The muffled reverberation of a bass voice, and the stony echo of a brief laugh, sounded from beyond the chamber door. Appalled, Thur hastily pulled the plank cover back over Uri's crate, banging his thumb painfully between box and lid to quiet the clatter. Too late to escape? He turned around, eyes raking the chamber for cover.

The candles blew themselves out all at once, without a puff of breeze, plunging the room into darkness scarcely relieved by the night glimmer of starlight reflected up from the lake through the deep barred window embrasure. A hand that Thur did not think he could have seen even in daylight grasped his shoulder. "Down, boy!" a whisper that moved on no breath tingled in his ear.

Too frightened to argue, he crouched and shuffled under the table. The door clicked closed and the lock snicked shut. Thur shrank back against the wall, and a piece of cloth poked into his hand with the insistence of a dog snuffling up to be petted. It was light and soft, like linen, and he pulled it up over himself.

A real and solid iron key scraped in the lock, and the bolt clacked back again. Thur peeked over his cloth cover at the wavering yellow glow reflecting from a hand-held lantern. The guards, come looking for him?

Two men's footsteps crossed the floor, one's booted, one's slipper-soled. I wish it were the guards, he thought in sudden sick perception.

Messer Vitelli's voice rang hollow in the stonewalled chamber. "Do you smell hot wax, my lord?"

Fiametta rubbed her drooping eyelids and stretched her arms high in an effort to fight off drowsiness. The watered wine and bread she'd had for supper was not so grand a feast as to induce torpor, but she'd slept poorly last night, turning over and over on the crackling straw, worrying about Thur, constantly disturbed by the rustling and coughing and movements of the other women in the overcrowded dormitory. Not to mention the fleas. She scratched a red welt on her elbow.

Abbot Monreale's workroom was warm, the plastered walls of the second-floor chamber still retaining the heat of the day, and the light from the single candle beside her was golden and cozy. She wriggled her hips on the hard perch of her barrel-seat, planted her elbows on the table, and let her chin sink back into her hands. On the tray before her the three remaining tambourines, the mouth-twins to the little ears Thur carried, remained stubbornly mute. Were they still working... ? Yes, her day's practice at keeping them enspelled had made it an almost automatic process, like absentminded humming. They conveyed nothing because they had nothing to convey.

In the next room she could hear Abbot Monreale pause to cough, pace, and continue his dictation to Brother Ambrose. A letter to the Bishop of Savoy, describing their desperate situation, calling for help, magical if not military. A futile letter. How did Monreale propose to dispatch it? The day had passed in an ominous, overheated quiet, without even the usual desultory exchanges of curses and crossbow bolts between the besiegers and the defenders on the monastery walls. No new herald or emissary had come to the gates today, no new refugees. No one at all. It was as if Lord Ferrante's grip tightened chokingly around them.

She stared at the little circles, willing them to speech. Three had come to life today, two in the afternoon and one at dusk, when she'd been gone to supper. Initiate brothers had taken each one off to their cells, where they sat with quills and paper ready to take note of important secrets. She trusted the brothers were all staying awake, too. But anyway, Thur had still been alive and free at dusk.

She stifled a yawn; if Monreale glanced in and saw her fading, he would send her to bed, and she might miss the next word from Thur. Why didn't the big fool think to speak into the ear-tambourines when he activated them and report on himself? She gritted her teeth on her next yawn. The white parchment circles swam before her eyes.

Then, without other warning, one—flared, Fiametta supposed she must describe it, though it was not an effect she saw with her eyes. She took a deep breath of anticipation and sat up straight. Thur's voice, whispering his badly accented Latin, drifted up from the tambourine to her straining ear. Talk to me, Thur! But there followed only a scraping sound, as of a jar shoved across a shelf. Footsteps crossed a stone floor, then a sad, meditative silence fell. Desperately, Fiametta tried to generate a picture in her mind from the mere sound. Stone floor, harsh echoes: a stone chamber? Rock walls—the Duke's dungeon? True intuition, or self-delusion? Her hand pulled at the thong around her neck, drew the lion ring from its warm hiding place between her breasts, and closed over it. What was Thur seeing? Talk, you Swiss lout!

But the deep buzz of a voice that came suddenly from the tambourine was not Thur's. She could not make out words. A tenor laugh followed, then a muffled clatter, hasty steps, a clunk and a clack. Words rang in her mind that did not come through her ear— Down, boy! She stiffened in panic. Papa? The sound of a door opening, then, and a stranger's light voice: "Do you smell hot wax, my lord?"

My lord? Where was Thur? Had he fled? Her heart hammered.

"From your lantern, Niccolo." The bored bass voice was Lord Ferrante's; his Romagnan accent was distinctive.

She heard an odd muffled thunk, as of something heavy being placed on a wooden table. "I think not, returned—Niccolo's?—voice. "These candles are warm." Then, "Ow!" A scuffle of slippers, as of a sudden recoil.

"Did you do that, Niccolo?" asked Ferrante in an interested tone.

"No!"

Ferrante laughed unkindly. "Beneforte is playing his little tricks again." His voice went mocking; Fiametta's imagination supplied a sweeping, ironic bow. "Thank you, my servant, for lighting my way."

A sucking sound—burned fingers being licked? "He's not our servant yet," growled Niccolo.

"Abbot Monreale," Fiametta whispered frantically, then reminded herself that sound only flowed one way through the little ear-and-mouth sets—could that be altered?—"Father Monreale!" she shouted. "Come quick! It's Lord Ferrante himself!"

Monreale hurried through the door from his adjoining office, followed, after a scrape and crash of a chair falling and being righted again, by Brother Ambrose, still clutching his inky quill. They bent over the tray of tambourines.

"Are you sure?" asked Monreale.

"I remember his voice from the banquet. I don't know the other man's voice, though. Ferrante calls him Niccolo. I think they are in a chamber beneath the castle."

"Ambrose, take over." Monreale nodded toward the mouth-tambourine.

I can enspell it as well as he can, Father! Fiametta, wrenched, held her tongue, and passed the spell-keeping to Ambrose. His lips moved silently a moment, then he settled in.

Ferrante's voice asked, "How much more dare we strengthen him, then, before I do control him?"

Niccolo replied grumpily, "He must be fed. And the very feeding brings him nearer to us. It's under control. I admit, I wish we could find his own damned notes on spirit rings. We could catch him by his own magic most finely. But he can't know that much more than I do. Well have him under our thumb soon enough."

"None too soon for me. I've had about enough of this midnight skulking." Ferrante spat, eloquently.

"Great works require some sacrifices, my lord. Hang the three bags on those hooks. Take care with the leather one."

"To be sure."

Rustling noises followed, as the two men arranged whatever mysterious burdens they had been carrying. Abbot Monreale's eyes narrowed, and his lips parted in concentration, like Fiametta trying to guess' at actions from their sounds. "Talk some more, blast you," he muttered under his breath.