convinced of his snakehood as completely as it had once been certain of his humanity; she had bound him within his own skull, far more expertly than anyone he had ever met, and he could no more throw off that conviction than he could leap to the moon unaided.

"Away," she hissed, lips curving with cruel satisfaction, and he felt himself rising, lifting, up off the floor and to the stairwell. He writhed and strained against the compulsionbut only felt his body whipping about like a snake's. She crowed with delight, and followed him down the spiral stair-down, down, and down, then out into the dusk, for night was falling again.

A hundred yards from her tower, he felt his body drift to the ground at the foot of a huge old oak-and, suddenly, whip itself about, curving against the bark.

"There shalt thou stay," the hag grated, "warding that tree from harm, till death take thee-and thy bones shall assure all who come nigh that they must do the bidding of the Hag of the Tower!"

She turned away, and Magnus stared after, at the sagging, mottled flesh and gaunt shanks, realizing that the musicrock's song had been a warning, that he should have heeded it more closely. . . .

How had it ended?

He strove to remember, but had only a fleeting notion that the youth had escaped the fate the witch had bound him toand he had the vagrant dread that if he looked, he might find the skeletons of other young men bound around tree trunks nearby. The music, he thought desperately-maybe the song would tell him the means of escape! He listened, yearning, but the only sound was the wind. Even the birds would not sing so close to the witch's lair; no doubt they shied away from the miasma of her malice. And certainly the musicrocks had been stilled by her rage.

Magnus slithered against the bark of the tree, knowing for the first time in his life what was meant by the word "despair."

At sunset, Rod came to a village in a small valley. Smoke from cook-fires drifted up into a clear sky; peasant men were making their way out into the fields, sickles in their hands, to gather in the last of the crop.

It was very quiet.

Rod frowned; this was wrong. Peasant farm laborers should have been singing as they went out to the fields, as they did in the rest of Gramarye. Granted, it was chill in autumn; their breath steamed, and they wore heavy woolen tunics; but even so, the peasants of Gramarye laughed and jested as they went to their work, and sang as they reaped. Their wives sang, too, as they went about their work-and the children chanted rhymes over their games.

But no one sang in this town.

Rod looked up at the sun, and saw the silhouette of a dark tower against it, at the top of a ridge. The local lordling? A tyrant, crueler than most? Could that be the cause of the silence?

One way to find out. He rode down into the town.

The peasants drew back at sight of him, and the whisper ran. "A knight! A knight!"

Rod frowned. Was a knight so strange a sight here? Well, he'd have to ask. But as he rode toward a housewife, she looked up in alarm, called her children to her, and shooed them into the house.

Well! Rod had heard of peasant mothers telling their nubile daughters to turn their faces to the wall when the gentlemen passed by-but not their toddlers! He turned to an old man who was shuffling along the single street. "Good day, gaffer!"

The man looked up at him warily. "What wouldst thou wi' me, sir knight?"

"Am I so strange a sight? Are knights so rare here?"

The old man launched into a windy and elaborate answer obviously disguised to hide the facts, but Rod was adept at extracting sense from circumlocutions, and ascertained that yes, knights were that rare-even the local baron visited only once a year, with all his men. Otherwise, he stayed away, for fear of the witch in the tower, and his bailiff came with a very strong guard only once a month. Other than that, there were never any knights who came this way, except for the very occasional wanderer who rode on up the trail to the tower-and was never seen again.

Rod frowned. "What's so bad about this witch? Is she that cruel?"

The old man explained that, yes, she was, and went on in some detail. When he was done, Rod rode on up the trail in his own turn, face set in very grim lines, resolved to rid the peasants of the hag's tyranny-and very much afraid for his son.

What do you do when you're a snake?

Of course, Magnus's options were rather limited-he was bound to the tree by the same sort of subconscious compulsion that had him convinced he was a serpent. If he tried to slither away, he found himself moving counterclockwise, around the base of the trunk-and if he wanted to move clockwise, he had to squirm backwards. It struck him as ominous that the only direction he could go, forward, was widdershins, opposite to the direction of the sun's path; surely that was strengthening the spell, driving it deeper into his subconscious by use of a direction associated with magic.

In a word, he was stuck. What had he done to deserve it? Nothing, except dream about women-and refuse the blandishments of a female. He had taken no action to hurt her; he had only preserved his own integrity, and kept himself from being used and eventually degraded (if the tapestry was any guide to her future plans) by saying "no."

How to escape?

He couldn't think of any way out except-and it galled him to admit it---to call for help. If anyone could help him, which for some reason, he doubted. Probably a subconscious command the witch had left-but there it was.

Still, it was worth a try. Who could he call? His mother and father, of course, but he winced at the indignity of calling on his mother at his age. And it would be just as bad calling his teenaged brothers, and Cordelia would be impossible; he could do without their laughter, thank you. Which left Dad.

That, he definitely did not want to do-not after having quarreled with him, and been told to get lost. But there was no alternative-Dad was better than his mother or siblings. Of course, there was Fess.