"What? Outside this building?"

"Yeah. That's where you are, right? I thought, you come out, we could have a talk while we walk. Hold on." Off, he said, "I'm being polite. You be polite." Back, he said, "I was beginning to think, maybe you went home early—"

"Never."

"So you go home late."

"Always."

"How late? I mean, instead of hang around, I could come back— Hold on." Off, he said, "You got a watch?" There was some sort of muffled complaint and then he said, "I don't want your watch, I wanna know what time it is."

"It's seven-thirty," Fiona said.

"See?" he said, off. "She knows what time it is, it's seven-thirty."

Fiona said, "How long have you been waiting?"

"Since five. You'd be surprised, you know, how many people come out of these buildings at five. So finally, I figured, I better check this here, so I borrowed this cell phone—" Off. "I borrowed it, you're getting it back."

"I'll come down now," Fiona said.

The inadvertent supplier of the cell phone was long gone when Fiona reached the street, where John Dortmunder leaned against the front of the building like a small gray rebuttal to all the work ethic within. Approaching, she said, "Mr. Dortmunder, I—"

"John, okay?" he said. "Mr. Dortmunder makes me nervous. The only time I'm Mr. Dortmunder is when I'm being arraigned."

"All right, then," she said. "You're John, and I'm Fiona."

"It's a deal," he said. "Which way you walk?"

"Over to Broadway and up to the subway."

"Okay, we'll do it."

They got to the corner and had to wait for the light, during which he said, "Mainly what I want is pictures."

She couldn't think of what. "Pictures?"

"Of the thing. The thing in the vault."

"Oh," she said. "The chess set."

For some reason, he didn't like to hear those words spoken out in public. "Yeah, yeah, that's it," he said, and patted the air downward in front of himself as though wanting to tell her to pipe down without being rude about it. All at once, she was aware that other people, all around them, were standing here waiting for the light to change, and she piped down.

WALK. They walked.

"Well, of course we have pictures of it," she said, more quietly, as they crossed Fifth Avenue. "The entire— Well, the entire you-know was photographed and measured when the law firms accepted custody."

"Measured; that's good, too."

"I could e-mail it all to you," she said.

"No, you couldn't."

They had reached the other curb, where Fiona stopped, waited for the nearby walkers to move on, and said, "I could print it out for you."

"Oh, yeah?"

"That's better anyway. Absolutely no record."

"No record, that's good."

"We'll go back to the office," she decided, and they turned around.

DON'T WALK.

She said, "So you're really going to go ahead and do this, even though you hate everything about the vault?"

"Your grandfather and the other guy like to see forward motion," he told her. "I'm doing what I can to keep everybody happy."

WALK.

Shouldn't he be angry about this situation? Fiona felt he should certainly be angry at her, if not her grandfather, for making this whole thing happen. And yet, he just seemed fatalistic and tired, trying not to go into that vault but sliding there inexorably, after just that one push from her. "I'm sorry, John," she said.

"It isn't you," he said. "What I'm coming to a realization about," he said, as she withdrew from her wallet the card that would let her back into the C&I International building, "is, this is all the mistakes of my past life, coming back to haunt me. In order to pay for all those little misdemeanors and all those little lapses from all the time before I reformed, I gotta do an illegal entry into a bank vault that's impossible to get into and even if you could get into it, which you can't, doubly impossible to get out of, carrying a weight. Half a weight."

During this speech, Fiona had carded them into the building and now led the way toward the elevators, but "Hold on," he said.

Surprised, she turned to see him standing still in the gleaming high-ceilinged gray marble lobby. "Did you want something? The snack shop's closed."

"I wanted to look at it," he said.

"Oh."

So they both looked at the lobby, Fiona trying to see it now through John Dortmunder's eyes, seeing it for the first time, not her own eyes which hadn't really seen the lobby as anything but another blank part of her daily commute for over a year.

The place was very different through his eyes. On their left was the chest-high security station with the wall-mounted TV monitors behind it and the two gray-uniformed security men on duty, whom she'd barely noticed all this time because they knew and recognized her so that she never since the first week or so had had to show her Feinberg ID. But there they were nevertheless, looking in Fiona and John's direction with casual interest because they weren't at this moment in transit across the lobby but simply standing in one place, not a normal lobby occurrence.

What else? The three shops on their right with pane glass windows facing the lobby, selling (1) snacks and reading matter, (2) luggage, and (3) stationery and computer software, were all closed now, though well-lit within.

Across the rear wall of the lobby were the brushed-steel doors of the elevators. To their left was the marked door to the staircase, for emergencies, and to the right of the elevator doors was another brushed-steel door that Fiona had never noticed before. Twice a day she'd passed it, and never noticed.

With a silent glance at her, John walked toward the rear of the lobby. Fiona followed, knowing where he was headed. "I'll get the elevator."

"Good."

They both angled closer to that door on the right, him more so than her, but neither went directly to it, because after all two security men behind them had nothing better to do than watch people moving. However, she was close enough to see — so he must see it, too — that discreet gold letters on the door said NO ADMITTANCE and that it had a card slot like all the other entry card slots in her life, but no doorknob.

"Uh huh," he said, and she carded for the elevator.

Putting the card away in her wallet, she said, "You say you reformed?"

"Right."

"When was that?"

"When I met your grandfather."

"That's what I thought," she said, and the elevator door slid open.

Fiona's access to the Feinberg computer system was not total — there were distant tunnels of data, mostly involving money or foreign linkages, that required passwords beyond her station in life — but much of Feinberg's knowledge was available to her. Being a wee beastie in these offices meant being a utility infielder, on tap to assist any of the more important associates who might need a little delving and precedent hunting done, so her access had to be broad and deep, so quite naturally included the files on the chess set known in the court papers as Chicago Chess Set, its official provenance not going farther back than Alfred X. Northwood's long-ago train journey from that city to New York, chess set in tow.

"Chicago Chess Set," she read from the screen. "Yes, here it is. How much of it do you want?"

"All of it," he said, looking at the cover sheet on the screen, which showed the chess set brightly lit on a black velvet background, set up and waiting, gleaming, looking exactly like something created by royal gold-lust.

"All of it?" She reared back to look at him. "You can't want all of it. The court hearings? There are hundreds of pages on this item of the suits, all by themselves, maybe thousands. You couldn't read all that."

"No, I don't wanna read all that," he said. "I want all the pictures and all the measurements."