He wants to go get Marletta and bring her here. He has the crazy thought that she could explain it to him, act as a guide somehow to the kind of life where people get old together and have kids and grandkids. He reaches into his thin coat and brings out a pint of 151 and quietly unscrews the cap and takes a small sip and makes a face. Something about the way the man’s arm touches the woman’s arm makes him think he could wake them up and ask them if him and Marletta could live here until she graduates and he turns eighteen and can get a job somewhere.

Finally he walks back out, passing Manny standing on a chair trying to get the star off the tree, fishing drunkenly with a fireplace poker and making a tinny musical clinking noise every time he hits one of the ornaments. Ray doesn’t say anything, just goes back to the window and is climbing out when Manny sees him caught in the yellow glare of headlights, and as Ray lets himself down onto a dead azalea bush, he can hear his friend whisper, “Man, what’s wrong?”

Manny dropped him back at his house at about five. Ray jumped out of the van and kept his hand stuck in his pocket, the Colt rat tling in his shaking fist. He tried not to run to the house, but he had an itch between his shoulder blades and couldn’t keep him self from looking up and down the street over and over as he closed the distance to the door of his apartment. There was a bad moment when he realized his keys were in the gym bag over his arm and had to dig around in the bag while trying to look over his shoulder every other second. Finally he got the door open, jumped inside, and slammed it behind him, turning the lock and dropping the bag on the landing. He ran up the stairs and pulled the pistol out of his pocket, pointing it into every corner of the living room. He checked the bedroom, the closets, and behind the couch, finally closing the curtains and sitting in the darkened room for a minute, waiting for his heart to slow.

He picked up the remote and turned on the stereo, clicking through the CDs in the changer until he settled on old Stan Ridg-way. After a while he got a chair from the dining room and took it down the stairs to the front door. He wedged it under the doorknob and checked the dead bolt and chain, then carried the bag upstairs. He went into the closet, reached up, and knocked back a trapdoor in the ceiling. Balancing on a Rubbermaid storage box full of stuff from his father’s house, he reached through the hole in the ceiling and brought down a shotgun wrapped in rags and a box of double- aught shells. The gun was dusty and smelled of oil and old metal, and he sat down on the bed and wiped it clean, then loaded it and racked the slide. Stan Ridgway was singing about a lonely town, and Ray wished he could get high and let the rest of the day go by. Instead he stripped off his clothes and threw them in the trash can in the kitchen and pulled out the bag and left it on the kitchen floor.

The shower felt good, and he kept making it hotter and hotter, standing under the nozzle and letting the water pulse on his head while he tried to figure angles and means and whether it was possible to run or if he had to stay and slug it out with whoever was out there wanting him dead. He had to fucking calm down, is what he had to do. No matter how bad the guy in the Charger wanted them, it would take days for him to get to someone who could give him their names. They could make some kind of rational decision about what to do and where to go and how long they could stay there with the money they had.

He couldn’t help thinking, though, how did he think this was going to play out, anyway? Even before they fucked up at the farm house, where was it going? How did shit like this ever end? Either they stopped or they got killed or they got locked up. Upstate he had known guys who were stone thieves, and they had all of them spent more of their lives behind bars than on the street. Ray was thirty, and he felt like he had come to the end of the life he’d been leading. He just didn’t know if that meant he was going to change or if he was going to die.

He got takeout from the Golden Palace on 611 and sat in the dark listening to music. He ran through his Stan Ridgway CDs, grabbed by the strange mood of songs about loners drifting on western highways and people on the run from big trouble or fucked over by the ones they loved. He wanted to get into the last of the heroin, but he had things to do, so he loaded up the one-hitter with some coke Ho had given him the last time he had been at the big stone house in Chestnut Hill where he lived with his wife, Tina, and three kids. Ray had brought coconut rum and pineapple juice, something they were drinking that summer, and Ho and Tina kept bringing dishes out of the kitchen that smelled of tamarind and lotus and laughing gently at Ray’s attempt to pronounce them.

Manny pulled up in front of the house at about midnight. Ray was already in his car and blinked the headlights when Manny pulled up. He followed Manny up 611 and then north on 202 into Jersey. The night out here was black except for the lights of farm-houses and little developments far away. There was lightning in the clouds but no rain, and Ray put the window down and smelled wet grass and asphalt, the smell of country roads.

It reminded Ray of riding the back roads with Manny when they were kids. Alternating long sips of vodka from the bottle with swigs of orange soda. A girl with a black eye they had picked up in Bristol. White- blond hair and Kmart perfume. They had pulled into a turf farm somewhere off Swamp Road and run around, drunk and high, screaming and rolling in the grass. Manny turned the radio up, and they lay on the cooling hood of the car and passed a beer- can bong back and forth and talked about running away to California. He remembered that he couldn’t stop looking at the girl’s small hands, fixed on them moving white in the dark, in that way that you sometimes did when you were high.

Now they pulled off the road into a soybean field. Ray stopped just off the road, and Manny pulled the van about fifty yards in and got out. Ray killed the lights and waited, and after a couple of minutes he could see Manny’s silhouette against the orange haze in the sky from the cities to the north. There was a yellow glow visible through the rear window of the Ford that grew until it filled the back of the van. As they backed onto the road, Ray saw the windows blow out. They headed back down 202. Halfway across the bridge, Manny cranked down the window and sailed the plates out over the Delaware.

They stopped at a diner in New Hope and had a cup of coffee. They sat in silence, and Ray watched the young waitress come and go. She had a big ring on her left hand.

“Tell me about the guy who put you onto the house.”

“Yeah, I been thinking about that. Danny Mullen, from down in Charlestown, over near Valley Forge. I saw him about three weeks ago down at the Neshaminy. He put us on the place in Marcus Hook, remember?”

“I remember. What did he say this time?”

Manny lifted his shoulders, spread his hands. “I don’t know. He said he knew this place up north, a meth lab where some buddies of his had copped, and did I want it.”

“Nothing weird?”

“He did say the guy was crazy, but I figured what the fuck did that mean? Who’s in that business, you know? Sane people?” They watched the waitresses carrying plates of pie to a table of giggling teenagers at the front of the diner.

Ray tapped the table twice with his index finger, tried to look decisive. “Okay, we see Ho and we see Danny. Try to figure out if there’s a way to know who we’re dealing with. Did you talk to Sherry?”

“Yeah, I told her stay with her ma a few days. She was pissed, but she’ll get over it.”

“I figure I’ll try to get Theresa out of town for a while.”

“Yeah, good luck with that. When was the last time she was out of town?”