He burrowed back into the feather mattress and clutched the letter to his chest. His flesh was still cold as lard, but the paper seemed to radiate warmth. Grave digger, grave digger, go to the fire. ... He laughed, and muffled the laugh as his mother glanced over and smiled though not knowing the joke. Montefoglia. By God and the kobold, I think I'll do it. He lay back and watched the firelight flicker like reflections off water on the whitewash between the dark roof beams, and dreamed of incandescent summer.

Ruberta the housekeeper helped Fiametta lift and slide the heavy red velvet gown over her head, and smooth it down over her fine linen underdress. Fiametta brushed at the folds of its wide-cut skirt, so profligate of cloth, and sighed pure satisfaction. Hie dress was far finer than anything she'd dared hope for. Master Benefbrte had produced it, quite unexpectedly, from an old chest when Fiametta had complained of the sad figure she would cut at the Dukes banquet in plain gray wool. The dress had once belonged to Fiametta s mother; Fiametta and Ruberta had spent a week cutting it down and resewing it. Judging from the measurements, Fiametta was now nearly as tall as her mother had been, though more slender. Strange. She remembered her mother as tall, not short: tall and dark and warm.

Fiametta held out her arms, and Ruberta pulled on the sleeves and tied them to the dress at the shoulders, and fluffed out puffs of the underdress for contrast at the elbows. The red velvet sleeves were embroidered with silver thread, echoed by a silver band running all around that wonderful hem.

"Don't bounce so, girl," Ruberta complained mildly, and pinched her lower lip with her teeth in concentration as she knotted the bows just so. She stepped back and regarded Fiametta with judicious pride. Now for your hair."

"Oh, yes, please." Fiametta plunked down obediently on the stool. No little gins cap today, nor hair in a mere simple braid down her back. The dress had come with a matching hair net of silver thread and pearls, magically untarnished with age. Ruberta parted Fiametta's hair in neat, if wavy, wings, wound it up on the back of her head, and fastened the net over the mass of it, except for two dark ringlets she made to bounce artfully in front of Fiametta's ears. Fiametta stared greedily into her little mirror, delighted, turning her head back and forth to make the ringlets jump. "Thank you, Ruberta!" She flung her arms around the housekeeper's aproned waist and hugged her. "You're so clever.'

"Oh, your slippers—they're still in the kitchen. I'll go get them." Ruberta hurried out. Fiametta tried the mirror at various angles, and ran her hands again over the soft sumptuous cloth. She sucked on her lower lip and, on impulse, rose and went to the chest at the end of her bed.

She pushed aside linens and found a flat oaken casket. She opened it to reveal her mother's death mask. Many people kept death masks of wax; Prospero Beneforte had recast Fiametta's mother's in bronze, darkened by his art to a rich brown close to her original skin tones. The alert dark eyes were closed, now, like sleep, but a strangely sad sleep, above the soft curves of her nose and wide mouth. Fiametta held the mask up to her dress and peeked over it into her mirror, held out at arm's length. She squinted, in an effort to weld face and dress in the blur. Then she lowered the mask to her chin, and compared the two faces. How much of the paler one was Prospero Beneforte, how much this lost woman? Fiametta's nose had a definite bridge, and her jaw was more sharp cut than this dark visage, but otherwise ... Who am I? And whose am I? Where do I belong, Mother?

Ruberta's step sounded on the gallery, and Fiametta hastily replaced the mask in its casket and locked it away again. Ruberta handed the polished shoes in through the door. "Hurry, now. Your Papa's waiting downstairs."

Fiametta jammed her feet into the shoes, and skipped out of her bedroom and around the upper gallery overlooking the courtyard. She took up her skirts to descend the stairs, then shook them out and walked more sedately, as befit her lady's hairstyle. No slave's gown, this, nor mere servant's, but obvious proof that her mother had been the true Christian wife of a great artisan. Fiametta held her chin up firmly.

Master Beneforte was standing in the stone-paved hallway. He looked splendid too, Fiametta decided. He wore a cloak of black velvet that swung to his knees, and a big hat of the same fabric, wound round like a turban with a jaunty fall of cloth to the side. His tunic was of honey-brown cut velvet, high to his neck where a bright white line of linen showed, with a pleated skirt to his knees and black hose. Despite his graying hairs Master Beneforte still resisted the long gowns of the aged, though the sober colors he'd chosen suggested a suitably powerful maturity. He'd set off the tunic with a gold chain of his own workmanship, displaying his art.

He turned at Fiametta's step. "Ah, there you are." He looked her up and down, eyes going strangely distant, muttered "Huh," and shook his head as if to clear his vision.

"Do I look well, Papa?" asked Fiametta, alarmed.

"You look well. Here." He thrust out his hand to her.

Draped over his palm was a silver belt of cunning workmanship. Fiametta took it up, surprised. It was in the form of a silver snake, round and flexible as a rope. The gleaming scales were as fine as a real snake's, their overlapping plates concealing whatever linked its skeleton. Its head was solid silver, modeled as in life, with green chips—emerald? glass?—glittering for eyes.

"Put it on," said Master Beneforte.

"How? I see no clasp."

"Just loop it. It will stay."

"It's enchanted, isn't it?"

"Just a little spell for your protection."

"Thank you, Papa." She fitted it around her waist, curling the tail around behind the head, and indeed it held last. Only then did she think to ask, "Does it come off?"

"Whenever you wish."

She tried it, and looped it back on. "Did you just make this?" She thought he'd been working night and day to finish the saltcellar.

"No, I've had it for some time. I just cleaned it and renewed the spell."

"Was it Mama's?"

"Yes."

Fiametta stroked it, her fingers sliding over the scales. They emitted a faint musical vibration, almost too thin to hear.

The Duke's saltcellar sat waiting on a bench against the wall. Its new box was satin-lined, ebony to match the base, with gold clasps and gold handles on the ends. Fiametta had helped assemble and polish it. She would not have guessed her father to be nervous, but he opened the box and checked its contents one last time, and rechecked the seating and security of the clasps, then wandered into the workroom and peered out the window.

"Ah. At last." His voice drifted back to her, and he returned to the hall to unbar the door for the Swiss captain and two guards. The guards' breastplates gleamed like mirrors, and Captain Ochs was dressed in his best and cleanest livery, with a new doublet with gold buttons issued in honor of the betrothal.

"All ready, Master Prospero?" the captain smiled. He nodded to the ebony casket. "Shall I have my men carry it?"

"I'll carry it myself, I think," said Master Beneforte, lifting the box. "Have them walk one ahead and one behind."

"Very well." And they started off so ordered, the captain and Fiametta flanking the goldsmith.

"Keep the door barred till my return, Teseo," Master Beneforte called back, and the apprentice bowed awkwardly and closed it behind them. Master Beneforte paused till he heard the bar slide into place, nodded, and marched down the cobbled street.

It was a bright day two weeks after the holy feast of Easter, just barely cool enough for velvets to be comfortable. Trees had budded into new leaf in the weeks since Fiametta had cast her ring. She clutched the lion mask on her left thumb, and let the—sigh—garnet catch and wink back the midday sun. That light glowed, too, off the yellow brick and stones and red tile roofs. Sad dun in winter, Montefoglia almost looked like a city of gold on long summer afternoons. They passed from the street of big houses flanking her fathers home and workshop down into older, more crowded construction.