Once that was all done, I’d be facing a choice. Fraa Corlandin was sounding me out, perhaps even recruiting me, for the New Circle.

I had always been seen as a fid of Orolo and a few other Edharians who assisted him in his theorics. They spent whole days together in tiny chalk halls, and when they came out, I would go in and see their handwriting all tangled together on the slates—snarled skeins of equations and diagrams of which I understood perhaps one symbol in twenty. At this very moment, I was supposed to be working on a problem that Orolo had set for me: a photomnemonic tablet bearing an image of Saunt Tancred’s Nebula, from which I was supposed to answer certain questions about the formation of heavy nuclei in the cores of stars. Definitely not a New Circle kind of exercise. So why would the New Circle take it into their heads, now, that I might choose them at Eliger?

“Orolo is an impressive theorician,” Fraa Corlandin said. “I regret that I haven’t been suvined by him more.”

The flaw in this was obvious: odds were that Corlandin was going to spend sixty or seventy more years in the same math with Orolo. If he really meant what he said, why didn’t he simply pick up his stew-bowl and walk across the Refectory to Orolo’s table?

Fortunately my mouth was full of bread, and so I did not subject Fraa Corlandin to a withering blast of Thelenean analysis. Chewing my food gave me time to realize that he was just speaking polite nothings. Edharians never talked this way. Spending all my time around Edharians, I’d forgotten how to do it.

I tried to unlimber those parts of my mind that were used for polite conversation: probably a good thing to do anyway, on Apert eve. “I’m sure you could arrange to be suvined by Orolo, if you sat down near him and said something wrong.”

Fraa Corlandin chuckled at my joke. “I’m afraid I don’t know enough about the stars even to say something wrong.”

“Well, today for once he said something that wasn’t about stars.”

“That’s what I heard. Who could have guessed that our cosmographer was an enthusiast for dead languages?”

This entire sentence went by me—a little like when you are eating a slice of canned fruit and suddenly it slides down your throat before you’ve had a chance to chew it. Having finally got the hang of polite chitchat, I returned the favor of chuckling at his remark. But before I could really think about what he was saying, I noticed Lio and Jesry carrying their bowls to the kitchen. Two other fids stood, as though caught up in their wake, and followed them.

Following their glances, I noticed Grandsuur Tamura standing by the exit with her arms folded.

She reacted as if I had hit her with a spitball from across a crowded chalk hall, swiveling her head to strafe me with her eyes. I still had no idea what was going on, but I excused myself from Fraa Corlandin and carried my bowl into the kitchen. Seven of the other fids were there, hurriedly cleaning their bowls, but none of them knew any more than I did.

A few minutes later, all thirty-two fids and Grandsuur Tamura were together in Saunt Grod’s chalk hall, which was normally considered to hold eighteen. “Shall we move over to Saunt Venster where there’s more room?” suggested Suur Ala. She was the self-appointed boss of the bell-ringing team—and of everyone else in range of her searchlight eyes. Behind Ala’s back, people liked to say that, of all the current crop of fids, she was the most likely to end up being Warden Regulant.

Grandsuur Tamura pretended not to hear. She had lived here seventy-five years and well knew the sizes of the available halls. She must have chosen this one for a reason—probably, I realized, because no one could hide ignorance, or boredom, when we were packed in so tightly. There wasn’t room to make our spheres into stools, and so we kept them pilled up and tucked inside our bolts.

I noticed that some of the suurs were standing even closer together than was strictly necessary, and sniffling into one another’s shoulders. One of them was Tulia, whom I liked quite a bit. I was eighteen. Tulia was a bit younger. Lately I had dreamed of having a liaison with her once she had come of age. In general I looked at her more often than was strictly necessary. Sometimes she looked back. But when I tried to meet her eye now, she pointedly looked away, and fixed her red and swollen eyes on the big stained-glass window above the slate. Since (a) it was dark outside and (b) the window depicted Saunt Grod and his research assistants being beaten with rubber hoses in the dungeons of some Praxic Age spy bureau and (c) Tulia had already spent something like a quarter of her life in this room, I reckoned that inspecting the window wasn’t really the point.

Dense though I am, I finally put it together that this was the last time that our crop of thirty-two fids would be gathered together, as such, in our lives. The girls with their preternatural ability for noticing such things were responding, the boys with our equally uncanny obtuseness were only affected inasmuch as the girls we fancied were crying.

Grandsuur Tamura was not doing this to be sentimental, though. “Our topic is the Iconographies and their origins,” she announced. “If I am satisfied that you know enough and that you understand the importance of what you know, then you shall be free to roam about extramuros during the ten days of Apert. Otherwise, you shall remain in the Cloister for your own safety. Fid Erasmas, what are the Iconographies and why do we concern ourselves with them?”

Why had Grandsuur Tamura directed the first question at me? Probably because I’d been transcribing those interviews with Fraa Orolo, and had an advantage over the others. I decided to frame my answer accordingly. “Well, the extras—”

“The Sæculars,” Tamura corrected me.

“The Sæculars know that we exist. They don’t know quite what to make of us. The truth is too complicated for them to keep in their heads. Instead of the truth, they have simplified representations—caricatures—of us. Those come and go, and have done since the days of Thelenes. But if you stand back and look at them, you see certain patterns that recur again and again, like, like—attractors in a chaotic system.”

“Spare me the poetry,” said Grandsuur Tamura with a roll of the eyes. There was a lot of tittering, and I had to force myself not to glance in Tulia’s direction.

I went on, “Well, long ago those patterns were identified and written down in a systematic way by avout who make a study of extramuros. They are called Iconographies. They are important because if we know which iconography a given extra—pardon me, a given Sæcular—is carrying around in his head, we’ll have a good idea what they think of us and how they might react to us.”

Grandsuur Tamura gave no sign of whether she liked my answer or not. But she turned her eyes away from me, which was the most I could hope for. “Fid Ostabon,” she said, staring now at a twenty-one-year-old fraa with a ragged beard. “What is the Temnestrian Iconography?”

“It is the oldest,” he began.