They worked until 1 p.m., then took a lunch break. Joan, Hunter and Betsy had arrived and had been watching for the past hour. Stu walked in with the new bodyguards, Alan and Mike, otherwise known as Mench and Greeny. Both were thin and of less-than-average height, but both also had a wild look in their eyes that sent a strong Don’t mess with me if you value your well-being message to anyone they encountered. After quick introductions, Reid asked, “So guys, how’d the job go in Italy?”

With a sparkle in his eye, Greeny said, “It was a little hairy, but only one dead body in the end. I can live with that.”

Reid said in a slight panic, “Your client is dead and you’re okay with that? Joel, Stu, I need to talk to you both, now!”

“Calm down Reid,” Mench chimed in with a laugh. “Greeny was talk ing about the perp. Our client is fine. Our track record is perfect. You’re in good hands on our watch.”

“Okay then.” Reid lowered his voice and settled down a bit. “I guess I misunderstood. No offense, Greeny.”

“I’ll let it go this time,” Greeny seethed. “Just don’t let it happen again.” He gave Reid an evil glare. “Uh, yes, sir,” Reid answered, glancing at the other guards wide-eyed. Greeny, Mench, Joel and Stu kept straight faces as long as possible; then they all burst into laughter. Greeny walked over to Reid and shook his hand saying, “Only kidding, Reid. I’m looking forward to watching your back.” “Good, you had me worried there.” “Comes with the job.” “Well, it’s good to have you aboard.” Greeny gave Reid a quick nod. After about an hour, Aimee said, “Reid, I want to start filming. You need to go back to make-up to get redone. How are you doing with your lines? They’re pretty easy right?”

Reid just nodded. Oh shit, he thought, I forgot all about the damn lines. I knew Shane was going to mean trouble. He didn’t say a word. He just got up, grabbed the script and headed for the make-up room. He jumped into the chair and said, “Take your time Missy; I need to study my lines.” “It won’t take long. You just need a little work.” He repeated in an edgy tone, “Please, take your time. I need to study these.” He picked up the script and started reading out loud. His voice was shaky. He was obviously nervous.

Missy said, “Oh my God. You haven’t even looked at those yet, have you?”

“No, but please don’t tell Aimee. She’ll kill me if she finds out. Anyway, there’s not much here, only four or five lines. I can memorize them in a few minutes. Let me concentrate.”

He read, “Hi, I’m Reid Clark and I use Freeze. Do you have Freeze balls in your bag? Use Freeze when you want to ice the competition.” He looked up at her with a look of shock; “Did you hear that? I can’t say that in a commercial. Who are they kidding?”

He continued to the second script. “Hi, I’m Reid Clark. I use the Freeze from Eagle. Use Freeze only when you want to ice your competition. Freeze, the balls that fly like an Eagle.” He finished, “Okay, now that’s better, what do you think?”

Just then, the intercom buzzed, Aimee’s voice came through the speak er “Hey, what’s going on down there, Missy? Where’s Reid?” “I’m almost done with him. Sorry, I needed to change a tone.” “C’mon, finish up; we need to get started already. We’re wasting big money with every minute we lose.” “He’s on his way,” Missy said. The intercom clicked off. “Thanks for covering for me,” Reid said. “I owe you one.” “No problem. You better get up there quickly, though.” “Yeah, I guess so.” As he was walking out the door, she added, “Break a leg.” “God forbid!” he said grinning. When he got back up to the studio, things had changed. The lights were brighter and something was making an awful lot of noise. Two huge cameras were attached to a cart that traveled on a track the length of the set. One camera was fixed directly to the cart, the other was on a platform raised by a hydraulic extension arm. Aimee ran over and said something, but the noise drowned her out. He pointed to his ears and shook his head. She got closer and yelled, “The heat from the lights makes it necessary to run the refrigeration system full blast, so the glacier doesn’t melt. They’ll turn it off when we start to shoot. Are you ready?”

“Which lines am I supposed to say?” he yelled. “I’m not going to say the first ones. Please tell me we’re using the second lines.”

She screamed, “We are, but we want to shoot using both scripts.” He followed her onto the set to a guy on the camera platform. “This is Craig Barton, the director,” she yelled.

The two men shook hands. Craig yelled, “Okay, I want to do the first take with you at the tee box. Hit a ball, then look up at the camera and say your lines. It’s that simple. Ready?”

As Reid was yelling, “No, I’m not ready. Which line am I reading?” the refrigeration machine was turned off mid-statement. He finished his sentence, yelling at the top of his lungs, realizing too late that the noise had stopped. Everyone began to laugh and clap. He took a silly bow and said, “Thank you, Thank you.”

“Well, folks,” Craig announced, “I think he’s a natural, maybe a ham, but a natural, nevertheless.” Then he said to Reid, “Let’s try the second script first and see where we go from there.”

Reid kept repeating the lines in his head. He was a nervous wreck. He walked over to the tee, picked up a club and started swinging it. Missy came over and dabbed some make-up on his chin. Craig’s assistant yelled, “Quiet on the set.” “Okay, Reid,” Craig said, “when I say action, I want you to hit the ball, then look up here toward the camera, look right at this red light and say your lines. Got it?” “Got it.” “Okay, here we go. Three, two, one, action.” Reid swung and hit the ball, looked up and said, “Hi, I’m Reid Clark.

I use the Eagle from Freeze.” “Cut,” Craig yelled. There were some giggles around the room. “Why’d you stop me?” Reid asked curiously. “You don’t have any idea what you said, do you?” Craig asked. “I said my first line. Why?” “You said the Eagle from Freeze.” “No way,” Reid said. Craig and Aimee nodded. “I did?” he said with a look of embarrassment. “Sorry.” “Ready to try again?” Craig asked. “Yeah, let’s do it.” “Positions,” yelled the assistant. “Quiet on the set.” Reid was back at the tee with a new ball teed up. “Three, two, one, action.” He hit the ball, looked up and said, “Hi, I’m FREEZE, I…” He stopped and groaned, “Oh, Shit.” “Cut.” “Sorry.” Reid shrugged. “Okay, Reid, I want you to practice your lines once, right now.” Reid closed his eyes and everyone could see his mouth moving as he said the lines to himself. “No, Reid, out loud, out loud.” Craig was a little agitated. “Alright. Sorry!” Reid exclaimed, also a little annoyed. He closed his eyes for a second, took a deep breath and said loudly, “Hi, I’m Reid Clark. I use the Freeze from Eagle. Use Freeze only when you want to ice your competition. Freeze, the ball that flies like an Eagle.”

“Very good,” Craig said. “Okay, one more time in front of the camera, ready?” Reid nodded, took another deep breath and exhaled. “Positions! Quiet on the set!” “Three, two, one, action.” When Reid looked down, a new ball had been placed on the tee. He took a deep breath and exhaled. He hit the ball, looked up at the camera and said his lines perfectly.

“Cut, that’s a take. Good job, Reid,” Craig said triumphantly. “Okay. Let’s do it one more time,” he said loudly.

Reid looked up at him curiously. “What! I thought that was good. We need to do it again?”

“I want three takes of each segment. Two more here, then three on the fairway, then three more on the green. And I want to try the first script in all three spots as well. I hope you don’t have any other plans for the day.” “No, I’m all yours, Mr. Director, sir,” Reid said sarcastically. “That’s more like it,” Craig played along. They made it through the rest of the takes with only a few mistakes. It was 7 p.m. by the time they wrapped for the day.