Likewise, the Ita saw what we were, and took half a step back. His long black beard avalanched down his chest as his mouth fell open. But then he did something remarkable, which was that he mastered the reflex to cringe and scuttle away from us, which had been drilled into him since birth. He thought better of that half-step back. He resumed his former stance, and—hard to believe, but Jesry and I agreed on this later—glared at us.

Not knowing how to handle this, Jesry and I backed away and stood out of earshot while Cord did one small quick necessary chore after another, celebrating some aut of shutting down the machine and making it ready for re-use.

The Ita peeled off his skullcap—which was how they covered their heads when they were among their own kind—and drew it out into the slightly mushroomed stovepipe that they wore when they were out and about so that we could identify them from a distance. He then set this back on his head while sending another defiant look our way.

Just as we would never let the Ita come into the chancel, he saw it as sacrilege that we would come here. As if we were guilty of a profanation.

Perhaps obeying a similar impulse, Jesry and I hooded ourselves.

It was almost as if, far from chafing under the stereotype of the sneaky, scheming, villainous Ita, this one was embracing it—taking pride in it, and pushing it as far as he could without actually talking to us.

As we waited for Cord and the Ita to conclude their business, I kept thinking of all the ways that this place was similar to the Mynster: for example, how I had been taken aback when I’d stepped into the hall, so dark and so light at the same time. A voice in my head—the voice of a Procian pedant—admonished me that this was a Halikaarnian way of thinking. For in truth I was looking at a collection of ancient machines that had no meaning: all syntax, no semantics. I was claiming I saw a meaning in it. But this meaning had no reality, outside of my mind. I had brought it into the hall with me, carrying it in my head, and now I was playing games with semantics by pasting it onto these iron monuments.

But the longer I thought about it, the more certain I became that I was having a legitimate upsight.

Protas, the greatest fid of Thelenes, had climbed to the top of a mountain near Ethras and looked down upon the plain that nourished the city-state and observed the shadows of the clouds, and compared their shapes. He had had his famous upsight that while the shapes of the shadows undeniably answered to those of the clouds, the latter were infinitely more complex and more perfectly realized than the former, which were distorted not only by the loss of a spatial dimension but also by being projected onto terrain that was of irregular shape. Hiking back down, he had extended that upsight by noting that the mountain seemed to have a different shape every time he turned round to look back at it, even though he knew it had but one absolute form and that these seeming changes were mere figments of his shifting point of view. From there he had moved on to his greatest upsight of all, which was that these two observations—the one concerning the clouds, the other concerning the mountain—were themselves both shadows cast into his mind by the same greater, unifying idea. Returning to the Periklyne he had proclaimed his doctrine that all the things we thought we knew were shadows of more perfect things in a higher world. This had become the essential doctrine of Protism. If Protas could be respected for saying so, then what was wrong with me thinking that our Mynster, and this machine hall, were both shadows of some higher thing that existed elsewhere—a sacred place of which they were both shadows, and that cast other shadows in such places as Bazian arks and groves of ancient trees?

Jesry meanwhile had been staring at Cord’s machine. Cord had manipulated some controls that had caused the lightning-head to retract as far up as it would go and the table to thrust itself forward. She vaulted up onto that steel slab. In small premeditated steps she came to the part of it that tilted and rotated (which, by itself, was a machine of impressive size). Before resting her weight on a foot she would wiggle it to and fro, scattering shards and twists of silver metal to either side. They made glinting music as they found their way to the floor, and some left corkscrews of fine smoke along their paths. A helper approached with an empty cart, a broom, and a shovel, and began pushing the scraps into a pile.

“It carves the metal from a block,” Jesry said. “Not with a blade but with an electrical discharge that melts the stuff away—”

“More than melts. Remember the color of the light?” I said. “It turns the metal to—”

“Plasma,” we said in unison, and Jesry went on: “It just carves off all the bits that aren’t wanted.”

This raised the question of what was wanted? The answer was clamped to the top of the rotating table: a sculpture of silver metal, flowing and curved like an antler, swelling in places to knobs pierced by perfect cylindrical holes. Cord drew a wrench from the thing she was wearing, which seemed more harness than garment, as its chief purpose was to secure tools to her body. She released three vises, put the wrench back in its ordained pocket, threw back her shoulders, bent her knees, made her spine long, raised her hands, and clasped them around two prongs of this thing she had made. It came up off the table. She carried it down off the machine as if it were a cat rescued from a tree and set it upon a steel cart that looked older than a mountain. The Ita ran his hands over it. His tall hat turned this way and that as he bent to inspect certain details. Then he nodded and exchanged a few words with Cord and pushed the cart off into smoke and quiet.

“It’s a part for the clock!” Jesry said. “Something must have broken or worn out down in the cellar!”

I agreed that the style of the thing reminded me of some parts of the clock, but I shushed him because I was more interested in Cord just now. She was walking toward us, almost but not quite stepping on strewn shards of metal, wiping her hands on a rag. Her hair was cut short. I thought at first that she was tall, perhaps because that was how I remembered her. In truth she was no taller than I. She seemed stocky with all that hardware strapped to her, but her neck and forearms were firm. She drew to within a couple of paces and clanked to a stop and planted herself. She had a quite solid and deliberate manner of standing. She seemed as though she could sleep standing up, like a horse.

“I guess I know who you are,” she said to me, “but what is your name?”

“Erasmas, now.”

“Is that the name of an old Saunt?”

“That’s right.”

“I never did get that old fetch to run.”

“I know. I just saw it.”

“Took part of it here, to be machined, and never left.” She gazed at the palm of her right hand, then looked up at me. I understood this to mean “my hand is dirty but I will shake it if you please.”

I extended my hand and clasped hers.

The sound of bells drifted in.

“Thank you for letting us see your machine,” I said. “Would you care to see ours? That’s Provener. Jesry and I have to go wind the clock.”

“I went to Provener one time.”

“Today, you can see it from where we see it. Bon Apert.”

“Bon Apert,” she returned. “Okay, what the heck, I’ll come see it.”

We had to run across the meadow. Cord had left her big tool-harness behind at the machine hall, only to reveal a smaller, vestlike one that I guessed held the stuff she’d not be without under any circumstances. When we broke into a run, she clanked and jounced for a few paces until she cinched down some straps, and then she was able to keep pace with us as we rushed through the clover. Our meadow had been colonized by Sæculars who were having midday picnics. Some were even grilling meat. They watched us run by as if our being late were a performance for their amusement. Children were chivvied forward for a better view. Adults trained speelycaptors on us and laughed out loud to see us caring so much.