What she saw when she turned in to her own unpaved puddled driveway was the set of these doors put in by Jon, framing the gutted glowing interior of their house. The stepladder, the unfinished kitchen shelves, exposed stairs, warm wood lit up by the lightbulb that Jon positioned to shine wherever he wanted it, wherever he was working. He worked all day in his shed, and then when it began to get dark he sent his apprentice home and started working on the house. Hearing her car, he would turn his head in Joyce’s direction just for a moment, in greeting. Usually his hands would be too busy to wave. Sitting there, with the car lights off, gathering up whatever groceries or mail she had to take into the house, Joyce was happy even to have that last dash to the door, through the dark and the wind and the cold rain. She felt herself shedding the day’s work, which was harried and uncertain, filled with the dispensing of music to the indifferent as well as the responsive. How much better to work with wood and by yourself-she did not count the apprentice-than with the unpredictable human young.

She didn’t say any of that to Jon. He disliked hearing people talk about how basic and fine and honorable it was to work with wood. What integrity that had, what dignity.

He would say, Crap.

Jon and Joyce had met at an urban high school in a factory city in Ontario. Joyce had the second-highest IQ in their class, and Jon had the highest IQ in the school and probably in that city. She was expected to turn into a fine performer on the violin-that was before she gave it up for the cello-and he was to become some daunting sort of scientist whose labors were beyond description in the ordinary world.

In their first year at college they dropped out of their classes and ran away together. They got jobs here and there, travelled by bus across the continent, lived for a year on the Oregon coast, were reconciled, at a distance, with their parents, for whom a light had gone out in the world. It was getting rather late in the day for them to be called hippies, but that was what their parents called them. They never thought of themselves that way. They did not do drugs, they dressed conservatively though rather shabbily, and Jon made a point of shaving and getting Joyce to cut his hair. They tired of their temporary minimum-wage jobs after a while and borrowed from their disappointed families so that they could qualify to make a better living. Jon learned carpentry and woodworking, and Joyce got a degree that made her eligible to teach music in the schools.

The job she got was in Rough River. They bought this tumbledown house for almost nothing and settled into to a new phase in their lives. They planted a garden, got to know their neighbors-some of whom were still real hippies, tending small grow operations deep in the bush and making bead necklaces and herb sachets to sell.

Their neighbors liked Jon. He was still skinny and bright eyed, egotistical but ready to listen. And it was a time when most people were just getting used to computers, which he understood and could patiently explain. Joyce was less popular. Her methods of teaching music were thought to be too formalized.

Joyce and Jon cooked supper together and drank some of their homemade wine. (Jon’s method of winemaking was strict and successful.) Joyce talked about the frustrations and comedy of her day. Jon did not talk much-he was, for one thing, more involved in the cooking. But when they got around to eating he might tell her about some customer who had come in, or about his apprentice, Edie. They would laugh about something Edie had said. But not in a disparaging way-Edie was like a pet, Joyce sometimes thought. Or like a child. Though if she had been a child, their child, and had been the way she was, they might have been too puzzled and perhaps too concerned to laugh.

Why? What way? She wasn’t stupid. Jon said she was no genius when it came to woodworking, but she learned and remembered what she was taught. And the important thing was that she wasn’t garrulous. That was what he had been most afraid of when the business of hiring an apprentice had come up. A government program had been started-he was to be paid a certain amount for teaching the person, and whoever it was would be paid enough to live on while learning. At first he hadn’t been willing, but Joyce had talked him into it. She believed they had an obligation to society.

Edie might not have talked a lot, but when she did talk it was forceful.

“I abstain from all drugs and alcohol” was what she told them at her first interview. “I belong to AA and I am a recovering alcoholic. We never say we are recovered, because we never are. You never are as long as you live. I have a nine-year-old daughter and she was born without a father so she is my total responsibility and I mean to bring her up right. My ambition is to learn woodworking so I can provide for myself and my child.”

While delivering this speech she sat staring at them, one after the other, across their kitchen table. She was a short sturdy young woman who did not look old enough or damaged enough to have much of a career of dissipation behind her. Broad shoulders, thick bangs, tight ponytail, no possibility of a smile.

“And one more thing,” she said. She unbuttoned and removed her long-sleeved blouse. She was wearing an undershirt. Both arms, her upper chest, and-when she turned around-her upper back were decorated with tattoos. It was as if her skin had become a garment, or perhaps a comic book of faces both leering and tender, beset by dragons, whales, flames, too intricate or maybe too horrid to be comprehended.

The first thing you had to wonder was whether her whole body had been transformed in the same way.

“How amazing,” said Joyce, as neutrally as possible.

“Well, I don’t know how amazing it is, but it would have cost a pile of money if I’d had to pay for it,” Edie said. “That’s what I was into at one time. What I’m showing it to you for is that some people would object to it. Like supposing I got hot in the shed and had to work in my shirt.”

“Not us,” said Joyce, and looked at Jon. He shrugged.

She asked Edie if she would like a cup of coffee.

“No, thank you.” Edie was putting her shirt back on. “A lot of people at AA, they just seem like they live on coffee. What I say to them, I say, Why are you changing one bad habit for another?”

“Extraordinary,” Joyce said later. “You feel that no matter what you said she might give you a lecture. I didn’t dare inquire about the virgin birth.”

Jon said, “She’s strong. That’s the main thing. I took a look at her arms.”

When Jon says “strong” he means just what the word used to mean. He means she could carry a beam.

While Jon works he listens to CBC Radio. Music, but also news, commentaries, phone-ins. He sometimes reports Edie’s opinions on what they have listened to.

Edie does not believe in evolution.

(There had been a phone-in program in which some people objected to what was being taught in the schools.)

Why not?

“Well, it’s because in those Bible countries,” Jon said, and then he switched into his firm monotonous Edie voice, “in those Bible countries they have a lot of monkeys and the monkeys were always swinging down from the trees and that’s how people got the idea that monkeys just swung down and turned into people.”

“But in the first place-” said Joyce.

“Never mind. Don’t even try. Don’t you know the first rule about arguing with Edie? Never mind and shut up.”

Edie also believed that big medical companies knew the cure for cancer, but they had a bargain with doctors to keep the information quiet because of the money they and the doctors made.

When “Ode to Joy” was played on the radio she had Jon shut it off because it was so awful, like a funeral.

Also, she thought Jon and Joyce-well, really Joyce-should not leave wine bottles with wine in them right out in sight on the kitchen table.