"He reacted when I asked him about Johnny Dread. He was surprised." Something else was bothering her too, some detail, maddeningly out of reach.

"Well, the man is officially dead. Might be reason for surprise, being questioned about someone you thought was dead."

"Might be. But there was something weird about his reaction. Maybe he's heard something on the street."

"Maybe won't get us over the hump, Skouros. What next? Charming as it may be, we're running out of street culture to investigate."

Calliope shook her head, perplexed and distressed and, with the caffeine finally drained out of her system and nothing gone in to replace it, feeling generally pretty godawful.

Sleeplessly out of skew, she sat on the couch and accessed the interview from the department system to run it on her wallscreen. She had decided for her own good to stay away from Bondi Baby. It wasn't even so much the near-obsessive interest in the waitress Elisabetta, but the fact that she had realized she was actually beginning to look forward to the gooey desserts the place served.

Not going to lose any weight that way, Skouros, she told herself. Better to stay home. She hadn't shopped in days, so there was little except crispbread to imperil her determination. She watched the questioning all the way through, then jumped back to the spot where she had first mentioned their quarry's name.

"You talking about John More Dread?" 3Big said, then said it yet again as Calliope backed up and played it over ". . . Talking about Dread?"

That's it, she thought. John More Dread. Haven't heard that one before. But why should one more alias—for a suspect who already had many—catch in her thoughts this way, like a splinter working its way under the skin? More Dread. More Dread. Where have I heard that before?

The thought of the photo taken at Feverbrook Hospital drifted back to her, the blur of dark presence, the formless, smoky face.

3Big Pike said a ghost. If there's anyone who'd come back as a ghost. . . .

She closed her eyes and opened them, trying to use the familiarity of her apartment to push back the feeling of being watched. Of being haunted.

She was back on the balcony again. The tower drew her as though she were a moth and its black immensity some kind of inverse light. Even now, with the voices gone, when she was somehow farther from it than she'd been even back in Juniper Bay, she could not ignore it.

A sparkle of red signal lights ringed the top like a crown of embers, and on the uppermost floors a few windows glowed, illuminated singly or in small clusters. Otherwise, it was only visible against the night sky because of the searchlights that swept across the empty parking lot, glancing off the shiny, irregular exterior as they tracked across the rows of painted stalls.

The voices were gone. The children were gone. Were they one and the same? Olga Pirofsky had been immersed in the dreamy unreality of her southward journey for so long that she could not quite remember. She was exhausted, too. The nights when the children had pulled her and hurried her, whispering their lives into her dreaming ear, had somehow been far more restful than the dead black hours she had experienced after they had fallen silent. Now she woke each day slow-thinking and hollow, feeling like a helium balloon that had finally leaked the last of its buoyancy and could only roll along the carpet, sagging, useless.

So what now? she asked herself. She could not pull her eyes from the tower, the center of its own dark kingdom. Go home? Kill yourself?

But she had no home anymore. Misha was gone, and Juniper Bay seemed like another planet—like the circus, like the dear, sweet murdered days when she had still been with Aleksandr. And she had pushed away those who might have helped her, Roland McDaniel and her other few friends from work, that nice lawyer Mr. Ramsey. There was nothing left for her but silence.

The voices had brought her practically to the foot of this dreadful black mountain before deserting her. Somehow it was all tangled together—the children, the tower, and the grinning, corpse-white features of Uncle Jingle, the mask she herself had worn so long she wondered if it had not somehow shaped the face beneath.

She opened her pad and sat down at the tiny pressboard motel desk. She found her gaze repeatedly swinging to the window, and at last clapped her hands to close the drapes, unable to think with the distraction of that dark warning finger.

Tired, but happy to have made a decision, Olga began to write her open-ended suicide note.

NETFEED/NEWS: Another Rocket Board Fatality Raises Concerns

(visual: kids practicing at Skate Sphere facility, Clissold Park, London)

VO: Another in a string of tragedies involving rocket boards has led members in Britain's House of Parliament to consider a ban on what one member called "a ridiculously dangerous vehicle." But most board users do not agree there is a problem.

(visual: Aloysius Kenneally, age sixteen, in front of Bored! store, Stoke Newington)

KENNEALLY: "It's utterly down the rug. Most all them who blowing up, they like forty-year-old bizboys, seen? Go out on a weekend, ripscrape, crash some wrinkly shopper, dovetail into a hover bus fan. Don't down the rest of us 'cause some bizboy shouldn't even be riding hammers a micro. . . ."

It was like a horror flick, but worse, because it was really happening.

Tiny human shapes quailed before a vast and monstrous thing—a whip scorpion, Kunohara had called it. Paul could see Martine and her miniaturized companions huddled deep in the underside folds of a great leaf that shuddered over their heads as rain thumped down like bombs. He reached out, but it was only a view-window—he could do nothing to help them. The whip scorpion took a step closer, slouching in the cradle of its towering, jointed legs. A slender feeler like a stiffened riding crop reached out toward them—slowly, almost tenderly.

"You destroyed those mutants," Paul shouted. "Why can't you save my friends?"

"The mutants did not belong here. There is nothing wrong with the scorpion." Hideki Kunohara almost sounded offended. "It is only following its nature."

"If you won't help them, then send me. At least let me go to them."

Kunohara regarded him with oblique disapproval. "You will be killed."

"I have to try."

"You scarcely know those people—you told me so yourself."

Tears started in Paul's eyes. Anger expanded like steam, threatening to blow off the top of his head. Dimly, he could hear the threadlike shrieks of Martine and the others as the monstrous scorpion levered itself nearer. "You don't understand anything. I've been lost—months, maybe years. Alone! I thought I was out of my mind. They're all I have!"

Kunohara shrugged, then raised his hand. An instant later the bubble, the view-window, and Kunohara's stolid face all vanished, replaced by a scene of terrifying strangeness.

He was somewhere on the forest floor, trunks of mountainous trees stretching up all around him into the night, so large as to be almost invisible. Rain hissed and thudded all around, drops big as rubbish bins, some even the size of small cars; when they smashed against the mulch of the forest floor, everything jumped.

Paul had a sudden and horrifying recollection of the trenches of Amiens, cowering under the impersonal destruction of the German heavy guns; lightning flashed as if to further the illusion, dazzlingly bright as a phosphorus flare. Something moved on his right with a loud leathery creak he could hear even above the thumping of raindrops; the ground shifted beneath him. Paul turned and felt his heart try to climb out of his chest.