The man with the outlandish johnson—swarthy, with wavy black hair in a curious 'do, and a knit skullcap—hitched up his robe, and sloshed out to see if he was all right. For he still had both hands clamped over the sides of his head, partly to stanch the bleeding of the barnacle-gashes, and partly to keep the sound from blowing the top of his skull out to sea. The man peered down and looked into his eyes and moved his lips. The look on his face was serious, but ever so slightly amused.

He reached up and grabbed this fellow's hand and used it to haul himself up to his feet. Both men's hands were so heavily callused that they could practically catch musket-balls out of the air, and their knuckles were either bleeding, or else recently scabbed over.

He had stood up because he wanted to see what was the target of all of this shooting, and how it could possibly continue to exist. A fleet of three or four dozen ships was arrayed in the harbor, and (no surprise here) they were all firing their guns. But the ones that looked like Dutch frigates were not firing at the ones that looked like heathen galleys, nor vice versa, and none of them seemed to be firing at the vertiginous white city. All of the ships, even the ones that were of European design, flew crescent-moon banners.

Finally his eye settled on one ship, which was unique in that she was the only vessel or building in sight that was not vomiting smoke and spitting flame in all directions. This one was a galley, very much in the Mohametan style, but extraordinarily fine, at least to anyone who found whorish decoration appealing—her non-functioning bits were a mess of gold-leafed gewgaws that glowed in the sun, even through drifting banks of powder-smoke. Her lateen sail had been struck and she was proceeding under oar-power, but in a stately manner. He found himself examining the movements of her oars just a bit too closely, and admiring the uniformity of the strokes more than was healthy for a Vagabond in his right mind: leading to the questions, was he still a Vagabond, and was he in his right mind? He recalled—dimly—that he had lived in Christendom during one part of his sorry life, and had been well advanced in the losing of his mind to the French Pox—but he seemed all right now, save that he couldn't recall where he was, how he'd gotten there, or anything at all of recent events. And the very meaning of that word "recent" was called into question by the length of his beard, which reached down to his stomach.

The intensity of the cannonade waxed, if such a thing were possible, and reached a climax as the gold-plated galley drew up alongside a stone pier that projected into the harbor not awfully far away. Then, all of a sudden, the noise stopped.

"What in Christ's name—" he began, but the rest of his utterance was drowned out by a sound that—compared to hundreds of cannons firing at once—made up in shrillness what it lacked in volume. Listening to it in amazement, he began to detect certain resemblances between it and musick. Rhythm was there, albeit of an overly complicated and rambunctious nature, and melody, too, though it was not cast in any civilized mode, but had the wild keening intonations of Irish tunes—and then some. Harmony, sweetness of tone, and other qualities normally associated with musick, were absent. For these Turks or Moors or whatever they were had no interest in flutes, viols, theorbos, nor anything else that made a pleasing sound. Their orchestra consisted of drums, cymbals, and a hideous swarm of giant war-oboes hammered out of brass and fitted with screeching, buzzing reeds, the result sounding like nothing so much as an armed assault on a belfry infested with starlings.

"I owe an 'umble apology to every Scotsman I've ever met," he shouted, "for it isn't true, after all, that their music is the most despicable in the world." His companion cocked an ear in his direction but heard little, and understood less.

Now, essentially all of the city was protected within that wall, which shamed any in Christendom. But on this side of it there were various breakwaters, piers, gun-emplacements, and traces of mucky beach, and everything that was capable of bearing a man's weight, or a horse's, was doing so—covered by ranks of men in divers magnificent and outlandish uniforms. In other words, all the makings of a parade were laid out here. And indeed, after a lot of bellowing back and forth and playing of hellish musicks and firing of yet more guns, various important Turks (he was growingly certain that these were Turks) began to ride or march through a large gate let into the mighty Wall, disappearing into the city. First went an impossibly magnificent and fearsome warrior on a black charger, flanked by a couple of kettledrum-pounding "musicians." The beat of their drums filled him with an unaccountable craving to reach out and grope for an oar.

"That, Jack, is the Agha of the Janissaries," said the circumcised one.

This handle of "Jack" struck him as familiar and, in any case, serviceable. So Jack he was.

Behind the kettledrums rode a graybeard, almost as magnificent to look at as the Agha of the Janissaries, but not so heavily be-weaponed. "The First Secretary," said Jack's companion. Next, following on foot, a couple of dozen more or less resplendent officers ("the aghabashis") and then a whole crowd of fellows with magnificent turbans adorned with first-rate ostrich plumes—"the bolukbashis," it was explained.

Now it had become plain enough that this fellow standing next to Jack was the sort who never tired of showing off his great knowledge, and of trying to edify lowlives such as Jack. Jack was about to say that he neither wanted nor needed edification, but something stopped him. It might've been the vague, inescapable sense that he knew this fellow, and had for quite a while—which, if true, might mean that the other was only trying to make conversation. And it might've been that Jack didn't know quite where to begin, language-wise. He knew somehow that the bolukbashis were equivalent to captains, and that the aghabashis were one rank above the bolukbashis, and that the Agha of the Janissaries was a General. But he was not sure why he should know the meanings of such heathen words. So Jack shut up, long enough for various echelons of odabashis (lieutenants) and vekilhardjis (sergeants-major) to form up and concatenate themselves onto the end of the parade. Then diverse hocas such as the salt-hoca, customs-hoca, and weights-and-measures-hoca, all following the hoca-in-chief, then the sixteen cavuses in their long emerald robes with crimson cummerbunds, their white leather caps, their fantastickal upturned moustaches, and their red hobnailed boots tromping fearsomely over the stones of the quay. Then the kadis, muftis, and imams had to do their bit. Finally a troop of gorgeous Janissaries marched off the deck of the golden galley, followed by a solitary man swathed in many yards of chalk-white fabric that had been gathered by means of diverse massive golden jeweled brooches into a coherent garment, though it probably would've fallen off of him if he hadn't been riding on a white war-horse with pink eyes, bridled and saddled with as much in the way of silver and gems as it could carry without tripping over the finery.

"The new Pasha—straight from Constantinople!"

"I'll be damned—is that why they were firing all those guns?"

"It is traditional to greet a new Pasha with a salute of fifteen hundred guns."

"Traditional where?"

"Here."

"And here is—?"

"Forgive me, I forget you have not been right in the head. The city that rises up on yonder mountain is the Invincible Bastion of Islam—the Place of Everlasting Vigil and Combat against the Infidel—the Whip of Christendom, Terror of the Seas, Bridle of Italy and Spain, Scourge of the Islands: who holds the sea under her laws and makes all nations her righteous and lawful prey."