Could one be sure of these peasants, even now? Yet Ramage had to take a risk, otherwise this polite talk would go on all night

'Nino, I think you are a man of honour. Allora, I will be honest with you because I trust you. If you cannot help, I ask only that you do not betray me. My Admiral has sent me not to kill people, not to destroy lives, but to save them.'

The two brothers were watching him, listening carefully and patiently. He found himself using his hands to emphasize words: strange how difficult it was to speak Italian without gesticulating.

The candle flickered because the sacking normally covering the tiny window had been drawn back to let some air in. Not sufficient, God knows, to get rid of the stench of goat, wine, urine, sweat and cheese, but enough to make the flame dance. The shadows it threw across the brothers' faces, and their natural peasant impassiveness, made it hard to guess their thoughts.

'My Admiral told me' (the exaggeration was permissible, Ramage thought) 'that at least five nobles escaped to here when the French entered Leghorn. My Admiral also told me there was a lady among them; a famous lady, a lady who would know about such things as alabaster...'

He paused, wondering if the two men knew of the alabaster mines at Volterra and would therefore guess he was referring to the Marchesa. If they did, then he'd soon gain their confidence.

Nino gave a nod which implied that although he agreed there might be a lady who knew about alabaster, it did not mean he knew her.

'Nino, I will be frank: there is no reason why you should trust me, so I won't ask you to take me to these people....'

‘Where is the Commandante's ship?'

'Out there,' said Ramage, pointing seaward, ‘beyond the reach of prying French eyes.'

"You landed by boat?'

‘Yes.'

'The Commandante’s hair is matted with dried blood, or something similar.'

'It is dried blood: we had a battle and I was wounded by the French.'

'Would you like my wife to make a poultice for it, Commandante?'

'No,' said Ramage rather too hastily for politeness. 'No, thank you: there is no need: it heals itself well. Now,' he said, indicating he assumed they were satisfied, 'as I said, I do not ask you to take me to these people; only that you take a message.'

'If it was possible that we could help the Commandante by taking a message to someone he wished to receive a message,' Nino said guardedly, speaking formally and still not admitting he knew anything, 'it would have need to be in Italian.'

'Of course,' Ramage replied, adopting Nino's roundabout manner. 'The message I have in mind would be to a lady who knew about alabaster, telling her the English have arrived to take her and her friends on a voyage. And to reassure this lady - so that she can identify the English officer - tell her that when he was a boy she made him recite Dante in Italian, and she was angry with him because of his bad accent. And she said to this boy, that of all Dante wrote, to remember specially one line: "L'amor che muove il sole e l’altre stelle" - 'The love that moves the sun and the other stars".'

Nino repeated the phrase. 'Did this man Dante write that?'

Ramage nodded.

'It is beautiful,' said the brother, speaking for the first time. 'But why was the lady angry because of your accent, Commandante? You pronounce it as if you were a real Tuscan.'

'Now I do, but then I was a small boy; still learning the language in fact'

'This message, Commandante. Supposing it could be delivered: where would you like to wait?'

'Where you wish. My sword - that is outside, and you may take it, and that of my attendant, and hide them where you wish.'

Nino stood up as if he had decided what he must do.

'Commandante, you and your attendant are tired. Perhaps you would care to sleep here—' he waved towards the mattresses. 'In the meantime, I have some work to do. My brother has no work, so he will stay here.'

Ramage and Jackson stretched out on one mattress. The old woman whimpered - her eyes were watery, and she had long since ceased to do anything with her life but eat and sleep. The wife whispered something reassuring.

The brother put the candle in a corner behind a box, and draped a jacket round it to hide most of the light. Ramage suddenly realized how tired he was, and the cut in his head was throbbing. Just before he slid into a deep sleep he felt a spasm of fear: he had trusted the peasants, but would the next bang on the door herald the arrival of real French troops?

‘Commandante! Commandante!' Someone was shaking him. In an instant - thanks to many years' training and several scares in the past couple of days - he was wide awake and felt Jackson spring up beside him. It took a moment to realize where he was, but the inside of the tiny hut quickly came into focus. Strange shadows chased each other across the walls as the candle Nino held in his hand wobbled slightly.

'Oh - Nino, all goes well?*

'No, Commandante - at least, not entirely so.'

‘Why is that?'

‘We have to move from here.'

‘Why - are the French coming?'

‘No, Commandante; but it will be more convenient for us to talk elsewhere.'

'Where do we go?'

'To a place near here.'

Was it a trap? Ramage decided not, since the Italian could have brought back French soldiers who would have seized them as they slept. There was no choice; he would have to go with Nino. Perhaps Nino was going to take them to the refugees...

He and Jackson followed the two brothers along a track which, from the stars, Ramage could see ran almost parallel with the coast. After about fifteen minutes, through a break in the bushes, he could see they had been skirting Lake Burano only a few yards away on the right, and the Tower was just ahead. He quickly slipped his knife, hilt first, up his sleeve.

The moon had moved round far enough to leave the nearest side of the Tower in deep shadow, and it looked so menacing that Ramage could not repress a shiver.

Soon they were beside the Tower and Ramage looked up at it. Curious how the walls sloped in to the bottom of the embrasures and then out again. He leaned against the wall, looked up and saw the reason: slots cut under the embrasures, out of sight until you were right below the wall, allowed the defenders to shoot down vertically while still protected by the parapet.

The entrance was a door almost halfway up the north wall, but the stone steps did not reach the Tower: between the wall and the structure of the steps was a gap eight feet wide, spanned by a temporary wooden platform, like a drawbridge. In case of attack the defenders merely had to remove the platform and no one could reach the door.

As he started climbing the steps he saw the two brothers waiting for him at the top. They must have gone ahead. The wooden platform creaked as he stepped on it - he noted that the noise would give him a useful warning of intruders.

'After you,' he said to Nino, disguising his wariness with politeness.

'Certainly, Commandante,' the Italian said, as if he understood Ramage's caution. Wait while I light a candle.'

As soon as the light began to flicker, Ramage walked inside, The room was huge, like a cavern, occupying the whole length and width of the Tower. Overhead the domed ceiling was at least twenty feet high. He looked round for the staircase leading to the roof, but there was none: only a small door in the wall on his left - the wall facing the lake. Presumably it led to the staircase, so the wall must be double.

Nino put the candle on a small table, which, with a chair, was the only furniture in the room. Ramage saw a large fireplace just to the left of the entrance door and went over to it. There were some pieces of charcoal in the hearth, but, judging from the cobwebs hanging down like miniature fishing nets, it had not been used for a long time.