"There is nothing I like better than an asado," I said, "and an asado with folk-songs is my idea of Heaven."

So, at about ten o'clock that evening, a friend of Luna's picked us up in his car and drove us out to the estate, some distance outside Oran, where the asado had been organised. The asado ground was a grove near the estancia, an area of bare earth that told of many past dances, surrounded by whispering eucalyptus trees and massive oleander bushes. The long wooden benches and trestle-tables* were lit with the soft yellow glow of half a dozen oil-lamps, and outside this buttercup circle of light the moonlight was silver brilliant. There were about fifty people there, many of whom I had never met, and few of them over the age of twenty. They greeted us uproariously, almost dragged us to the trestle-tables which were groaning under the weight of food, and placed great hunks of steak, crisp and sizzling from the open fires, in front of us. The wine-bottles passed with monotonous regularity, and within half-an-hour Luna and I were thoroughly in the party spirit, full of good food, warmed with red wine. Then these gay, pleasant young people gathered round while I got the recorder ready, watching with absorbed attention the mysteries of threading tape and getting levels. When, at last, I told them I was ready, guitars, drums and flutes appeared as if by magic, and the entire crowd burst into song. They sang and sang, and each time they came to the end of a song, someone would think of a new one, and they would start again. Sometimes a shy, grinning youth would be pushed to the front of the circle as the only person there capable of rendering a certain number, and after much encouragement and shouts of acclamation he would sing. Then it would be a girl's turn to sing the solo refrain in a sweet-sour voice, while the lamps glinted on her dark hair, and the guitars shuddered and trembled under the swiftly-moving brown fingers of their owners. They danced in a row on a flagstoned path, their spurs ringing sparks from the stone, so that I could record the heel-taps* which are such an intricate part of the rhythm of some of their songs; they danced the delightful handkerchief dance with its pleasant lilting tune, and they danced tangos that made you wonder if the stiff, sexless dance called by that name in Europe was a member of the same family. Then, shouting with laughter because my tapes had run out and I was in despair, they rushed me to the table, plied me with more food and wine, and sitting round me sang more sweetly than ever. These, I say again, were mostly teenagers, revelling in the old and beautiful songs of their country, and the old and beautiful dances, their faces flushed with delight at my delight, honouring a stranger they had never seen before and would probably never see again.

By now they had reached the peak. Slowly they started to relax, the songs getting softer and softer, more and more plaintive, until we all reached the moment when we knew the party was over, and that to continue it longer would be a mistake. They had sung themselves from the heavens back to earth,* like a flock of descending larks. Flushed, bright-eyed, happy, our young hosts insisted that we travelled back to Oran with them in the big open back of the lorry in which they had come. We piled in, our tightly-packed bodies creating a warmth for which we were grateful, for the night air was now chilly. Then as the lorry roared off down the road to Oran, bottles of red wine were passed carefully from hand to hand, and the guitarists started strumming. Everybody, revived by the cool night air, took up the refrain, and we roared along through the velvet night like a heavenly choir. I looked up and saw the giant bamboos that curved over the road, now illuminated by the lorry's headlights. They looked like the talons of some immense green dragon, curved over the road, ready to pounce if we stopped singing for an instant. Then a bottle of wine was thrust into my hand, and as I tipped my head back to drink I saw that the dragon had passed, and the moon stared down at me, white as a mushroom-top against the dark sky.

On my return from Oran the garage almost overflowed with animals. One could scarcely make oneself heard above the shrill, incomprehensible conversations of the parrots, the harsh rattling cries of the guans, the incredibly loud trumpeting of the seriemas, the chattering of the coatimundis, and an occasional dull rumble, as of distant thunder, from the puma, whom I had christened Luna in the human Luna's honour. As a background to this there was a steady scrunching noise that came from the agouti cage, for it was always engaged in trying to do alterations to its living quarters with its chisel-like teeth.

As soon as I had got back I had begun constructing cages for all our various creatures, leaving the caging of Luna until last, for she had travelled in a large packing-case that gave her more than enough room to move about in. However, when all the other animals were housed, I set about building a cage worthy of the puma, which, I hoped, would show off her beauty and grace. I had just finished it when Luna's godfather* arrived, singing lustily as usual, and offered to help me in the tricky job of getting Luna to pass from her present quarters into the new cage. We carefully closed the garage doors so that, if anything untoward happened, the cat would not go rampaging off across the countryside and be lost. It also had the advantage, as the human Luna pointed out, that we would be locked in with her, a prospect he viewed with alarm and despondency. I soothed his fears by telling him that the puma would be far more frightened than we were, and at that moment she uttered a rumbling growl of such malignance and fearlessness that Luna paled visibly. My attempt to persuade him that this growl was really an indication of how afraid the animal was of us was greeted with a look of complete disbelief.

The plan of campaign was that the crate in which the puma now reposed would be dragged opposite the door of the new cage, a few slats removed from the side, and the cat would then walk from the crate into the cage without fuss. Unfortunately owing to the somewhat eccentric construction of the cage I had built, we could not wedge the crate close up to the door: there was a gap of some eight inches between crate and cage. Undeterred, I placed planks so that they formed a sort of short tunnel between the two boxes, and then proceeded to remove the end of the crate so that the puma could get out. During this process a golden paw, that appeared to be the size of a ham, suddenly appeared in the gap and a nice, deep slash appeared across the back of my hand.

"Ah!" said Luna gloomily, "you see, Gerry?"

"It's only because she's scared of the hammering," I said with feigned cheerfulness sucking my hand. "Now, I think I've removed enough boards for her to get through. All we have to do is wait."

We waited. After ten minutes I peered through a knot hole and saw the wretched puma lying quietly in her crate, drowsing peacefully, and showing not the slightest interest in passing down our rickety tunnel and into her new and more spacious quarters. There was obviously only one thing to do, and that was to frighten her into passing from crate to cage. I lifted the hammer and brought it down on the back of the crate with a crash. Perhaps I should have warned Luna. Two things happened at once. The puma, startled out of her half-sleep, leapt up and rushed to the gap in the crate, and the force of my blow with the hammer knocked down the piece of board which was forming Luna's side of the tunnel. In consequence he looked down just in time to see an extremely irritable-looking puma sniffing meditatively at his legs. He uttered a tenor screech, which I have rarely heard equalled, and leapt vertically into the air. It was the screech that saved the situation. It so unnerved the puma that she fled into the new cage as fast as she could, and I dropped the sliding door, locking her safely inside. Luna leant against the garage door wiping his face with a handkerchief.